What's streaming from 1947?

We're having a 1947 sidebar party for the next two weeks as we build towards the Smackdown.

One of the great f***over moments in our world of sophisticated search technology is the lack of interest in content providers giving us extensive search options. Over the years we've watched the capacity to search by film year dwindle until its practically non-existent across the web. Netflix used to have it (many years ago) when they were a DVD company. Hulu has never cared about such things. Amazon Prime still sorta has time-interest searches but makes them very difficult to find and has altered their once somewhat easy "by decade" search into a clunkier system; they now only allow you to differentiate decades once you've hit 1960. This makes self-curated spontaneous movie-watches difficult if, say, you'd like to investigate a particular film year. And, you guessed it, that's something we here at TFE like to do. Criterion Channel, at least and bless them, has a way to search by exact year.

But, as ever, we're here to help. If you'd like to indulge in the 1947 film year before we reach the next Supporting Actress Smackdown here are a dozen noteworthy movies that are currently available to stream for free...

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A Rita Hayworth lovefest

by Cláudio Alves

Born Margarita Carmen Cansino, Rita Hayworth was one of Old Hollywood's brightest and most glamourous stars. As it often happens with such legends of the silver screen, her life was an unhappy one, full of tales of abuse and five failed marriages, crippling insecurity, alcoholism and Alzheimers. Perhaps more hauntingly, her biographers agree that Hayworth despised her existence as a movie star and as a pin-up icon, longing to escape the movie business in her heyday. In Hayworth's later years, she would even come to express disdain towards some of her more famous movies like the iconic Gilda. Still, those same pictures, as well as other classics, made her an immortal legend.

To explore the filmography of Rita Hayworth is to confront the cruel incongruences of her biography, how the movies sculpted her into something bigger than life and made her suffer for it too…

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Almost There: Rita Hayworth in "Gilda"

by Cláudio Alves

Few movies define a star so completely as Gilda does Rita Hayworth. It's impossible to overstate the cultural impact that the 1946 noir had, how it made Hayworth an immortal screen legend and how controversial it was. Some countries even tried to block the release of the picture or censor it. Such feeble efforts only made Gilda more popular, its licentiousness transformed into a thing of myth. In America, audiences went wild, but the critics were more miserly in their praise. Overseas, however, among the European tastemakers and film scholars, Gilda was quickly viewed as an object of serious artistry and not merely a box office juggernaut. Beloved by the public, celebrated by the intellectuals, it's no wonder the flick became such a historical landmark. 

It's safe to assume it was also the closest the actress ever came to an Oscar nomination. It would have been a deserved nod, that's for sure. In Gilda, Rita Hayworth is movie magic made flesh…

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Mirror, mirror on the wall…

by Cláudio Alves

In a career full of little gimlets of cinematic madness, The Lady from Shanghai is Orson Welles' most demented work. With an incomprehensible plot and a cast willing to go to the extremes of grotesque, it's a waking nightmare on celluloid. Through surrealism, Hollywood's most famous enfant terrible untethered himself from the demands of audiences and studios alike, spitting on their face as he went about it. The result is a film noir in the process of imploding unto itself, unencumbered by reality it projects shrapnel of shock and provocation every which way.

Beautiful stars turn into fleshy gargoyles and the dialogue gets increasingly florid, like drunken poetry coming directly from the pits of hell. Appropriately enough, an atmosphere of apocalyptic nihilism infects the hearts of everyone involved, onscreen characters and offscreen audiences alike. And then, this melodrama for the end of the world explodes into an ecstasy of beauty. As the lunatic plots converge and the characters reach their nasty apotheosis, Welles' venomous flower of a film loses itself in a hall of mirrors…

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Beauty Break: Happy Rita Hayworth Centennial !

'The Love Goddess' herself, Rita Hayworth, was born on this day 100 years ago in Brooklyn. Audiences first noticed her in a small role in Only Angels Have Wings (1939) and she seguewayed into profile boosters like Blood and Sand (1941) and Strawberry Blonde (1941). A natural dancer she made two pictures she obviously cherished with Fred Astaire in You'll Never Get Rich (1941) and You Were Never Lovelier (1942) -- Astaire went so far as calling her his favorite dancer partner -- and was one of the two ubiquitous pinups of World War II for American soldiers (the other being Betty Grable)...

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