TIFF ’24: Conviction of Character in “Quisling – The Final Days”

By Abe Friedtanzer

Those with unshakable principles are typically fascinating subjects for film and television, even if those principles contrast sharply with what audiences believe to be right and moral. In the opening scene of Quisling – The Final Days, Vidkun Quisling (Gard B. Eidsvold), the minister president of Norway during the Nazi occupation, announces the death of Adolf Hitler over the radio and frames it as a great loss for the nation. His arrest and imprisonment by the new government follow swiftly, and he remains steadfast that he did the right thing at every turn throughout the entire ill-fated process…

Click to read more ...

TIFF '23: Sophie Nélisse in ‘Irena’s Vow’

By Abe Friedtanzer

There’s a reason that there are so many films about the Holocaust. The attempted conquest of Europe and the whole world by the Nazis resulted in millions of innocent lives lost and countless others irreversibly altered. Fortunately, there were more than a few people who made the brave decision to stand up for those who couldn’t advocate or fight for themselves. These stories typically make for poignant cinematic tales. The latest is Irena’s Vow, which stars Sophie Nélisse as a Polish nurse who risked her life to safeguard a group of Jews…

Like La Rafle, The Zookeeper’s Wife, and A Hidden Life, this film centers on someone who was not Jewish but who found herself significantly disenfranchised when the Nazis invaded her country...

Click to read more ...

TIFF '23: Take a trip down to hell with "The Zone of Interest"

by Cláudio Alves

Jonathan Glazer's "The Zone of Interest"

For my first day at TIFF, I planned on starting things off with a Sandra Hüller double feature, the Palme d'Or-winning Anatomy of a Fall followed by The Zone of Interest. The first half of that plan went kaput soon enough, so instead I caught Warwick Thornton's The New Boy. Expect more thoughts on that title next week – for now, it's Glazer time. In any case, what started as a morning predicated on Croisette honors and a German superstar morphed into an extended exercise in how cinema confronts historical atrocities, how parallel realities can coexist within the same landscape, and how sound can force you to see what your eyes do not… 

Click to read more ...

Venice 2023: Opening film "Comandante" and the latest from Liliani Cavani

by Elisa Giudici

Edoardo De Angelis & Pierfrancesco Favino on the set of "Comandante"

Opening the Venice Film Festival is a daunting enough challenge. Now imagine being called in as a last-minute replacement for Luca Guadagnino’s new film starring Zendaya. Yet, Edoardo De Angelis managed to uphold the honor of Italian cinema admirably. His new film Comandante stands as a notable piece of filmmaking, injecting an interesting angle into the war subgenre of submarine films. To put it in perspective, it holds its own against the likes of The Wolf's Call, a recent European film of similar ambition from 2019, which boated a budget twice the size of Comandante.

A budget of 14 million euros isn't trivial within the national cinematic landscape, where the majority of yearly productions hover around the 1 to 2 million euro mark. This significant financial backing primarily went into meticulously recreating the interior and exterior spaces of the Cappellini submarine. Surprisingly, this endeavor was complicated by the scarcity of photographic references for the original ship or its close counterparts. De Angelis's film underscores a poignant historical reality: the majority of Italy's 120 submarines utilized during World War II met their demise, their crews were lost at sea, resting beneath coral crosses...

Click to read more ...

Review: Your Grandparents Will Love 'Operation Mincemeat'

By Ben Miller

I loved watching films with my grandfather. We called him Peepaw. It was always something he wanted to do. The problem with Peepaw was a measurement of quality. He always wanted middle-of-the-road stories with little challenges and concise, wrapped-in-a-bow storylines. One of his favorite films was the Kevin Costner snooze-fest Dragonfly. The conventionality and Costner’s charismatic banality was exactly what he wanted. He thought it was a masterpiece.

This doesn’t mean Peepaw only liked terrible movies. He was a huge fan of The Guns of the Navarone or The Great Escape. His generation couldn’t get enough of World War II films. These days, when my brothers and I see a film that hit those points, we would describe them as “Peepaw movies” for their ability to appeal to our late grandfather’s particular sensibilities. John Madden’s Operation Mincemeat is THE Peepaw movie...

Click to read more ...