Linktime Stories

Cinematically Insane #DontTouchTCM when it comes to Turner Broadcasting layoffs 
Richard Kelly, of Donnie Darko directing fame, lurves Gone Girl and write a whole epic essay about it while also touching on Eyes Wide Shut and Fincher's music videos
In Contention interviews cinematographer Robert Elswit (Inherent Vice, Nightcrawler)
MNPP gives Quote of the Day to Michael B Jordan on his costumes for Fantastic Four. "snug"
Deadline Scarlett Johansson about to do an Edith Wharton miniseries that was originally supposed to be a Michelle Pfeiffer feature film in the 90s. *sniffle*

Empire first images of Mark Wahlberg, Jessica Lange and Brie Larson in The Gambler remake
Vulture the exact moment Jennifer Garner fell in love with Ben Affleck 
Antagony & Ecstacy on The Boxtrolls. Glad Tim loved it
Boston Globe Mark Wahlberg's compound is finished. Holy third nipple, is he planning to house everyone who has ever appeared in any of his movies?
IndieWire 11 things learned about PT Anderson / Inherent Vice at the recent press conference
The Dissolve interesting video about shooting sex scenes from Joe Carnahan. Starring Patrick Wilson! Who...speaking of...
The Playlist interviews Jason Reitman who talks about the initial indifference to Young Adult, his Labor Day "misfire" and the critical savaging of Men Women and Children. I haven't seen the latter film yet so I don't know if it's gotten a fair shake or not but Reitman does have a point about film criticism today:

When I talk to directors and actors, "Young Adult" is their clear favorite of my films. I don't think ten years from now people will go, "Oh wow, I didn’t realize "Labor Day" was a such a masterpiece." But what it has taught me is that I can't really gauge what a movie is in the moment. To bring it round back to ["Men, Women & Children"]: film criticism has become a tweet. The moment the movie plays, people are writing about it and there's no digestive period.  

We were right about Young Adult all along, bitches.

I love this bookOff Cinema
Arts.Mic on the good news on GLAAD's annual gays on TV report. But...
Slate chimes in with a a more dismissive response: why count?
Pajiba ranking Kyle Maclachlan's TV roles since Twin Peaks

<-- Encyclopedia Madonnica I backed this 20th anniversary edition of the book at Kickstarter. There's a couple more days left to back it and insure your own copy. The book meant so much to me back in the day before you could look up everything instantaneously and when there weren't elaborate comprehensive fansites to celebrities yet. Plus it was just damn fun with lots of trivia and silliness. When I first met Matthew Rettenmund (Boy Culture) here in NYC several years ago I was a wee bit starstruck because of it. And speaking of the big M...
Billboard looks back at the Bedtime Stories album for its 20th anniversary 

Finally...
Esteemed stage veteran Marian Seldes has died at 86. Her regal mischievious face appeared semi-regularly in movies and on TV but usually in tiny roles. It was the stage where she experienced her enduring glorious reign.

I unfortunately only saw her perform live once. It was Edward Albee's "The Play About the Baby" (which also starred David Burtka, pre NPH) a sort of abstract minimalist reinterpretation of "Who's Afraid of Virginia Woolf?" and she was a-maz-ing in it. One of my favorite stories about her comes from 1978's "Deathtrap" in which she co-starred with Victor Garber. The hit comic mystery became a controversial movie in 1982 (a gay kiss - GASP!) with Dyan Cannon and Christopher Reeve taking Seldes and Garber's roles for the big screen. But when the movie premiered, Marian was actually still doing it on stage. She was with the play for its whole four year run and NEVER missed a performance. Amazing.

Here are good obituaries at The New York Times and Playbill. 

Vanity Fair 2014 "The Hollywood Issue" (Part 2)

Part 1 ICYMI, the cover with Chiwetel, Julia, Idris and George

The Vanity Fair "Hollywood Issue" tradition with its glorious and glam pull out cover is our favorite among annuals. In this 3 or 4 part series we'll investigate the full issue, generally just as enticing as the cover, starting with the cover itself (parts 1 and 2). Before we get to each star individually we must praise VF for fashioning Lupita just like a living erect golden Oscar -- get that statue, girl! -- instead of just dropping her, subserviently, on the floor like The Hollywood Reporter did! [more]

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The Pryor Life

JA from MNPP here again, taking a look at the news that no less than Lee Daniels is about to sign on to directthe long-gestating bio-pic of the comedian and actor and genius Richard Pryor.

Apparently Bill Condon almost made it a couple of years ago, but I guess that's fallen through since here we are. I was really looking forward to Daniels making his interracial gay action movie, possibly to star Alex Pettyfer, but I'm not exactly surprised that producers aren't throwing money at that.

And not only do we have a director, but we have a trio of names that're rumored to be up to play the troubled, brilliant comedian. Eddie Murphy, who's been considered for the role for as long as they've been thinking about making the movie really, is still in the mix, although if they want to focus on Pryor's life in his 20s and 30s that seems a bit of a stretch, doesn't it? Eddie Murphy is 52 years old.

Of course also in the mix is Damon Wayans, who's actually a year older than Murphy so what do I know. (Condon was considering using Damon's brother Marlon, and he makes more sense to me.) But I guess they've got that CG they used in the third X-Men movie to make Patrick Stewart and Ian McKellen look young, they can just spend millions and millions of dollars using that. (I hesitate to even mention make-up since I thought the make-up Daniels used to age people in The Butler was just awful.)

I personally find the third name in contention the most appealing - Michael B. Jordan, hot off a great performance in Fruitvale Station, and buzzy as all get out. I don't see why Daniels doesn't consider David Oyelowo too though - he was my favorite thing in The Butler (granted, I didn't like The Butler).

So who would you cast? And what do you think about Daniels tackling not just Pryor but another bio-pic largely set in the Sixties and Seventies so soon?

Inside Llewyn's Gotham Awards

It was a mix of oft rewarded icons (The Coens) and breakthrough leading movie roles from former awesome TV ensemble players (Jordan & Larson) for the Gotham Awards last night in NYC. 12 Years a Slave, which led nominations (not that that means much at the Gothams with so few categories), went home emptyhanded. No, not even for Lupita Nyong'o in Breakthrough! Bad luck or a sign that people respect but don't love the slavery drama? I don't personally understand this since it's a great film and great films are easy to love but though I'm a Gothamite, I'm not a Gotham voter. And full disclosure: I'm also cool on the Coen's chilly musical, apart from the music and the cat both of which are prize-worthy. 

guitar > fiddle at the Gothams

Feature: Inside Llewyn Davis
The 60s folk scene/character study from Joel and Ethan Coen conquered the uneven field of nominees which included  12 Years..., Upstream Color, Before Midnight (read our just published interview with Julie Delpy), and Aint Them Bodies Saints
Documentary: The Act of Killing
Breakthrough Director: Ryan Coogler, Fruitvale Station
Breakthrough Actor: Michael B. Jordan, Fruitvale Station
Will he take all the season's "Breakthrough" prizes or can Lupita rally to conquer?
Film Audience Award: Jake Shimabukuro: Life on Four Strings, Tadashi Nakamura
Spotlight on Women Filmmakers ‘Live the Dream’ Grant: Gita Pullapilly, director, Beneath the Harvest Sky

Brie Larson = Best Actress (Photo via Indiewire)

Actor: Matthew McConaughey, Dallas Buyers Club
He won the Spirit Award last year for Magic Mike so this is another key indie acting prize for him. Can he convert all this into an Oscar acknowledgement that he's reinvented himself as an actor. That's what everyone was expecting but then the Best Actor race just got tighter and tighter.
Actress: Brie Larson, Short Term 12 (Interviewed)
This is quite a get since the Gothams didn't support Short Term 12 with nominations elsewhere. Larson beat Blanchett, Woodley, Scarjo, and busy indie darling Amy Seimetz

How do these prizes strike you this morning? Good, bad, indifferent?

Beauty Break / Best Shot: "Making a Scene" with Oscar Contenders

One of my favorite Oscar traditions is the New York Times short films celebrating Oscar contenders, locked contenders and longshots alike. And by short films I mean very very short. Like one minute. You might remember that previous year's editions have given Casting Directors a ton of brilliant ideas which, for the most part, they've been slow to pick up on like Viola Davis as a frightening villain. Remember that?

This year's shorts, eleven in total, are all directed by two-time Oscar winning cinematographer Janusz Kaminski who is most famous for shooting Steven Spielberg's filmography (and less famous for once being married to Holly Hunter but that's cool, too.) The shorts are sublime in concept -- they mismatch contender actors with one or two lines from screenwriting contenders (update: not from the writer's actual contending films, which I initially thought since the Bradley Cooper bit sounds like a near lift from the All is Lost's opening monologue) -- though not always in execution since this multiplied tradition can't help but be a bit uneven each year. 

Cate Blanchett with a line from the writer of "Computer Chess"

For fun, and as a shout back to the Hit Me With Your Best Shot series that's currently on hiatus, I've selected my favorite single image from each of the shorts [10 more after the jump]. But by all means go and watch the shorts. It'll only take you 15 minutes and there will be many delicious thanksgiving feasts for your eyeballs beyond the ones posted here.

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