How Had I Never Seen... "Monsoon Wedding"?

by Cláudio Alves

Last year, Chloé Zhao won the Golden Lion at the Venice Film Festival for Nomadland. Unlike Cannes, which only awarded one woman (Jane Campion for The Piano) with the Palme d'Or in its history, Venice has named five female directors as the grand victors of its main competition. One of them, Mira Nair's Monsoon Wedding, I hadn't seen.  Since the Criterion Channel has just added Mira Nair's 2001 Venice-winner, it seems like a good time to correct this lacuna. Without further ado, let's delve into the rainy festivities of this Monsoon Wedding…

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Women's Pictures - Mira Nair's Monsoon Wedding

The problem with only getting 1 month - 4 weeks or 5 if we're lucky - to cover an entire career is that things get left out. Movies, genres, occasionally entire decades are skipped over because (thankfully) many of the amazing female directors we discuss made more than 4 films. In the case of Mira Nair, we're skipping both movies, genres, and decades.

Between Salaam Bombay! in 1988 and Monsoon Wedding in 2001, Mira Nair honed her craft making 5 movies in different genres: a great romantic drama, a short, a Cuban-American romcom, a movie about the Kama Sutra, and a drama about Indian-Americans in the South. Nair also became a professor and Columbia, where she met the student who would eventually write Monsoon Wedding, Sabrina Dhawan. The net effect of the 13 years between her first feature and her big hit was a maturation of character as a director. The motifs Nair explored in Salaam Bombay - tonal balance between comedy and darkness, bright cinematography, exploration of social structures - are put to seemingly completely opposite ends in the lighthearted Monsoon Wedding.

Monsoon Wedding is a Bollywood musical by way of Robert Altman. [More...]

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