Months of Meryl: Prime (2005)

John and Matthew are watching every single live-action film starring Meryl Streep. 

Meryl Streep as therapist with Uma Thurman as her client in Prime (2005)

#32 — Lisa Metzger, an Upper West Side therapist whose client begins dating her much younger son.

JOHN: The most depressing thing about Prime is that director Ben Younger reportedly spent eight years writing it. Equally depressing is the sight of Meryl Streep, Actress of Her Generation, wasting her time on this insipid project, and the subsequent dearth of roles for actresses over fifty that her involvement signifies. Here’s a fun kernel for a comedy skit: a kooky, Upper West Side therapist learns that the 37-year-old woman she is treating has begun dating her 23-year-old son, ensuing comic hijinks, oversharing, and ethical quandaries between therapist, son, and client. Now, imagine that idea stretched out for nearly two hours, sans comedy or romance, and you’d have Prime, easily one of the worst movies in Streep’s filmography...

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Months of Meryl: Lemony Snicket's A Series of Unfortunate Events (2004)

John and Matthew are watching every single live-action film starring Meryl Streep. 

 

#31 —Aunt Josephine, an agoraphobic, grammar-obsessed, hermetic eccentric.

MATTHEW:  Who says Meryl Streep doesn’t make movies for kids? In 2004, Streep lent her talents to Brad Silberling’s film adaptation of A Series of Unfortunate Events, Lemony Snicket’s (née Daniel Handler) acclaimed literary series that, over the course of 13 novels, chronicled the many misfortunes and menacing adventures of an orphaned trio of children...

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Months of Meryl: The Manchurian Candidate (2004)

John and Matthew are watching every single live-action film starring Meryl Streep. 

 

#30 —Eleanor Prentiss Shaw, manipulative mother of a Vice Presidential candidate brainwashed by an international cabal. 

JOHN: The one regrettable casualty of this feature-film series is, of course, Streep’s Emmy winning performance(s) in Mike Nichols’ 2003 HBO adaptation of Tony Kushner’s Angels in America. Perhaps we’ll have time to dig into that series in the future, but suffice it to say we rank her work in it quite highly. In 2004, Streep signed on to her first-ever remake, Jonathan Demme’s The Manchurian Candidate, playing a role made famous by Angela Lansbury in John Frankenheimer’s 1962 film. Demme’s version updates Frankenheimer’s film and Richard Condon’s 1959 source novel to contemporary times, made amid the the Bush/Kerry election and thematically enmeshed in the U.S.’s “War on Terror.” Denzel Washington stars as Ben Marco, a Gulf War veteran whose puzzling memories and twisted dreams of serving in Kuwait drive him to uncover the sinister forces driving fellow soldier and newly-selected, left-leaning Vice Presidential nominee Raymond Shaw (Liev Schreiber) into national prominence. Shaw’s blandly robotic demeanor is operated by his manipulative mother, Virginia Senator Eleanor Prentiss Shaw, heir to an American political dynasty but now working covertly for the ominous international private equity fund Manchurian Global...

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Months of Meryl: The Hours (2002)

John and Matthew are watching every single live-action film starring Meryl Streep. 

#29 —Clarissa Vaughan, a higher-up and hostess of the New York literary scene attempting to throw a party for her dying friend.

MATTHEW:  Even before Meryl Streep stepped before the cameras as the unraveling hostess Clarissa Vaughan on Stephen Daldry’s The Hours, the actress already possessed a role in Michael Cunningham’s Pulitzer-winning, tripartite meditation on love, loss, and Virginia Woolf. Early on in Cunningham’s 1999 novel, Clarissa, while shopping for flower, catches sight of a movie star who may be Streep or Vanessa Redgrave or, much less excitingly for Clarissa, Susan Sarandon emerging from her trailer with an “aura of regal assurance.” Streep’s ephemeral appearance in what will prove to be one of the most pivotal days of Clarissa’s life signifies, quite literally, the sublime; her quasi-cameo is a perfect encapsulation of one of those chance, indirect encounters with a famous face that we use, with varying levels of embarrassment, to distract us from the mundanities of our daily routine, a glimpse of the extraordinary amid the everyday. That Streep the Star, who was gifted a copy of "The Hours" by Redgrave’s late daughter Natasha Richardson, is removed from Daldry’s film speaks to the many, many excisions that occur within any page-to-screen transfer, but it also informs us that Streep’s cinematized Clarissa Vaughan is simply beyond distraction...

I will always appreciate Daldry’s version as a rare if principally partitioned meeting of three extraordinary screen stars...

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Months of Meryl: Adaptation. (2002)

John and Matthew are watching every single live-action film starring Meryl Streep. 

#28 — Susan Orlean, a New Yorker writer drawn to the eccentric orchid poacher she is profiling.

JOHN: “Why can’t there be a movie simply about flowers?” asks perspiring screenwriter Charlie Kaufman (Nicolas Cage) to film executive Tilda Swinton from across a table at a posh Hollywood restaurant. “I don’t want to cram in sex or car chases or guns.” One could imagine that Meryl Streep, who has resolutely avoided nudity, drugs, and violence throughout her career, has contemplated this same question. As Susan Orlean, Streep’s outwardly demure and professional demeanor is irreversibly shaken by the oddly captivating John Laroche (Chris Cooper), a Florida orchid hunter, nursery owner, and part-time porn site operator. To watch Streep, at age 53, fire guns, appear nude (read: blatantly Photoshopped) on Laroche’s site, straddle him, and, most incredibly, snort an orchid-based narcotic, getting high and humming along to a phone dial tone, is to experience a dizzying yet satisfying whiplash.

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