YNMS: Mary Poppins Returns

Movie trailer step in time.
Movie trailer step in time.
Movie trailer step in time.
Never need a reason, never need a rhyme
Movie trailer step in time!

It's finally here! After the jump the Mary Poppins Returns trailer and our Yes No Maybe So™ breakdown.

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Old Man and the Link

• EFA You can now vote on the People's Choice Award at the European Film Awards and maybe win a trip to the ceremony (strange choices this year. I don't like it when it's easy to decide!)
• Variety Buzzy titles at TIFF without a distributor that are hoping to inspire big sales / awards buzz -a la I Tonya last year
• NWI Robert Redford's swan song in Old Man and the Gun
• Playbill Megan Hilty singing "Suddenly Seymour" (!) from Little Shop of Horrors
• Bobby Rivers TCM's "The Black Experience on Film" - set your DVRs
• Deadline Cats, the movie musical, has moved into Wicked's previous release date December 20th, 2019. It's so weird that Cats is going to happen before Wicked when the latter so clearly needs to be a movie and the former so clearly shouldn't.
• The Playlist Dave Bautista not sure if he wants to continue his Marvel Universe contract post James Gunn firing
• The New Yorker great piece on the shaming of character actor Geoffrey Owens for his grocery bagging job on the side
• Vulture let these photos of Lady Gaga be your air conditioning
• Film School Rejects Crazy Rich Asian's had a historically big Labor Day weekend. It's also the first romcom to win that weekend since Bring It On in 2000!
• Next Best Picture a potential controversy for A Star is Born
• Gothamist the Village Voice is officially dead, after publishing since 1955 *sniffle*

Finally, over at Towleroad I shared feelings about the Summer Movie Season as we bid it goodbye. You've heard most of that article's introduction feelings before here at TFE but if you want to see the silly awards I handed out like "sexiest men," "stealth MVPs," and "best quotes", click on over.

Dance Break: "A Lot in Common"

Fred Astaire and Joan Leslie tapping up a sweet storm 75 years ago in The Sky's The Limit (1943). Just because. 

Happy Alan Jay Lerner Centennial!

by Nathaniel R

Today marks the 100th anniversary of the birth of Alan Jay Lerner, one of the most crucial figures in the American songbook. The lyricist, librettist, and screenwriter was born in New York City. That's where he first made his mark, too, on Broadway with his first big hit Brigadoon in 1947. Soon he went Hollywood, working on original movie musicals as well as transfers of his famous work from the stage, and garnering 7 Oscar nominations and 3 wins (for his screenplays to Gigi and An American in Paris, and songwriting for"Gigi"). His career ended with The Little Prince (1974) but at the time of his death in 1986 he was working on a musical adaptation of My Man Godfrey and had started work on Andrew Lloyd Webber's Phantom of the Opera, though his only efforts are in the song "Masquerade" (uncredited).

Earlier this summer I had the opportunity to moderate a screening of My Fair Lady (1964) and my guest was Amy Asch who co-edited/annotated the book you see to your left here. So for fun today I thought I'd share a handful of favorite lyrics from his vast repertoire. 

You can sing along as you read...

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West Side Story, Pt 3: Tonight Won't Be Just Any Night

Occassionally Team Experience passes a movie around amongst the team for a retrospective. This month's installment is West Side Story (1961), one of the most popular films of all time and winner of 10 Oscars.

Part One - by Lynn Lee
Part Two -by Eric Blume

Part 3 by Nathaniel R

Growing up I watched West Side Story as often as I could. It was surely my most formative film though as a kid I didn't really know the hows and whys of movies, only how they made me feel. Some movies were good for laughing, others for crying, and a lot of them just to get caught up in adventures and stories. West Side Story was, no, IS, all the things a movie could be in one massive tuneful package. I devoured it every chance I got as a kid. 

When Eric left us in Part Two Maria and Tony had just symbolically wed, lit by heavenly golden light, as they finished singing "One Hand, One Heart". A soft, reverent hush fell over the scene as the lovers kissed and the music faded. Then an abrupt cut to:

01:34:59  This impossibly bold red sky. It's a hard image with a blaring aggressive music cue signalling a major shift within the movie.  From here on out: tragedy. The juxtaposition of the wedding with this image, remains to this day, one of the most violent cuts I've ever seen in a movie. Red is the only choice for it. The camera then swoops down to street level as the Jets begin to sing "Tonight"...

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