Venice 2022: The "Tár" Tease and the Competition Lineup

by Nathaniel R

Cate Blanchett in TÁR

Most sites just give you a list of film titles but we always aim to provide you with more information which is one of the (several) reasons we're slower with the news! Over 50% of the competition titles at Venice this year come from just three countries: France, Italy, and the US and a lot of titles are connected to Netflix. Outside of those countries we get one film from Asia, one from the Middle East, two from South America, and two from UK/Ireland. If you include the Out of Competition titles there's more variety with Canada, Denmark, Ukraine, The Phillipines, and Estonia entering the chat.

After the jump a little bit about each of the 22 films competing for the Golden Lion, and a few of the Out of Competition films including the new Lars Von Trier. Plus that bewitching teaser to Tár, Todd Field's first film in 16 years...

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Streaming: Why doesn't "Persuasion" work?

by Nathaniel R

Dakota Johnson and Cosmo Jarvis star in "Persuasion"

Jane Austen's final completed novel Persuasion has been adapted to screen several times, but unlike her most famous novels, theatrical motion picture fame as eluded it. The latest non-theatrical screen adaptation, via Netflix this time, has met with such harsh reviews that we almost didn't watch it. Nevertheless the extremely alluring faces of Dakota Johnson, Henry Golding, and Cosmo Jarvis beckoned as did the reliable wit of Jane Austen herself. We gave in and pressed play. Unfortunately it's difficult to argue with the consensus this time around...

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Streaming: "Grace and Frankie" Walk Off Into The Sunset

Jane Fonda and Lily Tomlin say goodbye to "Grace and Frankie" after seven seasons on Netflix.By: Christopher James

Grace and Frankie was designed in a lab to be perfect comfort TV before bed. Living legends Jane Fonda and Lily Tomlin have delivered elevated TV-Land-without-censors gold for 94 episodes over seven seasons. Unfortunately, the time has come for our titular odd couple to say goodbye, making Grace and Frankie the longest running Netflix show of all time. 

Even after all this time, our favorite ladies have kept it fresh and fun until the very end. Grace and Frankie never set out to reinvent the wheel. However, they earn points for consistency as they keep things funny and emotional all the way to the bitter (and star studded) end. We’ll miss seeing Jane Fonda and Lily Tomlin on our screens regularly. However, the show is charming and lighthearted enough to be the perfect rewatchable comfort food...

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Review: "Ozark" Comes to an End with Season Four

By Christopher James

Will Marty and Wendy Byrd's actions finally catch up with them in?I didn’t think Ozark would be my latest binge. The Netflix crime drama was well lauded by the Emmys, winning 3 awards from 32 nominations over its past 4 seasons. In many ways, it seemed like the saturation point for “prestige TV,” an ultra-serious thriller with movie stars brooding in barely lit rooms. From the episodes I watched for Emmy coverage, it seemed like my suspicions were confirmed. However, when doing a fresh binge, the show’s personality and verve shone through the murky cinematography. The pilot sums up the central conflict the best, Ozark is about the clash of two worlds: the upper class city finance family and the brash locals they undermine at their own risk.

It all comes to an end with the final seven episodes of season four, which just dropped on Netflix. As the poster claims, the end revolves around one question: can the Byrds officially go clean?

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"Heartstopper" and a world without Olivia Colman

by Cláudio Alves

Adapted from Alice Oseman's webcomic and graphic novel, Heartstopper is Netflix's latest hit. The story of two teen boys falling in love, this queer teen romance is an overdose of sweetness packed into eight swift episodes. There's not much conflict beyond the usual fare for this type of narrative, though a good dose of angst keeps the sentimental dessert from tipping into schmaltz. All in all, I can't call myself a fan even though I recognize how such a production would have rocked my world as a gay teen growing up. It's cute, endearing, and terminally chaste, the kind of diversion that feels bound to delight its target audience.

That's not why I felt compelled to binge it, however. So, following that train of thought, let's talk about Olivia Colman and the Oscar-y conjectures Heartstopper accidentally puts forward…

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