Ludovico Einaudi on the big screen

by Cláudio Alves

After its premiere in Venice and the Golden Lion victory, Chloé Zhao's Nomadland has quickly become one of the most talked-about and most critically acclaimed films of 2020. Personally, I can't wait to watch the nomadic drama starring Frances McDormand, though I'm uncertain when the picture will be coming to Portugal. For the cinephiles of the USA, however, Nomadland is being theatrically released tomorrow, December 4th. If you feel safe enough to do so and it's playing nearby, you can venture into the cinema and experience Zhao's new film.

Meanwhile, I'll wait and let my expectations ferment and grow like some metaphorical sourdough starter. While much has been written about the picture's sweeping landscapes, intriguing narrative, and applause-worthy performances, I confess the singular element I'm most excitingly anticipating is its music. Specifically, Ludovico Einaudi's latest film score…

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"First Cow" leads the Gotham nominations

by Nathaniel R

This year's Gotham Awards have fully embraced the female gaze. In fact, the entire Best Feature nominee list is female-helmed films with First Cow leading with 4 nominations. Unfortunately that means Lee Isaac Chung's Minari was shut out for the top prize (it only received one acting nomination), which is a shame but you can't have everything. Though the Gotham Awards are not a traditional "precursor" to Oscar (they rarely align) we tend to like that kind of precursor best. Groups with their own personality are the only ones that have a reason to exist! 

Full nomination list with a few comments after the jump...

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Fargo: Kindness in an Unkind World

by Cláudio Alves

With Frances McDormand back in the Oscar conversation thanks to Chloe Zhao's Nomadland, I'm reminded of some discussions I had when Three Billboards Outside Ebbing Missouri was making its way through the festival circuit. On first viewing, I was more charmed by the movie than many of my friends and colleagues (subsequent re-watches killed that initial goodwill), finding myself defending some of the picture's elements to its impassioned detractors. Three years later, there's still a critique of Frances McDormand's second Oscar-winning performance that infuriates me, even though I'm no big fan of her turn as Mildred Hayes. 

According to people whose opinions I respect, McDormand was doing the same thing she always does. More alarmingly, I was told that the actress was just repeating her first Oscar-winning performance in Fargo. Whatever one may think about this thespian's pair of Academy Award-winning works, they are different, diametrically opposed even. In many ways, Mildred is the antithesis of Marge Gunderson…

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Podcast: "Nomadland" and "The Nest"

with Nathaniel R & Murtada Elfadl

We're back for weekly podcasting now as the season revs up.

Index (58 minutes)
00:01 Virtual festivals pros & cons and blurry lines between film and TV
13:00 NYFF - Frances McDormand in Chloe Zhao's Nomadland
27:00 Ivory Coast's Night of Kings and the documentary Time
40:22 Sean Durkin's The Nest starring Jude Law and Carrie Coon 
49:00 Boys in the Band in brief
56:00 Wrap up: French Exit is soon! Eeeeeee

Related Reading:
• Nathaniel's Review of Night of Kings
• All posts on Nomadland
• Murtada's Review of Boys in the Band

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

The Nest and Nomadland

NYFF Review: Chloe Zhao's "Nomadland"

by Murtada Elfadl

You know you are not watching just any old prestige drama when a film throws in a shot of its lead character - played by a 2-time Oscar winner - defecating a mere three minutes into its running time. Chloé Zhao’s Nomadland is a film concerned with the concrete realities of life. Things that might seem mundane or unmentionable but take up a big part of everyday life. How a woman carves a small place on earth to sleep, eat, work and yes defecate. 

Fern (Frances McDormand), having lost her work and home when the factory that employed her in a now-defunct company town closed, refurbishes her old van and sets out in the vastness of the American West to find seasonal work. She rests when she can, deals with the elements and makes tentative attempts to find a community among the older itinerant people she meets. They exchange DIY tips for survival, share stories and sometimes companionship. But mostly Fern is stubbornly on her own. She is grieving her husband, town and job. Combating her constant grief by constantly moving...

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