Hello, Gorgeous: Best Actress of 2020

A new series by Juan Carlos Ojano

Women are at the center of the Oscars conversation*. Two female nominees for Best Director. Chloé Zhao making Oscar history. Highest number of female-directed films nominated at the Oscars as well as highest number of eligible films at the Oscars in total. Maybe it’s too early to say, but this year is looking like the bellwether of a significant change that is about to happen in the cinematic experience and landscape in the years to come. In a time when cinema as we know it was changing right in front of our collective eyes, this year in film has shown that the future is female indeed.

As for Best Actress - save for one co-lead situation - women are also the center of their respective films’ narratives (longtime Oscar fans know that’s not always the case). The roles nominated during this time exemplify the complex emotions of the year. Social unrest and grief are big forces that confronted us that year. And look at what we have: their nominees’ character introductions are reflective of that.

Are you ready? *The year is 2020...

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Through Her Lens: An Introduction

A new series by Juan Carlos Ojano

Will any female directors be nominated this year at the Oscars? It's too early to say but sexism has been a long-standing problem in the history of cinema and the Oscars -- that's often reflected in who is invited to enter the canon and who is not. Year after year, films directed by women have been routinely ignored. Seeing five men in Best Director lineups during awards season has long been a given. Only seven women have been nominated for Best Director. Ever. Last season, though, featured what we hope will prove a turning point.

In this series, we will share an alternate list of five films directed by women per Oscar vintage, based on what was eligible. This is not to say that the films we'll cite will always be better than the ones nominated. Take this list more as a reminder that the work by women has always existed. That should be reason enough for celebration. This is Through Her Lens...

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When was the last time Fern went to the movies?

93rd Academy Awards: Black-and-White edition

by Cláudio Alves

Despite some semi-shocking results in the major categories, this year's Oscars were relatively surprise-free. Sure, the Best Original Song choice was unexpected, but there are very few precursors for that particular category, leaving it always a bit up in the air. Only one "below the line" or "technical" category managed to shock me. That was the Cinematography race. While David Fincher's Mank had nabbed the ASC prize, I assumed Nomadland would get an easy win on Oscar night. After all, it swept the critics' prizes, won the BAFTA the production went into the ceremony as the Best Picture frontrunner. Nomadland even won that last one. Nevertheless, Joshua James Richards' poetic landscapes were ignored in favor of Erik Messerschmidt's silvery monochrome for Mank...

The conclusion to this specific race is even crazier when one considers that the Fincher flick was Messerschmidt's first feature. That being said, Mank's in black-and-white, making it part of a trend to (over?)reward grayscale cinema at the Oscars. If you want to win a Cinematography Oscar, don't forget to drain the color out of your picture. Would Nomadland have won if it had been shot in black-and-white? Last year, I explored how AMPAS has been infatuated with monochrome cinematography, going so far as to nominate such a hostile, complicated art film as The Lighthouse. Furthermore, because Parasite was re-released in black-and-white, I also made a photo collection examining how each Best Picture nominee would look in glorious black-and-white. Inspired by those past write-ups, here's a collection of screenshots from the other Best Picture nominees, four of which were defeated by Mank in this category...

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Westerns and the Best Cinematography Oscar

by Cláudio Alves

With News of the World nominated for the Best Cinematography Oscar, I started thinking about the relationship between the western and this particular craft and awards category. My relationship with the intrinsically American genre hasn't always been one of admiration, and for years I counted it among my least liked genres. However, some historical research and the watching of many fascinating classics made me reappreciate the possibilities of the western. I gained a new respect for its importance. The wondrous feats of cinematography had a lot to do with it… 

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