BAFTA predictions? Why not!

by Nathaniel R

Rather famously the BAFTAs did a gigantic overhaul of their nomination process to insure gender parity and diversity in their nominations. Many of the individual category nominations were decided by tiny juries. But for the winners the whole voting body will vote. Given that the nominations themselves were impossible to foresee perhaps the winners will be too? So lets just try our hand at divining what might come to pass.

FILM

• The Father
• The Mauritanian
• Nomadland
• Promising Young Woman
• The Trial of the Chicago 7

WILL WIN: This is actually a tough call. BAFTA has disagreed with Oscar more than we commonly think for the top category...

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93rd Academy Awards: "Cinematography as ________ "

Please welcome new contributor Timothy Lyons...

The cinematographers’ branch (like all branches in the Academy) loves a familiar face - think your Lubezkis, your Richardsons and your Deakinses. One of the happy byproducts of an unusual cinematic year mostly void of big anticipated productions and usual suspects, is the higher-than-normal number of newbies recognised across the craft categories for this year’s Oscars. The five nominees for Best Cinematography are made up of: one returning nominee, one longtime veteran of the industry finally getting his due, one up-and-coming darling of the indie scene, one newcomer shortlisted for his feature film debut, and one individual who is (shockingly) on his first nomination despite shooting one of the most picturesque Best Picture winners (!) in recent memory.

Let's explore the five achievements the Academy has chosen to reward these artists for, presented in ascending order of personal preference…

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93rd Academy Awards: Best Film Editing

by Juan Carlos Ojano

Best Film Editing is noteworthy as an Oscar categoryfor its strong connection with the Best Picture race. With the exception of 2014’s Birdman (which prided itself for being a one-take film even if it actually isn’t), we have to go back to 1980 to find a Best Picture winner without a corresponding Film Editing nomination. However, the expanded ballot changed the Editing race. Since 2009, only four non-Best Picture nominees have gone on to be nominated in this category, with only one winning. This lends a preordained quality to the contenders.

This year is no exception, with all five nominees coming from Best Picture contenders. However, the predictability of the crop does not equate to the predictability of the race; this is one of those categories where one can see any of the five nominees realistically taking the award based on presumed strength in the awards season...

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With the PGA win Nomadland is probably locked up. But what to make of Best Documentary Feature?

by Nathaniel R

If Nomadland was going to show any weakness before Oscar night, now just 31 days away, it would probably have been at the Producers Guild Awards which were held last night. Sorry to its rivals (though not really because we love Nomadland) there appears to be no vulnerable spots in its golden armor. Or maybe the Producers Guild just wasn't feeling frisky about throwing curveballs this year since with the exception of the Best Documentary (which still feels wide open in terms of the Oscar win) ALL of their prizes went to frontrunners in their Oscar categories or TV shows that have already cleaned up at other awards shows or even previously at the PGA...

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Actors Turned Producers @ the Oscars

by Cláudio Alves

We've already posted about many records broken with this year's Oscar nominations, but one particular achievement remained unmentioned. With her double nominations for Nomadland – for Best Picture and Best Actress – Frances McDormand became the first woman to earn an acting and a Best Picture nomination for the same project. This comes after a decade when this feat became incredibly common for male performers. Historically, ever since the 1950s, when AMPAs started to list producers with Best Picture nods, instead of merely the studios' name, actors have been producing their movies and earning added honors for those efforts. Still, it was only in the late 60s that someone scored the elusive double citation by the Academy…

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