Through Her Lens: An Introduction

A new series by Juan Carlos Ojano

Will any female directors be nominated this year at the Oscars? It's too early to say but sexism has been a long-standing problem in the history of cinema and the Oscars -- that's often reflected in who is invited to enter the canon and who is not. Year after year, films directed by women have been routinely ignored. Seeing five men in Best Director lineups during awards season has long been a given. Only seven women have been nominated for Best Director. Ever. Last season, though, featured what we hope will prove a turning point.

In this series, we will share an alternate list of five films directed by women per Oscar vintage, based on what was eligible. This is not to say that the films we'll cite will always be better than the ones nominated. Take this list more as a reminder that the work by women has always existed. That should be reason enough for celebration. This is Through Her Lens...

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FYC: Never Rarely Sometimes Always

by Nick Taylor

Never Rarely Sometimes Always is the 2020 film I've watched the most times this past year. The story of a 17-year-old girl fleeing her small town for several days to get an abortion in the city is perhaps not the kind of tale that one expects to dive into over and over again. But few films have gripped me quite like this one has. Of all the American  films contending for an Oscar nomination, this and First Cow are by far the two I most want to see recognized somewhere, anywhere, everywhere. It’s always rough when the televised awards start culling from critics prize winners for their own lineups, and even harder when the whole goddamn process is strung out for two extra months. Will key nominations from the exclusive, rigorously discerning Critics Choice Association help kick it back into the conversation? Or did writer/director Eliza Hittman missing at WGA signal the end of the road? Maybe the Indie Spirits will be the last time we see this crew up for an award, but until proven otherwise, here’s my pitch on behalf of this marvelous film in any and all categories available to it.

There’s nowhere to start like the beginning, which in this case is the most internally idiosyncratic scene of the film. Never Rarely Sometimes Always begins with a talent show of sorts, as student dress up in ‘50s Teen Outfits and sing & dance to Elvis...

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Year in Review: Best Onscreen Chemistry of 2020

by Team Experience

Chemistry may be something you can predict in a lab but in showbiz it's always been volatile, elevating some projects to unpredictable heights and dooming others with its absence or withholding or misdirections. Strong onscreen chemistry may be far less rare than capturing lightning in a bottle but it can feel just as miraculous. In the studio system they'd seize on any great example and repurpose it by ordering additional pairings of the stars involved. Modern Hollywood executive (and the stars themselves to some degree) have been notoriously dumb about capitalizing on incredible partnerships. This has made great onscreen chemistry basically a one & done phenomenon for the most part for decades... and thus all the more ephemeral and precious. So let's celebrate it.

We polled Team Experience on "best screen chemistry of 2020" and pooled the results. Sound off with your own in the comments... 

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Oscar Chart Updates: The Screenplays

by Nathaniel R

After Visual Effects and Makeup and Animated and Documentary Features let's turn out attention to the written word seeking Oscar approval. The critics awards for Best Screenplays are never very telling because many film critic organizations lump Adapted and Originals together. The only films in the Oscar race that have already won Best Screenplay prizes this year (at this writing) are the originals Promising Young Woman (LAFCA) and Never Rarely Sometimes Always (NYFCC and CFCA) and the adaptation that feels like an original i'm thinking of ending things (BSFC, FFCC, and IFJA). (The various screenplay winners from Cannes, Venice, Sundance and Berlinale are not eligible at the Oscars this year.) That's a long way of saying that we have very little to go on in the Oscar race...

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20:20 (Pt 2) Power chords, romantic comedies, and unseen gems?

Due to our ongoing fetish for freezeframing movies at random and for the practical reasons of looking for which 2020 releases are streaming --we are rapidly approaching "year in review" list-season so we gotta catch up --we're freezing 2020 pictures at the 20:20 mark. If you missed part one, that's here. The movies were chosen entirely at random ....so long as they were easily accessible for viewing.

How many of these 15 movies have you seen? Any you've been meaning to catch up with?

Are the people ready to make opening arguments?

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