Streaming Diaries: "1899", "Friend of the Family" and more

by Nathaniel R

I didn't see you there.

I had a short-lived second round with COVID over Thanksgiving week (all better now, "negative", and out and about). While sick the hot ginger tea was flowing and the streaming entertainment was constant. The great f***-over moment of the timing of all this (first world problem incoming!) was that the FYC screeners went to my old address and the new Apple TV that could download the studio FYC streaming apps didn't arrive until after the holiday. This means I did not have access to Guillermo del Toro's Pinocchio so naturally that's the movie I felt like watching at every moment. But you should know (if you don't already from social media) that Netflix is really pouring money into that Oscar campaign; they sent a massive box of stuff!

Okay, we'll do a few of these streaming diaries posts to catch up and they'll be very random as to what's discussed from Oscar bait to trashy TV...

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FYC: Never Rarely Sometimes Always

by Nick Taylor

Never Rarely Sometimes Always is the 2020 film I've watched the most times this past year. The story of a 17-year-old girl fleeing her small town for several days to get an abortion in the city is perhaps not the kind of tale that one expects to dive into over and over again. But few films have gripped me quite like this one has. Of all the American  films contending for an Oscar nomination, this and First Cow are by far the two I most want to see recognized somewhere, anywhere, everywhere. It’s always rough when the televised awards start culling from critics prize winners for their own lineups, and even harder when the whole goddamn process is strung out for two extra months. Will key nominations from the exclusive, rigorously discerning Critics Choice Association help kick it back into the conversation? Or did writer/director Eliza Hittman missing at WGA signal the end of the road? Maybe the Indie Spirits will be the last time we see this crew up for an award, but until proven otherwise, here’s my pitch on behalf of this marvelous film in any and all categories available to it.

There’s nowhere to start like the beginning, which in this case is the most internally idiosyncratic scene of the film. Never Rarely Sometimes Always begins with a talent show of sorts, as student dress up in ‘50s Teen Outfits and sing & dance to Elvis...

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How many female directors are going to be nominated?

by Juan Carlos Ojano

In hindsight, concerns that "there are no movies" or cries to "cancel the Oscars" during the pandemic were premature and also insulting. We could lament all the films postponed or we could embrace the extraordinary films we got. 2020 was a rich year of diverse voices behind the movies. That happily translated to the awards conversation: BIPOC and female filmmakers have had an unprecedented presence in the run up to the Oscar nominations.

Looking back at Oscar history, only five women have been nominated for Best Director...

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Spirit Award Nods: "Never Rarely Sometimes Always" and "Minari" lead the nominations

Chauncy and Barry helping announce the Spirit nominationsby Nathaniel R

Nominations for the 36th annual Independent Spirit Awards have been announced. Spirit winners Olivia Wilde (Booksmart) and Barry Jenkins (Moonlight) as well as actress Laverne Cox announced the nominations. 

BEST FEATURE

• First Cow (Neil Kopp, Vincent Savino, Anish Savjani)
  Received 3 nominations
• Ma Rainey's Black Bottom (Todd Black, Denzel Washington, Dany Wolf)
  Received 5 nominations
• Minari (Dede Gardner, Jeremy Kleiner, Christina Oh)
  Received 6 nominations
• Never Rarely Sometimes Always (Sara Murphy, Adele Romanski)
  Received 7 nominations
• Nomadland (Mollye Asher, Dan Janveey, Frances McDormand, Peter Spears, Chloe Zhao)
  Received 5 nominations

A Full list of Film Independent Spirit nominees and commentary follow after the jump...

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Interview: Eliza Hittman on 'Never Rarely Sometimes Always'

by Murtada Elfadl

The first great movie of 2020 has arrived. Visceral, exquisite and artfully rigorous Eliza Hittman’s Never Rarely Sometimes Always drops the audience into the experience of two teenage girls in rural Pennsylvania. Faced with an unintended pregnancy and a lack of local support, Autumn (Sidney Flanigan) and her cousin Skylar (Talia Ryder) embark across state lines to New York City on a fraught journey trying to secure an abortion. The performances from newcomers Flanignan and Ryder are stunning in their simplicity and authenticity and Hittman reaches new heights with her assured filmmaking no matter what you thought of her previous films, Beach Rats (2017) and It Felt Like Love (2013). The movie won raves at this year's Sundance and won the Grand Jury Prize, or 2nd place, at the Berlinale last month.

Ryder, Hittman and Flanigan at the Berlinale

We recently met with Hittman in New York. [This interview has been edited and condensed for clarity.] 

Murtada Elfadl: Congratulations on the film. I saw it at Sundance. I really loved it. It's great.I wanted to ask you first about working with the actors. I hear Sidney Flanagan has never acted before and Talia Ryder has maybe done a couple of things,

Eliza Hittman: Stage. She's done musical theater.

They are amazing. I was flabbergasted by these performances. I read about your casting process, but can you talk about working with them on set, how did you manage to get these performances out of them?

We had a day and a half to prepare and to rehearse.

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