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Entries in Barry Jenkins (31)

Friday
Nov012024

AFI Fest: “The Fire Inside” Packs a Surprising Punch

by Eurocheese

I have to admit that on the last day of AFI Fest, I was not particularly excited to see a boxing film. Oscar seems to have an affinity for the topic, but sports films in general don't resonate with me. Shame on me for underestimating Barry Jenkins as a screenwriter and for not having higher hopes for cinematographer Rachel Morrison’s directorial debut. The Fire Inside, much like its protagonist, proves itself again and again: It’s a compelling, smart drama with a scope that stretches far beyond the game.

The film is based on the true story of Claressa Shields who overcame obstacles all her life in Flint, Michigan on her way to becoming an Olympian...

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Sunday
Feb272022

Maggie Gyllenhaal wins the Scripter for 'The Lost Daughter' 

by Nathaniel R

Gyllenhaal at a screeing for The Lost Daughter in December

The USC Scripter Awards are an annual event that is a gala fundraiser for the USC Libraries. This year Maggie Gyllenhaal was the big winner in what some might regard as an upset over Jane Campion. We think it's less than surprising though since the Scripters also recognize the author of the source material and Elena Ferrante would hold much more appeal to current voters than Thomas Savage for a book that isn't as famous as its cinematic counterpoint. Whether Gyllenhaal can upset at the Oscars is a different story...

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Thursday
Aug122021

Emmy Analysis: Who will win Outstanding Directing for a Limited Series or TV Movie?

by Cláudio Alves

Like its respective writing category, the Outstanding Directing for a Limited Series or TV Movie Emmy race is a mess of inconsistent rulings. Some shows compete with entire seasons, while others have submitted individual episodes. This is allowed, so that miniseries with different directors per episode can compete. However, this year, I May Destroy You's Sam Miller got two nods through a technicality, making the rule feel superfluous and poorly conceived. Beyond that, the big oddity of the category is the presence of Hamilton's Thomas Kail. While similar projects of filmed theater were deemed TV Specials and are competing in that race, the Disney+ musical somehow got into this lineup. If he wins, Kail will repeat his Tony victory. With that out of the way, let's dive in and explore the nominated works…

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Tuesday
Jan262021

Spirit Award Nods: "Never Rarely Sometimes Always" and "Minari" lead the nominations

Chauncy and Barry helping announce the Spirit nominationsby Nathaniel R

Nominations for the 36th annual Independent Spirit Awards have been announced. Spirit winners Olivia Wilde (Booksmart) and Barry Jenkins (Moonlight) as well as actress Laverne Cox announced the nominations. 

BEST FEATURE

  • First Cow (Neil Kopp, Vincent Savino, Anish Savjani)
    Received 3 nominations
  • Ma Rainey's Black Bottom (Todd Black, Denzel Washington, Dany Wolf)
    Received 5 nominations
  • Minari (Dede Gardner, Jeremy Kleiner, Christina Oh)
    Received 6 nominations
  • Never Rarely Sometimes Always (Sara Murphy, Adele Romanski)
    Received 7 nominations
  • Nomadland (Mollye Asher, Dan Janveey, Frances McDormand, Peter Spears, Chloe Zhao)
    Received 5 nominations

A Full list of Film Independent Spirit nominees and commentary follow after the jump...

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Tuesday
Aug252020

The New Classics: Moonlight

By Michael Cusumano 

Scene: Kevin and Black at the Diner
We consider Trevante Rhodes’s Black carefully throughout the last act of Barry Jenkins’ Moonlight, searching for traces of the younger versions of his character. That we don’t find many is not surprising considering how we’ve seen this child get battered and abused by life. Chiron doesn’t grow from segment to segment so much as he transforms as survival demands. Moonlight’s second movement ends on such a violent act of self-annihilation, we should be surprised to spot any remnant of the adolescent in Black when he walks into Kevin’s diner a decade later. 

And yet despite the intimidating presence Black developed as a barrier against the world, the aspect that unmistakably connects him with his teenage self, and to Little before that, is his fragility. All his outward defenses - the bulked up physique, the sullen manner - hang on him like an ill-fitting suit of armor. When he is in the presence of Andre Holland’s Kevin it looks a stiff breeze would blow him over...

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