Almost There: Ann Dowd in "Compliance"

by Cláudio Alves

Here, at The Film Experience, there's a lot of love for Ann Dowd. The actress has been celebrated numerous times, interviewed, and she even took over the blog for a day in 2015. With Fran Kranz's Mass in theaters, Dowd may finally be poised to receive her first Oscar nomination after decades doing superb work on stage and on screens of all sizes. For years, despite the consistent quality of her performances, Dowd went unrecognized. In 2012, however, it all changed when Craig Zobel's Compliance generated widespread critical acclaim for the thespian, inspiring her to start a self-funded awards campaign. Making formidable use of this career momentum, Dowd quickly became a recognizable character actress powerhouse and an Emmy winner. Even so, all these years later, Compliance remains one of her greatest achievements…

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Emmy Analysis: Who will win Outstanding Directing for a Limited Series or TV Movie?

by Cláudio Alves

Like its respective writing category, the Outstanding Directing for a Limited Series or TV Movie Emmy race is a mess of inconsistent rulings. Some shows compete with entire seasons, while others have submitted individual episodes. This is allowed, so that miniseries with different directors per episode can compete. However, this year, I May Destroy You's Sam Miller got two nods through a technicality, making the rule feel superfluous and poorly conceived. Beyond that, the big oddity of the category is the presence of Hamilton's Thomas Kail. While similar projects of filmed theater were deemed TV Specials and are competing in that race, the Disney+ musical somehow got into this lineup. If he wins, Kail will repeat his Tony victory. With that out of the way, let's dive in and explore the nominated works…

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Sundance: "Z for Zachariah" Creaks Under The Weight Of Its Allegory

Michael C here. It's only fitting that I wrap up my Sundance reviews at the end of the world. I could not stop my brain from rebelling throughout Craig Zobel’s Z for Zachariah.

I understood the director was going for a story that worked on an allegorical level. I respected how well Zobel built up a world with just three actors and a handful of rustic locales by letting our imaginations fill in the rest. I appreciated the craft on display. Zobel is a skilled visual storyteller aided immensely by Tim Orr’s evocative photography. The trio of actors playing maybe the last three people alive all do fine work, particularly Margot Robbie, showing impressive range in a character many miles removed from her Wolf of Wall Street trophy wife. I got all the reasons why the film should work, but it never snapped to life for me, maybe because the characters were all too laden with symbolism to feel like real people capable of acting spontaneously. I wanted the cast to quit it with the furtive glances and address the issues everyone in the audience figured out five scenes ago. [More...]

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Review: "Compliance"

Compliance is the kind of film I always hope to love. Ambitious, confrontrational, and very well acted films that rely on theme and character and ideas are jawdroppers for me in a way that explosions, stunts, and visual effects innovations almost never are. But ambitions and soulful actors can only take you so far when fundamental flaws get in their way.

It's best to see Compliance cold (as I did) with no knowledge of its subject matter. Unfortunately it's almost impossible to talk or write about without giving its game away which is why it's a tough sell (it's made $111,000 in limited release) though it's gripping enough should you buy a ticket. So read on at your own risk...

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