Grammy Nominees... As They Relate to Movies, Theater, and TV

Nominations have been announced for the 59th annual Grammy Awards honoring the year in music (sort of.. their timelines can be very confusing). More than any of the other big 4 awards shows (Tonys, Emmys, Oscars) Grammy nods are largely based on financial success so it's usually the superstars in the major categories and that's true again this year with Beyoncé leading with 9 nominations and other superstars not far behind. The surprise this year was country star Sturgill Simpson (A Sailor's Guide to Earth) sharing the most coveted category "Album of the Year" category with Beyoncé (Lemonade), Adele (25), Justin Beiber (Purpose), and Drake (Views).

Adele's "25" is so great. But if she loses everything she can console herself with her 10 previous Grammys

But since the Grammys have over 80 categories (we are not exaggerating) here at TFE we just focus on those in which film, tv, or stage types are in play. i.e. the ones that can  sometimes lead to EGOTing are after the jump.

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Production Design Interview: Building the World(s) of "Room"

Once you've seen Room, you're unlikely to forget "Room". To Jack (Jacob Tremblay) "Room" is the entire world. He names everything in it and says hello each morning to the only (inanimate) friends he has ever known. The space had to be tight, visually memorable, and emotionally specific and you had to have cameras function inside it. A tall order. To design Room, and the world outside of it in Room, a Globe nominee for Best Picture, Lenny Abrahamson entrusted the ingeniously creative production designer Ethan Tobman who had previously worked in low profile independent film but attracted much more attention for recent high profile work for music superstars like Beyonce, Eminem and Madonna.

We had the pleasure of talking to Tobman about his process, his time in music video, and how he got emotionally inside and outside of that tiny space to design it. 

NATHANIEL R: Room has such a memorably specific central set, how do you even know where to begin on a project like this?

ETHAN TOBMAN: The way I approach any project, but specifically Room, is to read the script and put it away for a week and think about the things that inspired me about it. The research begins immediately, but I need to allow myself to think pretty abstractly about some of the emotional and thematic concepts. [More...]

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