Oscar Volley: Who will take the fifth slot in Best Actress?

Team Experience will be discussing each Oscar category as we head into the precursors. Here's Nick Taylor and Eurocheese...  

NICK: We’ve arrived at the most crowded acting category of year, which doesn’t necessarily mean this category will be difficult to predict. If you look at the fifteen women in Nathaniel’s Best Actress predictions -- I think Lesley Manville should be higher for Mrs. Harris Goes to Paris -- you can see that the fifth slot is going to be a bloodbath. It makes it even harder to narrow things down when so many of the turns are fantastic. The sheer amount of chaos offered from the this category in the past couple years makes it hard for me to feel comfortable with setting anything in stone even as we reach the end of the year. 

I wanna honor the messiness of the category, from year to year, and spice up how we order this volley. Euro, of all the leading actresses from 2022 with minimal-to-no Oscar buzz, who would you rank among the very best?

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TIFF Diary #5: Disappointing Oscar bait and a surprise favourite

by Baby Clyde

Hugh Jackman and Florian Zeller on the set of "The Son"

Today I had no mid-film snooze problems. The screenings started at midday with Florian Zeller’s adaptation of his own play The Son. I saw the original London production back in 2019: Great performances. Terrible play. Though Zeller has ironed out some of the innate staginess of the source material The Son can’t overcome the fact that this is not a play about the teenage depression epidemic but rather about absurdly inept parenting. The choices made are so ludicrous and the reasoning so shallow I laughed out loud on numerous occasions. They also kept the queasily distasteful, possible twist as a coda which is no less objectionable on film than it was on the stage. Sir Anthony pops up briefly in what is presumably a reprise of his character from The Father. He makes more impact in three minutes than the rest of the cast do in the other two hours of contrived torment. Consider it the first proper clunker of this Oscar season.

Empire of Light was next and has seemingly been genetically engineered in a film lab to garner Oscar noms...

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TIFF: "Empire of Light"

by Matt St Clair

The trailer for Sam Mendes’ Empire of Light promises to capture, if you will, the spirit of the Nicole Kidman AMC ad. Something that depicts the escapist power of moviegoing and 'that indescribable feeling we get when the lights dim.' As Toby Jones’ projectionist character says at one point, there is something about the experience of that beam of light bursting from the projector when the previews start, the theater darkens, and we’re all huddled together to escape into another place or time. 

In the film’s entirety, are we treated to the ode to moviegoing that the trailer promises? The answer is... somewhat. As it turns out, Empire of Light serves as a meditation on both mental illness and race as well as the power of cinema...

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Venice at Home – Day 8: Who Are We?

by Cláudio Alves

Before either film had been screened to the public or press, there was already buzz surrounding Alice Diop and Florian Zeller's newest films. Many called Saint-Omer, Diop's first narrative feature after many documentaries, a likely contender for the Golden Lion. Lo and behold, the picture has receiving glowing reviews, which is unsurprising. In contrast, this eighth day of competition at the Lido saw a shocking development with Florian Zeller's follow-up to The Father. Defying expectations The Son has received mixed reviews, some of which lambast it unsparingly. Not even the cast is above reproach to the naysayers. Even so, Hugh Jackman remains mostly unscathed, keeping those Best Actor dreams alive.  Let's not forget that Zeller directed Anthony Hopkins to his second Academy Award. So let's take a look back at The Father and Alice Diop's last documentary before Saint-Omer…

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Yes No Maybe So: "Empire of Light"

by Nathaniel R

Olivia Colman standing in front of the titular character, a movie theater named "Empire"

You know it's August when the Oscarrific trailers start hitting. Today's newbie is something we're very curious about. The film is Sam Mendes' Empire of Light starring Olivia Colman and A Movie Theater (from the looks of it). What a perfect combo that is... though the last time Colman tried to watch a movie onscreen things did NOT go well (remember that great but ferociously frustrating scene in The Lost Daughter?). In addition to being a movie about movies, Empire of Light also has racial and romantic elements in the drama.

The gorgeous trailer and a Yes No Maybe So breakdown after the jump...

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