Almost There: Gena Rowlands in "Opening Night"

by Cláudio Alves

It's fair to say that Gena Rowlands is one of the most important screen actors of the 20th century. Her films made with husband, director, and costar John Cassavetes helped usher in a new kind of immersive realism that would thrive in the American indie scene for decades after the pair's heyday. To honor this acting genius, the Criterion Channel curated a collection of 10 films that feature some of Rowlands' most acclaimed work. For the Almost There series, I'm interested in those achievements that got some awards glory while not scoring any recognition from the Academy. After her Oscar nomination for 1974's A Woman Under the Influence, Gena Rowlands returned to the awards discussion with 1977's Opening Night…

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Throwback FYC: Carrie Fisher, 1977

While the Star Wars franchise didn't become or stay a global phenomenon on the strength of its acting, it did received one Oscar nomination in that arena: Sir Alec Guiness as Obi Wan Kenobi in Star Wars (1977). Later Sir Ian McKellen would pull off a similar trick for the Lord of the Rings franchise proving that it really helps to be a knighted acclaimed male thespian to get respect for genre films.

But Star Wars's Oscar campaign in 1977 (which resulted in 10 nominations, 6 wins, and a special non-competitive Oscar) did include the then 21 year-old Carrie Fisher. 

It's insane that our beloved Carrie Fisher was never Oscar nominated but that insanity stems not from Star Wars, however iconic Leia is and will continue to be, but from her infinitely quotable and self-deprecatingly delicious screenplay to Postcards from the Edge  (1990). Her significantly reworked adaptation of her own novel put nearly all of the actually Oscar-nominated screenplays that year to shame.

Joan Blondell in Opening Night (1977)We've already revisited the Supporting Actress race of 1977 in our "Smackdown" series* but there wasn't room for the braided bunned Princess that year even if you attempt to rejigger the category. For if you toss out a member of that uneven batch you've got to make room first and foremost for Joan Blondell's win-worthy work as an exasperated writer dealing with a addict of a leading lady in Opening Night. Come to think of it, and now I totally can't stop thinking about it, Carrie herself would surely have related like crazy to both sides of that volatile battle of artistic and destructive wills in the John Cassavettes film.

* yes, the series will return soon.

Podcast/Smackdown Pt 2: Richard Dreyfuss Double Feature of '77 and Films Oscar Ignored

As a companion piece to yesterday's Smackdown, a two-part podcast. If you missed Part One it's right here. Now we conclude our '77 festivities (did you enjoy or did we go to overboard?) with our panel, which includes Mark Harris, Guy Lodge, Nick Davis, Sara Black McCulloch, and Nathaniel R, discussing Tuesday Weld, Richard Dreyfuss, Diane Keaton, Looking for Mr Goodbar, The Turning Point and a few '77 extras.

Part Two Finale. Index (40 minutes)
00:01 One more anecdote on The Goodbye Girl 
04:45 Richard Dreyfuss' big year and Steven Spielberg's interest/disinterest in actors in Close Encounters of the Third Kind
15:30 Tuesday Weld's career and the divisive Looking for Mr Goodbar
24:00 The Turning Point and a female-heavy Best Picture lineup
32:15 Performances that weren't nominated from: Saturday Night Fever, Opening Night, Handle With Care, Roseland, and Three Women
39:00 Thank yous! 

You can listen to the podcast here or download from iTunes. Continue the conversations in the comments, won't you?  

Smackdown 77. Part Two. Close Encounters