Oscar Stat Fun - No Sweeps in the Modern Era but can "EEAAO" change that?

by Nathaniel R

That complete sweep at the Spirits and SAG has us wondering now whether or not Everything Everywhere All At Once will win Best Picture but how many statues in total can actually win. We haven't seen a sweeper at the Oscars in a long long time. Yes some films have won all their categories but they aren't true "sweepers" i.e. thoroughly dominant movies. It would be technically accurate, for example, to say that CODA performed a clean sweep last season. It did win all of its categories but it wasn't a sweeper in any meaningful sense since it was only up for 3 Oscars.

In fact, a big sweep hasn't yet happened in the expanded Best Picture era!  Can Everything Everywhere All At Once change that? Let's look at the history and stats after the jump...

Click to read more ...

Almost There: Thandiwe Newton in "Crash"

by Cláudio Alves

Happy belated birthday to Thandiwe Newton, who turned 50 last Sunday. From Flirting (1991) to God's Country (2022), the British actress has impressed across a variety of genres and roles, be they prestige melodrama or pulpy sci-fi. There's a tremendous flexibility to her screen presence, a vast range showcased even in projects that never quite rise to her level. Such is the case of Crash, Paul Haggis' divisive Best Picture winner, where Newton is just one thread within a broad tapestry of tricky racial dynamics, each storyline intertwining with ten others. Hyperlink cinema was all the rage in the 00s, and this particular example surely propelled Newton closer to the Oscar race than she'd been before or since.

Though it's no fun to look back on Crash, we shouldn't let the picture's general awfulness bleed into the memory of Newton's work. She's a beacon of quality, shining brightly amid the offensive generalizations which crash into sanctimonious incompetence…

Click to read more ...

Almost There: Emily Blunt in "The Devil Wears Prada"

by Cláudio Alves

After over 100 write-ups about performers that came close to Oscar glory but failed to secure a nomination, it's time to discuss Emily Blunt in the Almost There series. Perpetually snubbed, the English actress has been part of the awards conversation since the mid-00s, but the Academy refuses to pay her any attention to this day. Even when her projects are otherwise embraced, Blunt's name is never there on Oscar nomination morning. Though this is her first time in this series, it's certainly not her last. There were at least five other occasions when she was in serious contention for Hollywood's most coveted trophy– going as far as winning the SAG and nabbing nods for all the important precursors. Since there's no better place to start than the beginning, let's delve into Blunt's first brush with Oscar buzz.

Back in 2006, The Devil Wears Prada was a smash hit with audiences and critics alike. Playing a character with her first name, Emily Blunt proved herself a comedic scene-stealer. And just like that, a star was born…

Click to read more ...

Almost There: Christian McKay in "Me and Orson Welles"

by Cláudio Alves

The Almost There series' month-long celebration of the Criterion Channel's May offerings draws to a close with a highlight from their Richard Linklater collection. In 2008, the Austin auteur made his most Oscar-ready project yet, complete with a dazzling supporting turn that seemed poised for a nomination. Me and Orson Welles is the well-researched and studiously put-together account of a teenager cast in the director's famous 1937 staging of Julius Caesar. The Academy usually loves these real-life tales, mainly when they include a good amount of celebrity mimicry, making the film an apparent shoo-in for Oscar glory.

And yet, Christian McKay's critically acclaimed take on young Orson Welles failed to secure a nomination. Considering precursor honors, he must have come close…

Click to read more ...

Revisiting 'A Beautiful Mind'

by Patrick Ball

Young Patrick and his favourite (at the time)

In the winter of 2001-2002, I was a plucky 8th grade “star” of my basketball team, son of a football coach, and an emerging film fan obsessed with all things James Bond, Star Wars, and Tom Cruise. A blissful innocent, bumbling around the world in a haze of All American normalcy. It would be my final year of innocence.

That following winter I would be clutched by the gay agenda, indoctrinated into a world of actresses, wig styling, and the unending delights of the beleaguered 1950s housewife. I would be snatched out of the closet by the twin hands of The Hours and Chicago, never to return. But as much as my love of film would come to be irrevocably shaped by a Zeta jazz square and a stroll into the river Ouse, one film lingered in my memory from the before times. I carry it with me to this day as a fond curio, a faded photo from the old country; That movie was A Beautiful Mind...

Click to read more ...