The heartbreaking beauty of "Brief Encounter"

by Cláudio Alves

Ever since I listened to Robert Altman's commentary track on the Gosford Park DVD, I've bristled at the idea that someone needs to be a certain age to enjoy a film. In that bonus feature, Altman mentions that Gosford Park has nothing to offer to fourteen-year-old boys, and they shouldn't get to watch it. As a fourteen-year-old boy for whom Gosford Park was a favorite, I felt personally attacked. A bit more than a decade later, I've grown less annoyed at such blanket statements about age and movie appreciation. As it turns out, there are films that can gain something when the audience seeing them is more mature. You may be asking yourself, what does this have to do with Brief Encounter or our 1946 celebration? Apologies for my long-windedness.

I'm trying to introduce a personal realization I had. While I might have loved Brief Encounter when I was a teen, I knew not of its power. Now, I think it's one of the best and most devastating films ever made…

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Almost There: Myrna Loy in "The Best Years of Our Lives"

by Cláudio Alves

The 19th Academy Awards were, in some regard, a celebration of the war's end, a reckoning with its immediate consequences. We can see it in the embrace of European cinema, an industry rising from the ashes, with nods for films like the Italian Neorealist Rome, Open City, and the French poetry of Children of Paradise. American cinema, America itself, was also still reeling from its hard-won victory. The scars were fresh and bloody when William Wyler's The Best Years of Our Lives won the Best Picture Oscar. The production portrays the lives of three military men returning home after the war's end, traumatized and still recovering, adapting back to civilian life. It was the perfect champion for these postwar Oscars.

Nevertheless, not even the picture's awards success could spell away some of its performers' chronic bad luck when it came to movie awards. After decades as one of Hollywood's greatest stars, Myrna Loy still couldn't get herself an Oscar nomination…

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Showbiz History: Hamlet vs Johnny Belinda and A Beautiful Mind vs. four brilliant films

Today, March 24th, in Oscar history only. Four ceremonies have held on this day.

1949 The 21st Academy Awards are held honoring the films of 1948. We discussed this race a handful of years ago on the Smackdown.  Johnny Belinda led the nominations with 12 but it was Laurence Olivier's Hamlet that emerged as the Best Picture winner and took home 3 other Oscars as well. It's actually a fairly interesting Oscar year given the variety of genres in the Best Picture shortlist...

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Oscar history: Titanic's not-quite clean sweep, Julia's ascendance, and Chicago vs The Pianist

5 things that happened today, March 23rd, in Oscar History only...

1950 The 22nd annual Academy Awards honoring 1949 are held. All the King's Men wins Best Picture but it's the Olivia de Havilland classic The Heiress, among the Best Picture honorees, which wins the most Oscars (Actress, Costume Design, Art Direction, and Score) and has had the longest cultural shelf life thereafter.

1990 Pretty Woman hits movie theaters becoming a sensation and Julia Roberts ascends to superstardom...

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Jane Austen @ the Oscars

by Cláudio Alves

After multiple articles about Jane Austen movie adaptations over the past year, you might have figured out I'm a big fan of the Regency writer. Her delightful mix of social satire and comical romance is pretty irresistible as are many of the films that have been made out of the author's works. Since the Oscar nominations are upon us, it feels appropriate to consider these two personal obsessions together, awards love and Austenian fandom. As it stands, many are predicting Autumn de Wilde's Emma. to score a couple of nods in the Moulin Rouge! categories of Production and Costume Design. If that happens, this latest entry in the Jane Austen cinematic universe will join a select group of movies…

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