Weekend Box Office: Magic Mike and James Cameron

By Ben Miller

Super Bowl weekend has never been a hotbed of film dollars, and this weekend was no different.  Magic Mike's Last Dance, the third and final entry in Steven Soderbergh's male stripper series, won the weekend with a sub-$10 million opening.  That doesn't happen very often in the world of big budgets.  In fact, in the 21st century (excluding COVID openings), only Bangkok Dangerous and Dickie Roberts: Former Child Star had a worse opening and still managed to top their weekends.  That being said, the film only opened on 1,500 screens, so the per-screen average was pretty solid.  Second and third both belonged to director James Cameron.  Avatar: The Way of Water continues to work its way up all-time charts, but the re-release of Cameron's 1997 Oscar-winner Titanic added a respectable total for a 25-year-old film.

Weekend Box Office (actuals) Feb 10th-12th 🔺 = new or expanding /  ★ = Recommended /  = Oscar Nominated
WIDE (Over 800 Screens)	LIMITED / PLATFORM
MAGIC MIKE'S LAST DANCE	CONSECRATION
1 🔺 MAGIC MIKE'S LAST DANCE $8.3 *NEW* 1,500 screeens	1 PATHAAN $976k (cum. $15.9) 492 screens
2 ★ AVATAR: THE WAY OF WATER $7.2 (cum. $647.2) 3,065 screens	2  🔺 CONSECRATION $329k *NEW* 762 screens

Click to read more ...

Discussing the 1997 Oscar Race (Again)

Ben & Matt win "Best Original Screenplay" at the Oscars

Remember how much fun the Supporting Actress Smackdown of 1997 was? Well, we had an opportunity to revisit that year much earlier than we were expecting to revisit it via our friends at the Cooler Than Ecto Podcast...

Click to read more ...

The Best Costumes of 1997

by Cláudio Alves

Before we say goodbye to 1997 and move on to 1951, let's indulge in what has become a Smackdown tradition. After Nathaniel and his panelist do their Supporting Actress analysis and podcast discussion, it's time for some costume-related musings. Like most of the categories in that year's Oscars, the Best Costume Design race was won by Titanic, which shouldn't be surprising. Not only was the movie a sweeper, but its wardrobe has achieved iconic status in the decades since its original release. Deborah Lynn Scott makes for a just victor, not only because of her work's iconographic power but also because it works within the picture's purview of history and romance…

Click to read more ...

ICYMI - 1997 Smackdown Podcast

by Nathaniel R

We'll be releasing as short "outtakes" podcast from the latest Smackdown featuring the films and supporting actresses of 1997. But before we do, listen to the "official" podcast, won'cha? It's one of our best episodes, so we sincerely hope you enjoy. 

1 hour and 24 minutes
00:00 Panel Intros and Titanic's four-quadrant success
08:00 In & Out. Paul Rudnick's jokes, the physical comedy, the Joan Cusack
23:30 L.A. Confidential and Kim Basinger as both actress and celebrity
37:30 Good Will Hunting 'Ben & Matt' mania, and Minnie Driver's focus-pulling charisma
46:50 The brilliance of Boogie Nights and Julianne Moore's career-making genius
1:01:35 Gloria Stuart's 'old Rose' and the winning corniness of Titanic
1:16:00 Awards for everyone plus our re-casting game.
1:19:00 Goodbyes and final movie/performance recommendations for '97 

Smackdown '97: Joan, Minnie, Gloria, Julianne Moore, and Kim Basinger

Welcome back to the Supporting Actress Smackdown. 

In this monthly series we pick an Oscar vintage to explore through the lens of actressing at the edges. This episode takes us back 25 years to the landmark year of 1997 when Titanic and "Matt & Ben" were all rage.

THE NOMINEES  

Aside from an encore showing for comedic genius Joan Cusack, a surprise nominee in 1988 for Working Girl, the Academy went with all first-timers for 1997's Supporting Actress roster. Not that the actresses were "new" to the scene. There were two "comeback" narratives: Kim Basinger had been a leading lady for over a decade before LA Confidential but she'd taken a three year break from the movies (amidst multiple financial and legal troubles). Meanwhile Gloria Stuart who began in the early days of sound cinema was being celebrated in a way she hadn't been since 1932. The "breakthrough" nominations, were also two-fold. One went to Minnie Driver (who had two films out, In & Out  and Grosse Point Blank). The other went to ubiqutious Julianne Moore who kicked off '97 with a Sundance hit (The Myth of Fingerprints), and continued making news with a blockbuster (Lost World Jurassic Park) before her career-elevating role arrived in the fall in the unlikely package of an epic ensemble drama about the 1970s porn industry from a filmmaker barely anyone had heard of.

THE PANELISTS 

 Here to talk about these five films and performances are (in alpha order) author and entertainment jourmalist Kyle Buchanan (The New York Times, "Blood, Sweat & Chrome: The Wild and True Story of Mad Max: Fury Road"), podcaster Chelsea Eichholz (Cinema Gals), and comedian / podcaster Louis Virtel (Keep It!, Jimmy Kimmel Live). The Smackdown is hosted by the founder and editor of The Film Experience, Nathaniel Rogers.

SUPPORTING ACTRESS SMACKDOWN + PODCAST  

LET'S BEGIN...

Click to read more ...