The Best Costumes of 1997

by Cláudio Alves

Before we say goodbye to 1997 and move on to 1951, let's indulge in what has become a Smackdown tradition. After Nathaniel and his panelist do their Supporting Actress analysis and podcast discussion, it's time for some costume-related musings. Like most of the categories in that year's Oscars, the Best Costume Design race was won by Titanic, which shouldn't be surprising. Not only was the movie a sweeper, but its wardrobe has achieved iconic status in the decades since its original release. Deborah Lynn Scott makes for a just victor, not only because of her work's iconographic power but also because it works within the picture's purview of history and romance…

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25th Anniversary: "The Portrait of a Lady"

by Nick Taylor

Happy Holidays! We are celebrating a very dear, tumultuous season - awards season - and the current wave of critics prizes has left us with some very exciting developments. It’s perhaps not the biggest shock that Jane Campion’s austere, sensual Western The Power of the Dog has become such a critical darling. It’s the first time in nearly two decades that one of Campion’s phone is in serious consideration but the film’s remarkable showing with awards bodies and the sheer number of Best Director wins she’s accrued are both tremendously deserved and, given the overall trajectory of her career, something of a surprise. 

Releasing her first film since 2009’s Bright Star (and after showrunning the acclaimed series Top of the Lake for two seasons), Campion’s favor with the Academy and critics at large has shifted wildly over the years. As rapturously as The Piano was received, her 1996 bold, purposefully hard-edged adaptation of Henry James’s The Portrait of a Lady scuttered a lot of that goodwill, and as abrasive as that film is, I can’t for the life of me understand why this torpedoed her prestige reputation so badly...

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