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Entries in Martin Donovan (2)

Saturday
Dec252021

25th Anniversary: "The Portrait of a Lady"

by Nick Taylor

Happy Holidays! We are celebrating a very dear, tumultuous season - awards season - and the current wave of critics prizes has left us with some very exciting developments. It’s perhaps not the biggest shock that Jane Campion’s austere, sensual Western The Power of the Dog has become such a critical darling. It’s the first time in nearly two decades that one of Campion’s phone is in serious consideration but the film’s remarkable showing with awards bodies and the sheer number of Best Director wins she’s accrued are both tremendously deserved and, given the overall trajectory of her career, something of a surprise. 

Releasing her first film since 2009’s Bright Star (and after showrunning the acclaimed series Top of the Lake for two seasons), Campion’s favor with the Academy and critics at large has shifted wildly over the years. As rapturously as The Piano was received, her 1996 bold, purposefully hard-edged adaptation of Henry James’s The Portrait of a Lady scuttered a lot of that goodwill, and as abrasive as that film is, I can’t for the life of me understand why this torpedoed her prestige reputation so badly...

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Monday
Jan252021

Gay Best Friend: Bill Truitt in "The Opposite of Sex" (1998)

A series by Christopher James investigating the 'Gay Best Friend' trope

Martin Donovan stars as Bill Truitt, a kind teacher whose life is torn apart by his half-sister (Christina Ricci)

In this column, we haven’t really looked at many movies that were written or directed by queer people. You don’t have to be gay to include a gay best friend in your film. If that were a prerequisite, we would have so much less gay representation onscreen. But something magical does happen when queer people tell queer stories. It changes and affects the DNA of the movie. Take for example this week’s choice, The Opposite of Sex, written and directed by Don Roos. There’s a daring and unflinching energy to the film that can only be described as inherently queer. This allows the movie to take large swings that don’t always connect. It’s emboldened by the confident voice behind the camera that knows what it wants to do. 

The movie is narrated by Deedee (Christina Ricci), a sixteen year old girl with a mean streak who runs away from home in Louisiana and moves in with her half-brother, Bill (Martin Donovan), in suburban Indiana...

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