Sleepy Hollow @ 25: Tim Burton's last great movie

by Cláudio Alves

When Beetlejuice Beetlejuice celebrated its world premiere at the Venice Film Festival, many critics rejoiced, eager to announce Tim Burton's return to form. But were such proclamations accurate? While the ghost story sequel had its merits, besting many of the director's more recent efforts, it still felt lacking compared to his early triumphs, that dream run from the mid-80s to the late-90s. I'd go so far as saying that Burton's last truly great movie arrived at the end of the last millennium, when he re-imagined the Legend of the Headless Horseman and delivered a spooky season classic that feels like Fall vibes distilled into filmic form. That very picture celebrates the quarter-century mark today, so it should be an excellent time to revisit it. Dear reader, pack up your things and join me on a journey to Sleepy Hollow…

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The Honoraries: Samuel L Jackson in 'Black Snake Moan'

We're celebrating each of the upcoming Honorary Oscar winners with a few pieces on their career.

by Ben Miller

Craig Brewer’s Black Snake Moan is a hard sell on paper and an even harder sell in execution.  Jackson’s Lazarus finds half-naked and half-dead sex addict Rae (Christina Ricci) on the side of the road.  He takes her back to his house to nurse her back to health.  In order to cure her sex addiction, Lazarus chains Rae to his radiator. Luckily for Brewer and the film, Jackson fully invests in the provocative material, delivering a fiery performance of angry righteousness, and one of the best star turns of his career...

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Winona Ryder @ 50: "Mermaids"

Team Experience is celebrating Winona Ryder for her 50th birthday this week

by Eric Blume

With more than a half dozen films behind her, this week's birthday girl Winona Ryder received her first major awards attention with 1990’s Mermaids.  This slight comedy-drama, directed by Richard Benjamin, garnered the young actress "Best Supporting Actress" from the National Board of Review and a Golden Globe nomination, too.  While that praise seems a little generous in hindsight, the film features some lovely work from Winona who is up against a very wobbly picture...

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Vintage '98

The Smackdown of '98 (with special guests) arrives in just one week. Before we get to the main event let's just soak in that year a bit. Were you old enough to be conscious of pop culture in that year? If so, nostalgia warning. If not, here's what people were talking about before your time.

Great Big Box Office Hits: Titanic (1997) reigned long into 1998 as the then the biggest hit of all time. In fact it didn't fully cede the #1 of the weekend placement from Christmas '97 through Easter of '98. What's more it didn't leave the top ten box office chart until JUNE. That kind of run is unthinkable now. But the biggest hits released in the actual calendar year of 1998 were...

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The Furniture: John Waters, Small-Business Advocate

Team Experience is celebrating John Waters for his 75th birthday. So here's a special episode of "The Furniture," by Daniel Walber, our series on Production Design. 

Pecker is a rare, quiet(er) film in the John Waters filmography. It’s not as outrageous as Pink Flamingos or Female Trouble, nor as bombastic as Hairspray or Serial Mom. It’s plenty lewd, of course, and it’s hardly devoid of yelling. But it’s understated.

After all, it’s a movie about photography - pictures over words, that sorta thing. It’s about capturing the essence of Baltimore in crisp snapshots. The titular Pecker (Edward Furlong) is an amateur photographer with a passion for the little moments of his life: a burger on the grill, the Hampden neighborhood welcome sign, rats mating in an alley...

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