Sleepy Hollow @ 25: Tim Burton's last great movie

by Cláudio Alves

When Beetlejuice Beetlejuice celebrated its world premiere at the Venice Film Festival, many critics rejoiced, eager to announce Tim Burton's return to form. But were such proclamations accurate? While the ghost story sequel had its merits, besting many of the director's more recent efforts, it still felt lacking compared to his early triumphs, that dream run from the mid-80s to the late-90s. I'd go so far as saying that Burton's last truly great movie arrived at the end of the last millennium, when he re-imagined the Legend of the Headless Horseman and delivered a spooky season classic that feels like Fall vibes distilled into filmic form. That very picture celebrates the quarter-century mark today, so it should be an excellent time to revisit it. Dear reader, pack up your things and join me on a journey to Sleepy Hollow…

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1999: Tina Holmes in "Edge of Seventeen"

by Nick Taylor

Hello, strangers! Did you miss my supporting actress write-ups? With no smackdown to latch onto like a gay barnacle, I’ll be hopping onto our 10|25|50|75|100 anniversary format to look back on supporting actressing feats of years past. For those keeping track at home, this means I’ll be writing up performances from films released in the US in 2014, 1999, 1974, and 1949 (technically I could also do 1924, but I think that’s less likely). If you would like to see the whole list of films and performances I'm considering for this series and a longer run-down of it, click here! The dream is to post these corresponding to months of release, or, barring that, themed categories based on what month it is. Like how June is gay Pride month, meaning I can write about queer films and queer actresses all month long! Broader schedules hopefully mean more wiggle room to write about as many films as I like!

For my first entry in this series, I’m immediately going to take advantage of that US release calendar for Tina Holmes's indelible performance in David Moreton’s Edge of Seventeen . . . .

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Nicole Kidman Tribute: Eyes Wide Shut (1999)

by Nick Taylor

Hey, you there! Yeah, you! How well do you think you know your wife? Your partner? The human being you consider your most intimate companion, someone you trust so implicitly that you may in fact take for granted the idea that they have as many mysteries and desires as you yourself do? If you’re laboring under such delusions and need a stark reminder of such realities, then do I have a movie and a performance for you! Our celebration of Nicole Kidman’s ‘90s uprising has reached its conclusion with Stanley Kubrick’s Eyes Wide Shut...

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Star Wars: Charting Queen Amidala's Style

by Cláudio Alves

You never forget your first, or so they say. In this case, it's one's first costume obsession. Mine, to be precise. It came to be in 1999 when I was five years old, and my dad took me to see Star Wars: Episode I – The Phantom Menace. Like many men of his generation, he was a fan of George Lucas's space fantasy, eager to share that love with his kid. It started with the original trilogy on VHS tapes and then came the movie event of the season. Though many hated the prequel, we two didn't share that feeling. Indeed, little Cláudio was besotted.

Sure, the lightsaber duels were memorable and the score was stirring, the CGI was out of this world and Ewan McGregor left such an impression I went as Obi-wan Kenobi to the following year's Carnival. But what most shook me was Queen Amidala, played by Natalie Portman bedecked in Trisha Biggar's costumes…

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All About MY Mother and Almodóvar

by Cláudio Alves

How did you get into Almodóvar? For me, it was a matter of maternal influence. Ever since catching Women on the Verge of a Nervous Breakdown during its 1989 Portuguese release, she's been a devotee to the Spanish director. Even as her movie-going habits diminished, a new Almodóvar was always a reason to go to the theater, attend local festivals, and purchase physical media for re-watches down the road. Through those latter ones, I became acquainted with the filmmaker in my teens, learning to love his melodramas as much as my mom did. Though, of course, as a queer man, mine was a different connection to Almodóvar's cinema of complicated women and melodrama, bright colors and hot men.

To celebrate All About My Mother's 25th anniversary today, I revisited the film with the person responsible for turning young Cláudio into a fellow fan…

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