Ranking Kate Winslet's Oscar-Nominated Performances

Kieran, here. With this week's wide release of the already heralded Steve Jobs and yesterday's Elizabeth "Lee" Miller biopic casting announcement, it could well be a entering a second era of peak Kate Winslet. Winslet was on a career high with six Oscar nominations, four before her thirtieth birthday. Then things slowed down considerably. Yes, she had that awards run for Mildred Pierce and she was Globe nominated for her turns in Carnage and Labor Day. However, the consensus these past few years is that Winslet has been in a bit of a slump. If her Steve Jobs work does indeed land Winslet a seventh nomination, it'll be thrilling to see her return to the ceremony.

It's been seven years since Winslet last nomination for The Reader (which she won). In honor of one of our favorite actresses/shampoo-bottle-Oscar-speech-rehearsers let's look through her list of nominated performances, and rank them. Heavenly Creatures and Holy Smoke!, two of her best, are missing, but that's another story.

6. Little Children 
(Best Actress, 2006--Lost to Helen Mirren in The Queen)

Her turn in Little Children is an excellent example of how Winslet is rarely uninteresting to watch on-screen, even when she happens to be miscast. Todd Field makes good use of her highly-charged eroticism and her gift for conveying inner turmoil. Unfortunately, the screenplay forces her to tell more than show.

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Anne Goes Overboard

Jason from MNPP here with a look at some of the new hot movie news! Okay it's a day old but I feel as if y'all might have THOUGHTS on this: Anne Hathaway's been set to star in The Lifeboat, an adaptation of a 2013 book by Charlotte Rogan, for awhile now. It apparently tells the tale as old as Titanic of a sinking luxury liner and some Sophie's Choices that must be made regarding one's ultimate survival.

Does it make me an old person or just a person with a very nearly unbearable slash extraordinary sense of refinement that I first picture Tallulah Bankhead using diamonds as a fishing lure before I see Kate Winslet hocking a loogie when I read that plot synopsis? Either way it's a fertile playground for a filmmaker and they just went and hired one of the fertile-est around: Joe Wright is going to direct the thing, making it his post-Pan project. He's really into boats right now!

Anne is slowly but surely manuevering her way back in front of the public after The World decided we all - her included! - needed a break after that very loud Oscar win of hers. She's received good notices OffBroadway and she's got that beige-fantasia by Nancy Meyers coming out in September. I'll be skipping that, but the words "Joe" and "Wright" put next to each other are an immediate "yes whatever I'll watch whatever, Rooney Mara as a Colorform Sprite, sure" for me. You?

'April Foolish' in May. Oscar Predix Prep Work

It's almost past time for the April Foolish Oscar Predi --  SIGH...

Okay, yes, kids. I'm behind. Before we get started on the April Foolish Oscar Predictions which have somehow migrated to May, I'd like your input a wee bit. Please peruse my list of films to watch out for in one to nineteen ways after the jump and let me know if I'm missing any you've heard about or are excited for. I don't want to post anything official if I'm stupidly forgetting a film somewhere.

Why do I say "one to nineteen" ways?

 Well that's how many feature film Oscar categories there are if you ignore, for the time being, the documentary and foreign film categories which have different rules and which we don't make year-in-advance predictions for. Technically there are 21 feature film specific categories (the 3 shorts categories make the Oscar 24)  but no film could be eligible in all of them since there are competing categories like Original and Adapted Screenplay. What's more, a film that could theoretically qualify for all three "special" feature prizes (Foreign Film / Animated / Documentary) like a Waltz With Bashir is never going to be nominated for all three and find itself eligible for acting prizes and craft categories. 

MUCH MUCH MORE AFTER THE JUMP

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14 Days Til Oscar: "All About Titanic"

[Our countdown to Hollywood's High Holy Night continues. Here's abstew with a fun "battle"]

We've only 14 days to go. It seemed like the perfect time to take a look at the two films that jointly hold the record for most nominations (in case you hadn't guessed, that would be 14). One is a fabulous Actressexual's dream about back-stabbing in the theatre world and the other a small indie about a boy and girl in love. Oh, yeah and something about a ship. 

Technically, Titanic holds a higher place in Oscar history, having won 11 of its 14 nominations while All About Eve went home with only six statues (though 12 was the most it could have won with double-nods in Lead and Supporting Actress). But haven't you always wondered what film would come out victorious if they had gone head-to-head?  No? Well, let's find out anyway

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With Six You Get Link Roll

Movies.com has all the distribution deals from TIFF so you can see which films are coming your way in 2013
Deadline Kate Winslet's Titanic screen test!
Culture Monster Cate Blanchett and Isabelle Huppert to team for Jean Genet's The Maids. Alas, not for the screen.

Pajiba 20 Lessons Hollywood can learn from this summer
Flickr Truly amazing photoset of California billboards from 1974/1975 including billboards of Oscar interest

Today's Must Read
"Extraordinary Machines" by Steven Hyden which looks back at the celebrity coupledom of Paul Thomas Anderson and Fiona Apple, the way they were, and the way they are now divergent.

It had been his intention to write a conventional 90-minute comedy for Adam Sandler, whom he met while tagging along with Apple when she performed on Saturday Night Live in 2000. What he actually made was more like a Fiona Apple song — a disorienting mishmash of bright melody and percussive dissonance, with a main character who was odd and oddly compelling and prone to oddly explosive, out-of-nowhere outbursts. Unfortunately for Punch-Drunk Love, Fiona Apple songs were still a few years away from returning to fashion, and the film died at the box office.

It's a really insightful piece about two of showbusiness's most fascinating artists. So go read it.