Discussing the 1997 Oscar Race (Again)

Ben & Matt win "Best Original Screenplay" at the Oscars

Remember how much fun the Supporting Actress Smackdown of 1997 was? Well, we had an opportunity to revisit that year much earlier than we were expecting to revisit it via our friends at the Cooler Than Ecto Podcast...

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ICYMI - 1997 Smackdown Podcast

by Nathaniel R

We'll be releasing as short "outtakes" podcast from the latest Smackdown featuring the films and supporting actresses of 1997. But before we do, listen to the "official" podcast, won'cha? It's one of our best episodes, so we sincerely hope you enjoy. 

1 hour and 24 minutes
00:00 Panel Intros and Titanic's four-quadrant success
08:00 In & Out. Paul Rudnick's jokes, the physical comedy, the Joan Cusack
23:30 L.A. Confidential and Kim Basinger as both actress and celebrity
37:30 Good Will Hunting 'Ben & Matt' mania, and Minnie Driver's focus-pulling charisma
46:50 The brilliance of Boogie Nights and Julianne Moore's career-making genius
1:01:35 Gloria Stuart's 'old Rose' and the winning corniness of Titanic
1:16:00 Awards for everyone plus our re-casting game.
1:19:00 Goodbyes and final movie/performance recommendations for '97 

Smackdown '97: Joan, Minnie, Gloria, Julianne Moore, and Kim Basinger

Welcome back to the Supporting Actress Smackdown. 

In this monthly series we pick an Oscar vintage to explore through the lens of actressing at the edges. This episode takes us back 25 years to the landmark year of 1997 when Titanic and "Matt & Ben" were all rage.

THE NOMINEES  

Aside from an encore showing for comedic genius Joan Cusack, a surprise nominee in 1988 for Working Girl, the Academy went with all first-timers for 1997's Supporting Actress roster. Not that the actresses were "new" to the scene. There were two "comeback" narratives: Kim Basinger had been a leading lady for over a decade before LA Confidential but she'd taken a three year break from the movies (amidst multiple financial and legal troubles). Meanwhile Gloria Stuart who began in the early days of sound cinema was being celebrated in a way she hadn't been since 1932. The "breakthrough" nominations, were also two-fold. One went to Minnie Driver (who had two films out, In & Out  and Grosse Point Blank). The other went to ubiqutious Julianne Moore who kicked off '97 with a Sundance hit (The Myth of Fingerprints), and continued making news with a blockbuster (Lost World Jurassic Park) before her career-elevating role arrived in the fall in the unlikely package of an epic ensemble drama about the 1970s porn industry from a filmmaker barely anyone had heard of.

THE PANELISTS 

 Here to talk about these five films and performances are (in alpha order) author and entertainment jourmalist Kyle Buchanan (The New York Times, "Blood, Sweat & Chrome: The Wild and True Story of Mad Max: Fury Road"), podcaster Chelsea Eichholz (Cinema Gals), and comedian / podcaster Louis Virtel (Keep It!, Jimmy Kimmel Live). The Smackdown is hosted by the founder and editor of The Film Experience, Nathaniel Rogers.

SUPPORTING ACTRESS SMACKDOWN + PODCAST  

LET'S BEGIN...

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Top unheralded performances in PTA's filmography

by Cláudio Alves

Across the years, Paul Thomas Anderson's films have earned nine acting Oscar nominations, including a win for Daniel Day-Lewis in There Will Be Blood. It's fair to say that actors love the director. Why shouldn't they? While these movies' leading players earn prizes, every part, no matter how small, is written with complexity, directed, and framed with attention. Indeed, some of the best performances come from those bit players, sometimes glorified cameos, sometimes supporting roles within a sprawling cast. If you've seen his latest, you'll know that, beyond Alana Haim and Cooper Hoffman, Licorice Pizza is almost entirely made up of such actorly turns.

With that in mind, a list of favorite unheralded performances from PTA's filmography. These are thespians who earned no accolades for their work, beyond ensemble prizes, and whose roles tend towards the diminutive. But, of course, as these ten master artists make evident, there are no small parts, only small actors… 

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The beauty of Robert Elswit's cinema

by Cláudio Alves

Our odyssey through the 2005 Best Cinematography Oscar nominees is reaching its end. After Dion Beebe, Rodrigo Prieto, and Wally Pfister, we've arrived at the filmography of Robert Elswit.

Mostly known for his collaborations with Paul Thomas Anderson, Robert Elswit is a master craftsman whose control of the camera is virtually unparalleled. Whether in choreographed motion or stately stillness, his images sing with meaning and ravishing beauty. More specifically, he's got a penchant for expressive dolly shots, wide-angle lenses, and shoots sunlight in ways that make it bleed white while his shadows, especially at night, glow in hues of blue and even purple. Usually, when you see Elswits name on the credits, you can expect a handsome movie regardless of the rest of the project's quality.

Here are 10 highlights from Robert Elswit's filmography…

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