Happy Birthday, Laura Dern!

by Cláudio Alves

Laura Dern has been blessing us with her existence for 55 years. The Oscar-winning actress started young, being the daughter of two screen titans in their own right – Bruce Dern and Diane Ladd. Indeed, one of her earliest big-screen roles was by her mother's side in Martin Scorsese's 1974 Alice Doesn't Live Here Anymore. Since then, Dern has flourished into one of American cinema's most important modern performers. Often driven to auteurs with bold visions, she's a director's actress whose commitment to her roles is never in question. She's never in danger of dispassionate acting, giving it her all 100% of the time and often twisting her visage into terrifying extremes. She really is 'The Face.'

To celebrate the occasion, a list of favorite Laura Dern film performances…

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Top unheralded performances in PTA's filmography

by Cláudio Alves

Across the years, Paul Thomas Anderson's films have earned nine acting Oscar nominations, including a win for Daniel Day-Lewis in There Will Be Blood. It's fair to say that actors love the director. Why shouldn't they? While these movies' leading players earn prizes, every part, no matter how small, is written with complexity, directed, and framed with attention. Indeed, some of the best performances come from those bit players, sometimes glorified cameos, sometimes supporting roles within a sprawling cast. If you've seen his latest, you'll know that, beyond Alana Haim and Cooper Hoffman, Licorice Pizza is almost entirely made up of such actorly turns.

With that in mind, a list of favorite unheralded performances from PTA's filmography. These are thespians who earned no accolades for their work, beyond ensemble prizes, and whose roles tend towards the diminutive. But, of course, as these ten master artists make evident, there are no small parts, only small actors… 

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The New Classics: The Master

By Michael Cusumano

The Master refuses to elevate the audience above Freddie Quell.  In the simplistic version of the film Joaquin Phoenix’s wastrel Freddie Quell would be The Sucker and Philip Seymour Hoffman’s Lancaster Dodd would be The Fraud and there would be little ambiguity about it. No doubt this version was what many expected when they bought a ticket for Paul Thomas Anderson’s kaleidoscopic spiritual and psychological odyssey. A dynamic that would allow for them to lean back and smugly cluck that they wouldn’t be so easily taken in by such madness.

What Anderson's fictionalized take on the founding of Scientology delivered was something altogether more twisted and obscure. At no point can we be entirely sure what any of the main characters truly believe...

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Beauty vs Beast: Running Mates

Jason Adams from MNPP here with this week's "Beauty vs Beast" query -- when I saw it written in my calendar that today is the 25th anniversary of The Fugitive my first thought is I must have done that movie for this series before, but a quick skim tells me I hadn't, and so here we are! I vividly remember The Fugitive coming out in the summer of 1993, a banner year for this movie-lover - I had gone to see Jurassic Park a dozen times by then and I needed something fresh and new to feed this newly awoken beast inside me; Harrison Ford leaping out of a train-crash did the trick.

I went to see the film several times after that, but save a few minutes here and there on TV I don't think I have seen it since? Still it's an easy enough film to remember, especially after we spent that entire year's awards season getting the clip of Tommy Lee Jones saying "gas station, residence, warehouse, farmhouse, henhouse, outhouse and doghouse" hammered into our heads over and over and over, until he got his Oscar for it the next spring.

bike trails

PREVIOUSLY Two weeks back we had you tackling PTA's The Master - turns out that Joaquin Pheonix holds that title, taking a precise 2/3rds of your vote. Said Devin D:

"This performance truly cemented Joaquin Phoenix as one of the irrefutable greats, and it was very nice that Philip Seymour Hoffman got to work yet again before his untimely passing with Paul Thomas Anderson in a role so sizable."

Beauty vs Beast: Live Without Masters

Jason from MNPP here with this week's "Beauty vs Beast" for you people to vote yourselves silly with -- did you know that today would have been the 51st birthday of the great Philip Seymour Hoffman? He's been gone over four years now and I ache to think of all the performances we've missed out on. No I wouldn't have given him that Oscar over Heath Ledger either, but he wasn't even nominated for the greatest film of the past two decades (that would be Synecdoche New York) so the injustices, they pile up.

But we're here to talk about another film, one I have come hard around on since its release - I was cool to Paul Thomas Anderson's The Master in 2012 but my affection for it has grown with time; I'm pretty keen on it now, with its medicinal greens and hard elbows. It's only right, it taking some time - it's not the sort of film that hugs you, at least not without wanting something back, making it much like its leading men...

surveys

PREVIOUSLY Naturally the actress prevailed and then some with last week's Double Indemnity poll - crossing Barabra Stanwyck was never a good idea, not when she's got that silver pistol in her pocketbook. Said cal roth:

"That was so easy... I love Stanwyck and MacMurray reunion in There's Always Tomorrow. I love Stanwyck, the most versatile movie goddess of all time. She could go from a Hawks screwball to two masterful perfomances in Sirk melodramas to westerns by Samuel Fuller and Anthony Mann (the director who got her best best performance ever, in The Furies)."