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Entries in Pinocchio (14)

Thursday
Apr012021

93rd Academy Awards: Best Costume Design

by Cláudio Alves

Costume illustrations by Gloria Young Kim (left) and Matthew JLeFebvre (righ)

After last year's dispiriting domination of Best Picture contenders in craft categories, this year's Best Costume Design lineup feels like a breath of fresh air. While the branch is resistant to contemporary narratives, their reluctance to honor new names has alleviated a bit. For the first time since 2006, we have three first-time nominees among the costume designers competing for gold. Better yet, the five achievements honored by AMPAS offer a dizzying variety of film styles, aesthetic strategies, genre, and tone. From Disney remakes to Italian literary adaptations, from biopics to biting period comedies, this batch of nominees has it all.

Still, in the end, one must win. With that in mind, here's how I'd rank the five Best Costume Design nominees at the 93rd Academy Awards…

Click to read more ...

Wednesday
Mar032021

FYC: "Pinocchio" for Best Makeup & Hairstyling

by Cláudio Alves


Carlo Collodi's 1883 novel The Adventures of Pinocchio has been adapted countless times to the big screen, from the time of the silent shorts to today's world of streaming services and opulent CGI. However, it should be noted that, throughout the majority of film history, the most famous adaptations of this literary nightmare have been rather unfaithful to its source material, its sharper edges indiscriminately sanded off. A tale of cruel moralism full of ghoulish characters, Pinocchio's story is often mellowed until its hellish visions are more enchanting than terrifying. 

When it was time for Matteo Garrone to shoot his version of the narrative, the Italian director went back to Collodi's original tone…

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Tuesday
Mar032015

Curio: Introduction to Pinocchio

Alexa here with your weekly film curios. After I read Tim's post celebrating Pinocchio on its 75th anniversary, I wondered how I'd ever missed it, and more importantly, how I'd missed showing it to my 5-year-old, now a budding film buff. After all, we had read the Little Golden Book together many times, and it was even one of her favorite cartridges to watch on our vintage Fisher Price Movie Viewer.  She likes to play the short sequence of Pinocchio coming to life backwards and forwards and study each frame. (If you aren't familiar with this fantastic toy, read more here.  Any toy that involves hand-cranking a small Super 8 film is irresistible to me.)  

 

 Unsurprisingly, since investing in the DVD the film has been in heavy rotation around our house.  After the jump, some Pinocchio curios, vintage and handmade, to continue the film's 75th Anniversary celebration...

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Saturday
Feb072015

75th Anniversary: Pinocchio

Tim here. Today marks the 75th anniversary of Pinocchio, the second feature film released by Walt Disney Studios, and in this animation buff’s eyes, the high water mark in that company’s history (I’m hedging in the interest of good taste. In fact, it’s my pick for the greatest achievement in all of narrative animation). Along with Fantasia, later in 1940, it’s the bright, shining example of what the Disney animators could achieve when given the most resources, support, and artistic freedom that they would ever enjoy.

Lots more after the jump...

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Tuesday
Oct012013

Is there hope for an interesting Best Animated Feature race?

Tim here. Right at the end of last week, the Academy very quietly issued a rules change pertaining to the Best Animated Feature Oscar: instead of requiring that members of the nominating committee had seen at least 80% of the films on the eligibility list (an onerous task indeed, given that these are people who care about animation for a living, and that list can sometimes be, like, 20 films long), now the voters can pick any animated films they darn well want to, which is potentially going to do away with all those fun little nominees like A Cat in Paris and The Secret of Kells, things that badly need the exposure. Perhaps not. But if we’re about to enter a world where Planes can snag a nomination over Ernest & Celestine (please oh please Oscar gods, don’t let that happen), something is even more broken with a dodgy category than we’ve thought.

Now comes the news that the European Film Academy has announced its own list of nominees:  the modeling clay stop-motion of Jasmine by Alain Ughetto and a new version of Pinocchio by Italian director Enzo d’Aló. And The Congress featuring Robin Wright which played at Cannes and is the new film by Ari Folman, director of Waltz with Bashir (which famously attempted three specialty nominations for Documentary, Animated Feature and Foreign Film but was disqualified from the first, failed the second and became the first animated film ever nominated for Best Foreign Film.)

Jasmine is a "claymation story of love and revolution"

We have no way of knowing if any of these will be squeaked into the United States in time for Oscar qualification – the vagaries about what counts as “qualifying run” for this category is especially dubious – but given how everyone in the world agrees that we’re looking at the weakest year for animated features since the category was born, I wouldn’t be the least bit surprised if some canny distributor decided to use this nomination as the spur for a Hail Mary pass.

Is there a possibility of repeating 2011, when two functionally un-released foreign films made the nomination list? It’s hard to say, especially with the rules change in the nominating process, but faced with tiny niche releases that nobody has heard of getting national attention, and the possibility of the phrase “Oscar nominee Turbo” ever being said by anybody, I know which one I’m hoping for.

updated animation & documentary chart