Since we all saw the BAFTAs on tape-delay, live-blogging seemed pointless. So SAG will have to stand as the last live-blog of the season. But here are my ___ favorite moments from BAFTA in chronological order. What were yours?
01. Helena Bonham Carter on the red carpet, when the red carpet reporter describes her as Brit Movie Royalty (which she is).
In fact, this is the year of queens for me. I do big headed queen, then medium sized, maybe next year I'll do pinheaded queen. It's always fun to play queens because people do start treating you like royalty, it's a bit hilarious.
Helena is the only person alive that doesn't make me cringe when they're referencing Alice in Wonderland. She uses this joke again in her acceptance speech but it works both times.
02. Emma Stone on the red carpet joking that Andrew Garfield has been trying to kill her on the set of Spider-Man (2012). I still think it's pointless to reboot that movie but at least the principle cast is heaven.
03. Yay for Useless Trivia: Hailee Steinfeld reveals that the BAFTAs are one year to the day of her True Grit audition. And Darren Aronofsky reveals that Black Swan wrapped one year and one day before the BAFTAS.
04. Paul McCartney saying "I get to the pictures quite often". I love calling movies "the pictures." It feels so Old Hollywood Magical. The Social Network is McCartney's favorite.
05. Amy Adams LOLing heartily at a joke about Sex & the City 2. The joke went like so:
Two of my favorite movies of the year aren't even nominated. Sex and the City 2 and The Expendables. What's not to love there. A band of old mercenaries get back together taking no prisoners -- you know where I'm going with this don't you? -- laying waste to everyone standing in their way. And The Expendables was great, too.
06. Discovering that Alexandre Desplat is a winker. He winked at no less than three people on his way up to the stage to accept Best Score.
07. The hokey joke of playing Eurythmics "Sweet Dreams (Are Made of This)" instead of The Inception score when it won Best Visual Effects.
08. Helena's acceptance speech. Pretty great. I'd quote it but they let her talk for five minutes.
09. Jessica Alba's intro to Best Supporting Actor just because it's so illustrative of the "supporting" problem.
Robert DeNiro in the Godfather Part 2. Kevin Spacey in The Usual Suspect. Samuel L Jackson in Pulp Fiction. Time and again history remembers the supporting actor as much as the lead. Sometimes more so.
And then she goes on to list 5 nominees only one of whom, Pete Postlethwaite (The Town), is in a purely supporting role. The rest you can argue till the end of the day about whether they're leads in their films or not. OF COURSE THEY'RE REMEMBERED AS MUCH AS "LEADS" heh.
An Education reunion: Dominic Cooper and Rosamund Pike flubbing their lines.
10. Rosamund Pike and Dominic Cooper having MULTIPLE problems delivering the Original Screenplay. It just keeps getting worse. Pike almost reads the winners before the nominees . As it cuts to clips, Dominic mumbles "It's gone well"
11 Stephen Fry, a national treasure in Britain but basically an international treasure to those paying attention, introduces the Harry Potter tribute. He does a stunning job of balancing effusive praise with cutting wit so as not to make the tribute a total "HarryPotter!ZOMG!!!" gag-fest. And the plug for his audio readings of the same was pretty funny.
12 The intro to Aaron Sorkin's Adapted Screenplay acceptance speech.
Under more normal circumstances I would be very excited about this but sitting in the seat in front of me is one of the Beatles. Sitting in the seat in front of him is Julianne Moore and in the seat in front of her was Annette Bening so I'm maxed out.
Awwwww. Don't you love it when celebrities get all thunderstruck by otehr celebrities? I know I do. 'Stars! They're just like us!!!'
13 TILDA SWINTON.
...wait, you didn't need anything more specific than that did you? She's always a favorite moment.
14. The cognitive disconnect I felt when Andrew Garfield and Jesse Eisenberg accepted for David Fincher "He's busy making his next gift for all of us in another country." I experienced it as "He's busy making his next gift for all of us, Another Country" which would be quite quite something else entirely. Could you imagine a David Fincher remake of that homo-laced British Boarding School drama? But Andrew Garfield and Jesse Eisenberg... who gets to play Colin Firth and who would gets to play Rupert Everett? The other option would be an adaptation of James Baldwin's novel which would be something else, too! Especially since Jesse and Andrew would be all wrong for that one.
15 Gerard Butler introing Best Actress without commas
a lesbian couple with a dragon tattoo take up ballet to avenge their father's death.
Speaking of movies one could have fun inventing in one's head!
16. It was wonderful to see 88 year old Christopher Lee getting a tribute, and from one of his own directors too (Tim Burton, who he has worked with four times). He seemed genuinely touched and even moreso than many honorary winners of such things. Plus he was amusing: "I'm grateful that I don't follow in the steps of the great Stanley Kubrick whose award was posthumous."
That's it!
P.S. By the way Darren Aronofsky calling Natalie Portman the most focused committed actor he'd ever worked with kind of weirded me out. Not that I don't think it could be true but EVER? His films aren't exactly lacking for great performances or great actors.
P.P.S. How are YOU doing out there, quiet people in the dark? Speak. And by speak I mean type.
P.P.P.S. all the BAFTA posts in case you missed the nominees, fashions or winners.
Sunday, February 20, 2011 at 4:30PM 
Though I've read a truly great book on the topic "The Conversations", know a few editors, and have experimented with this completely fascinating craft in college, this morning when I woke up, I learned that I must have literally no idea what it means. The American Cinema Editor's Guild pulled the rug out by naming Tim Burton's Eyesore in Wonderland the best edited of all comedies in 2010. I realize that my hatred for the movie is self-feeding, ever-growing and thus deeply irrational but still... I watched it in full and all I saw was interminable rhythmless agonizing ugly incoherence.
