Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team.

This site is not for profit but for an expression of love for cinema & adjacent artforms. 

Powered by Squarespace
DON'T MISS THIS

Follow TFE on Substackd 

COMMENTS

Oscar Takeaways
12 thoughts from the big night

 

Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in Ramona S Diaz (2)

Sunday
Feb072021

Doc Corner: The Best Documentaries of 2020

By Glenn Dunks

Before this column takes a few weeks break, it’s that time of the year to make lists! I have spent the last few weeks churning through screeners trying to ensure I saw enough of 2020’s documentary output to justify a list of the year’s best, although I do not have the time nor the inclination to watch 238 of the damn things! Nevertheless, below are 30 non-fiction titles (or non-fiction adjacent, but we’ll get to that later) that I believe are among the year’s best movies. I stuck to the 2020 calendar as much as possible because, like Nathaniel, I want to keep some order to it all.

If you were to sit down and watch every film below, you would be taken from rural towns in the heart of the Florida peninsula to rural towns in the heart of the Ukraine via the protests of Hong Kong and a nursing home in Chile. There are serious themes, important subjects, powerful ideas... and hand sanitizer.

There’s also a stripper named Nomi. Something for everything, I reckon...

Click to read more ...

Wednesday
Aug052020

Doc Corner: 'A Thousand Cuts'

By Glenn Dunks

The first word that came out of my mouth at the conclusion of A Thousand Cuts was simply, ‘Phwoar!’ Which is surprising because I don’t think it’s a word I use on the regular. But this new film by renowned Filipino-American filmmaker Ramona S. Diaz had the dizzying, alarming sensation of being put through the wringer. It’s an ever shrinking and claustrophobic box of political corruption and democratic destruction that is so confident in itself that it leaves arguably it’s biggest and most damning moment to the end credits.

Diaz’s film predominantly follows Maria Ressa, a prominent journalist in the Philippines who in 2018 was co-named Time magazine’s Person of the Year and who has become a significent recipient of scorn from the nation’s bullish President, Rodrigo Duterte. Through her website Rappler, she has sought to uncover the violent criminality of his regime, but through public rallies, abusive televised press conferences and through packs of angry political surrogates and supporters, she has become Duterte’s public enemy number one. They have sought to silence her and leverage his power to have her arrested multiple times and spread fake, damaging information and threats to her and her outlet.

Sound familiar?

Click to read more ...