Review: "Holler"

By Ben Miller

2010's Winter's Bone was a surprise Sundance success that depicted the poverty-stricken community of middle America. Debra Granik's debut made Jennifer Lawrence a star and earned four Oscar nominations.  Directors have tried to replicate that film to varying degrees of success, and writer/director Nicole Riegel tries her hand with Holler.

Jessica Barden stars as Ruth, a teenager on the verge of high school graduation. When she receives her acceptance into college, she and her brother Blaze (Gus Harper) join an illegal scrap metal crew in order to get the money she needs to further herself...

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Review: "Infinite" on Paramount+

By Abe Friedtanzer

There are those who believe in reincarnation, the idea that, when people die, they return eventually in another life. If, somehow, those who had lived before were able to recall what they had been through, they might be able to take lessons from it and create a better world. Yet it’s just as likely that, given the opportunity to dwell on centuries or millennia of knowledge about how society functions, many would attempt to exploit or destroy it for their own aims. That’s the setup of Infinite, a film with a bold concept that relies very little on logic to play out its all-too-familiar story.

To explain the premise of this film shouldn’t be all that difficult, but I’m not sure I can offer a coherent breakdown of how it’s all supposed to work. Basically, people called Infinites are able to recall their past lives, but they have to be reminded of everything they’ve experienced before...

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Review: "Profile"

By Ben Miller

New and innovative films inevitably lead to imitators. 2018's Searching is the obvious predecessor to Profile, the new film from Russian filmmaker (and Searching producer) Timur Bekmambetov. While the film ratchets up the tension to almost unbearable levels, script issues and over-dramatic characterizations turn this film into a bloated mess, albeit a watchable one.

Valene Kane stars as Amy Whittaker, a struggling freelance journalist who has an idea for a story: what if she can get recruited by Syrian jihadists in order to discover their tactics? Amy creates a fake Facebook profile and in no time at all, "Melody" is befriended by Bilel (Shazad Latif), a London-born ISIS member living in Syria...

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Review: "Stowaway" on Netflix

by Matt St Clair

Shamier Anderson is the titular "Stowaway"

One common trope in space movies is daddy issues. Whether it involves trying to find one’s dad in space or a sad father dealing family issues, as this 2019 Vulture article points out, it's a constant in outer-space movies. That's been especially true of this last decade with First Man, Interstellar, Ad Astra, and Netflix’s very recent space venture The Midnight Sky. But a surprise development! The new space movie Stowaway, from writer/director Joe Penna, is the rare film to abandon that trend altogether. The central quartet have struggles but not one of them is a daddy issue. 

Commander Marina Barnett (Toni Collette), botanist David Kim (Daniel Dae Kim), and medical researcher Zoe Levensen (Anna Kendrick) barely touch on their respective home lives as they make their way to Mars for a two-year space mission...

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Review: Sebastian Stan and Denise Gough shine in "Monday"

by Matt St Clair

The film may be called Monday but it’s all about the thrill of living for the weekend. It opens with a tracking shot of people, including our two American protagonists Mickey (Sebastian Stan) and Chloe (Denise Gough), getting their groove on in the dance floor as “I Feel Love” by Donna Summer starts playing. Everyone dancing to the rhythm with hardly a care in the world reflects the picture's tone as Mickey and Chloe engage in a blissful romance under the Greek Sun. Both act as if they’re stuck on that disco floor and hoping that dread day Monday never comes...

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