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Entries in Reviews (1201)

Thursday
Mar182021

SXSW: Portraits of motherhood in "Ninjababy" and "Bantú Mama"

by Cláudio Alves


Motherhood is one of cinema's favorite subjects, ever since narrative pictures emerged as a force to be contended with. One can go so far as saying that ever since the origins of drama, of storytelling, tales of mothers have dominated audiences' attentions, defined cultures, were made into the foundations for moral and religious belief. Perhaps because of such history, such conceptual weight, mainstream cinema rarely attempts to subvert or question the precepts of dramatized maternity. Even in more independent circuits, there's still reverence there, a willingness to prop up the mother figure into a saintly paragon, idealized caretaker, matriarch of humanity.

Because of it, one feels grateful when artists turn their back on all that baggage and decide to subvert what cinematic mothers are, what they look like, what they represent. The irreverent Ninjababy and the beautiful Bantú Mama, both presented at the SXSW film festival, are prime examples of this…

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Wednesday
Mar172021

SXSW: The dystopian visions of Executive Order & Witch Hunt

By Abe Friedtanzer

 

It’s sadly not all that difficult to imagine our society slipping into dystopian territory, and while that might have seemed impossible here in America, recent events have suggested we’re not that far away from authoritarian misery. Cinema has long explored such inevitabilities, and it’s those “very near future” concepts that don’t look so different from what we know today that can be especially terrifying. They can also be insightful, strong pieces of filmmaking, and SXSW has two this year that are indeed frightening and thought-provoking...

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Wednesday
Mar172021

Streaming Review: Boss Level

 

Groundhog Day is becoming its own genre of film.  Groundhog Day as a horror film -> Happy Death DayGroundhog Day as a sci-fi war film -> Edge of TomorrowGroundhog Day as an existential romantic comedy -> Palm Springs.  Joe Carnahan's Boss Level continues this new tradition as the violent action film edition. It does this while maintaining a fun tone and never crossing over into offensiveness.

Frank Grillo stars as Roy Pulver, a former special forces soldier who wakes up every morning with people trying to kill him...

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Monday
Mar082021

Oscar Race: Live Action Short Finalists Reviewed 

by Nathaniel R

As we did with the Documentary shorts finalists, we're reviewing the Oscar possibilities in Live Action short. Unfortunately this group is harder for audiences to see (at this writing) so we don't have screening links for all of them. We've been unable to track down Two Distant Strangers but let's discuss the other nine options, divvied up into four 'types'...

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Friday
Feb262021

Review: Cherry

by Christopher James

Tom Holland ditches the superhero cape for a much grittier turn in the Russo Brothers' new film, "Cherry."Cherry is five movies in one, and each one of them is bad in a different, unique way.

Joe and Anthony Russo’s ambitious new film for Apple TV+ has many different goals. Unfortunately, much like a juggler with too many balls in the air, every one of those goals falls to the ground, landing with a thud. Despite clear ambition and clearly talented people involved, nothing comes together in Cherry. What we’re left with is a misshapen, overlong mess where our lead Forrest Gumps his way through a variety of genres and ripped-from-the-headlines issues...

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