Review: The United States vs. Billie Holiday (Hulu)

by Christopher James 

How can a remarkable life lead to an unremarkable film? On paper, The United States vs. Billie Holiday has so much going for it. Oscar nominee Lee Daniels is an inspired, live wire choice for director and Andra Day makes a fantastic acting debut. She more than rises to the inimitable challenge of playing a legend like Billie Holiday. Unfortunately, The United States vs. Billie Holiday falls into a common biopic trap. All of the information feels a mile wide and a foot deep. We breeze through so much of Billie’s life, but we never get a moment to digest what we’re seeing or piece together a central character. The movie moves quickly through all events in Holiday’s life, leaving the audience behind in the process...

Click to read more ...

Oscar Race: Documentary Short Finalists reviewed (and where to stream them)

by Nathaniel R

Without theaters open the popular annual tradition of the nominees bundled together at movie theaters will probably have to wait, so we thought we'd discuss them before the Academy votes on nominations this year as they were blessedly easy to track down -- at least in the Doc Short category, all of which are available to stream. Herewith, a look at the ten films competing for those five slots, half of which are directed or co-directed by women.

They're grouped by emotional or thematic similarities. UPDATE: IF THEY WERE NOMINATED THAT'S MARKED BELOW...

Click to read more ...

Streaming Review: "I Care A Lot" (Netflix)

by Christopher James

Rosamund Pike cares a lot, not about her elderly wards, but about winning.Music and The Mauritanian weren’t the only movies that showed up at the Golden Globes without people having seen the film. Rosamund Pike nabbed a nomination in the Best Actress in a Musical/Comedy for the Netflix film I Care A Lot, which some critics saw during the Toronto International Film Festival. The Globes have long loved Rosamund Pike, even nominating her for A Private War in 2018. Is this latest nomination a case of the Globes being goofy, or is Pike awards worthy in this new black comedy?

The answer is yes and no on both fronts. Pike uses “Amazing Amy” ability to establish a horrifying, gleefully bloodthirsty businesswoman who fleeces the elderly. Unfortunately, she does so in a vehicle that points that talent in the exact wrong directions...

Click to read more ...

Review: Judas and the Black Messiah

by Lynn Lee

The flame that burns twice as bright burns half as long.  That isn’t Fred Hampton’s epitaph, but it could well be.  Only in his case, it wasn’t even half – more like a quarter.  At the age of 21, Hampton was already one of the brightest lights in the Black Panther Party when he was assassinated in his own home by the Chicago police, with help from the FBI, in 1969.  The most tragic aspect of his premature demise wasn’t that he was just getting started; it was that he had accomplished so much in such a short time and gave every indication he could have done so much more had he lived.  The second most tragic aspect was the identity of his betrayer: an African American FBI informant who had embedded himself in Hampton’s inner circle.

Both of these aspects get their due in Judas and the Black Messiah, the first non-documentary film to focus on Hampton and the man (and Man) who brought him down...

Click to read more ...

Review: Golden Globes surprise "Music"

By Abe Friedtanzer

Surely the biggest shock from any awards announcement last week was the inclusion of Music at the Golden Globes. I hadn’t heard of it at that point, and its unexpected appearance will definitely lead to far more people seeking it out than otherwise would have when it arrives on VOD this Friday after a one-night-only IMAX release today. What to make of Sia’s directorial debut? Well, that’s a complicated question.

Music (Maddie Ziegler) is the name of a teenage girl on the autism spectrum who is mostly nonverbal. The steady routines she has established are upended by the death of her caring grandmother (Mary Kay Place), which brings Music’s half-sister, Zu (Kate Hudson), back into the picture after considerable struggles with the law and addiction. Her kindly neighbor Ebo (Leslie Odom Jr.) and building super George (Hector Elizondo) look after Music as well as they can, but the premise here is clear: much as she seems unsuited for the task, Zu has no choice but to step up...

Click to read more ...