Review: "Saltburn" is an Epic Party

By Christopher James

How does one follow up a first feature after it breaks out and earns an Oscar? 

After her vivid breakthrough Promising Young Woman, Emerald Fennell smartly refuses to play it safe. At first glance, the tale of class warfare and homoeroticism feels familiar. But her singular eye adds an indelible slant to the material, which feels like a spiritual sister to The Talented Mr. Ripley. Like that film, Saltburn expertly dramatizes the intoxication of lust and the limits we all blow past while under its influence. Fennell’s live-wire pacing is perfectly complemented by the committed cast, particularly Barry Keoghan, Jacob Elordi and Rosamund Pike...

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Cannes Red Carpet Finale: Tilda, Adèle, Regina, Sharon, Gemma...

by Nathaniel R

As the 74th annual Cannes Film Festival recedes into the past, can we all agree that even after all these years, Tilda Swinton remains the most exciting red carpet icon? Consider that she chased that blue eye ribbon, with a frankenstein-pieced metallic look and an exquisitely tailored blue suit, then a red dog collar, and to close out the festival went with this cavalcade of androgynous billowing white pieces.

And because her face deserves exquisite fashion, too, she paired them with a different improbably shaped hairdo each time for good measure. She always keeps us guessing. The only thing you can safely predict about Tilda at each event is that she'll be memorable. 

More final Cannes '21 looks after the jump...

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Oscar's complicated history with the "complicated woman"

by Matt St Clair

Remember when Maggie Gyllenhaal won a Golden Globe for her starring role in the miniseries The Honorable Woman? During her acceptance speech she spoke about not just the wealth of strong roles for women on television, but roles as complicated women, saying, “when I look around the room at the women who are in here and I think about the performances that I’ve watched this year, what I see actually are women who are sometimes powerful and sometimes not. Sometimes sexy, sometimes not. Sometimes honorable, sometimes not.” Complicated female characters on TV still receive more proper acknowledgement than those in the movies. 

While Carey Mulligan earned a recent Best Actress nomination for her role as the duplicitous avenging angel Cassie Thomas in Promising Young Woman, the Oscars have a historically spotty track record when it comes to acknowledging actresses for playing complicated, and sometimes calculating, women....

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Oscar Race: Best Actress won't settle!

by Nathaniel R

The Golden Globes threw a molotov cocktail at the Best Actress race last night. Pundits have mostly agreed that four spots were cemented with Viola Davis, Carey Mulligan, Frances McDormand, and Vanessa Kirby as the leaders. The fifth spot was deemed up for grabs with some growing sentiment that it would be Sophia Loren (The Life Ahead) emerging from behind (without precursors) to score that contentious final seat in the throne room. But last night the Globes did some very loud FYCing for both Rosamund Pike (I Care a Lot) and Andra Day (United States vs Billie Holiday), both of whom starred in 2021 pictures vying for the "best of 2020" honors due to the extended eligibility period. In other words, it paid to wait until the last second with the Globes this year.

Will these two wins affect the Oscar ballots which go out this Friday? Let's discuss after the jump...

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Lunchtime Poll: When was the last time a movie or show gave you whiplash?

by Nathaniel R

- Tell me who you are!
- I'm the worst mistake you'll ever mistake.

Watching I Don't Care (reviewed by Christopher) was a whiplash experience. I was absolutely loving it until I suddenly wasn't. Thirty-six minutes into the movie Dean (Chris Messina) arrives into Marla's (Rosamund Pike) office, to start what is essentially act two of a three act. Two sharks begin speaking in human voices, their teeth gleaming imagining fleshy bites and blood in the water. It's a superb scene. A few minutes later another violent verbal duet with Dianne Wiest.  All three actors are on absolute fire with impeccably judged reaction shots, expressive body language, and nastily imaginative line-readings. I Care A Lot felt, in that ten minute stretch, like it was taking off into the stratosphere. This is an "A" grade pitch-black comedy! The movie throws everything at you thereafter -- incidents, twists, more verbal duels, violence, and a score so aggressively present you want to remind it that Rosamund Pike has top billing-- but it's a case of either too much or rapidly dimishing returns.  I was actively annoyed and disappointed for the entire third act. 

When was the last time this happened to you? Love and hate in almost equal measure while watching a movie?