The New Classics: Two Days, One Night

by Michael Cusumano

I become invested in the struggles of Sandra in Two Days, One Night in a way I rarely do with other protagonists. 

The Dardenne’s unadorned style combined with the rawness of Marion Cotillard’s performance convince me completely of the reality of what’s unfolding, and I monitor Sandra like a friend for whom I am gravely concerned, inspecting every downward glance for hints of an impending crack up. When she teeters on the brink of a deep abyss after the film’s brutal first act, I can intuit that she is probably one more setback away from surrendering to her darkest impulses. The film doesn't need to say so...

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11 Questions For You: This Week's DVD/BluRay Releases

Eleven questions about this week's newly released titles.
Q1: Which of these titles are you planning to catch up with or revisit at home?

Aloha (Reviewed) Cameron Crowe directs Bradley Cooper & Emma Stone in Hawaii.
Q2: Are you the type who rubbernecks at car crashes?
Citizen Four (Oscar Discussion / Podcasted) 2014's Oscar winning Documentary on Edward Snowden
Q3: Do you try to see all nominees in the doc category each year and if so do you succeed?
Iris Albert Maysles is no longer with us but before he left us, he made one last documentary about an eccentric old lady (which you might say is a specialty)
Q4: Do you love Grey Gardens (rhetorical question) and if so did you watch "Sandy Passage" on Documentary Now this week?
Lila & Eve Viola Davis & JLo are out to avenge the murder of their sons
Q5: Has Viola moved into her trashy B-phase with this revenge thriller and How to Get Away With Murder and if so are you eager for something classy again?
October Gale Director Ruba Nadda and Goddess Patricia Clarkson reunite post Cairo Time for this drama about a doctor (Patricia Clarkson) and a man who washes up on her shore wounded (Scott Speedman). Is a killer coming to finish the job?
Q6: Do the words "Patricia Clarkson and Scott Speedman" in combination make you suddenly hungry because that sounds delicious to me?
The Runner Nicolas Cage is a politician with a sex scandal problem. With Sarah Paulson and Connie Nielsen and the BP Oil Spill in supporting.
Q7: What did Sarah Paulson ever do to deserve this?

Save him, Patricia!Action Flickers: Tony Jaa & Dolph Lundgren

Skin Trade Giant powerhouse Dolph Lundgren hunts his family's killer down in Southeast Asia with tiny powerhouse Tony Jaa by his side.
Q8: Dolph or Tony?
Two Days One Night Oscar nominated Marion Cotillard tries to save her job in this wrenching smart drama from Belgium's Dardennes brothers.
Q9: On a scale of 10-10, how utterly amazing do you think Cotillard is in this movie?
Where Hope Grows an athlete befriends a man with Down's Syndrome
Q10: Are you even reading this post?
TV Season Releases
Elementary (3rd), Revenge (4th), The Walking Dead (5th), Good Wife (6th), Criminal Minds (10th)
Q11: Do you still buy TV seasons on DVD or did you give that up with the rise of streaming options? 

Best Limited or Cameo Role. The Men

It's time for the final two categories in this year's Film Bitch Awards, the Limited or Cameo roles. Which is to say the actors who have only two scenes or less or who are continually backgrounded but for like one spotlight scene. It's an inexact science for sure and the line becomes blurry sometimes with supporting. [Breaking news: a former nominee in these limited/cameo categories whose star is rising will be guest blogging next month for a special day! More on that soon.]

This may sound silly to more casual readers but I agonize over these categories nearly as much as their Oscar correlatives. In fact the entire reason that I still haven't posted the women -- I had planned to post both at once naturally -- is that I haven't narrowed it down to 5 yet. I'm stuck at 8 and don't want to lose any of them.

So first up, the men...

Though Wild and Selma (nominee Henry G. Sanders as "Cager Lee" pictured above), offered plentiful options, and Two Days One Night was undeniable (kudos Timur Magomedgadzhie, left) the possibilities actually weren't obviously abundant. Perhaps this is because men dominate movies so thoroughly that the very small parts tend to be played by women and maybe there's a slight possibility that this actressexual doesn't notice the men quite as much who fill out the frame in group scenes. But let's not distract ourselves from the business at hand:  Here's the nominee and finalist lists.

Best Actress. An Oscar Thrill & Personal Ballot

It's just four days until Oscar and I remain stunned and overjoyed that god* will be taking home her first Oscar. I can scarcely believe it. I thought it would be a nail biter given that this never happens. It's true we're about to get our first fiftysomething Best Actress winner in 62 years and I couldn't be happier about it! Given Oscar's very limited idea of what constitutes great acting (let's face it they were never going to "get" how well Scarlett Johansson was embodying a inhuman alien psyche distracted by curiousity) they didn't have much to choose from this year. But we cinephiles did. Best Actress is always a tough category for the actressexual, so I truly wish I had 8 nominees each year. I truly do. Of course then I'd weep for the 9th. You're always going to have to leave people out.

I force myself to narrow it down to 12 semi-finalists each year for a happy dozen before I make the final calls so here's a last shout out to a dozenish favorite leading ladies of 2014 (in alpha order) though this time it's a baker's dozen because I had to include the baker's wife albeit in her other incarnation this year.

Let's hear it for this incredible work. (Weak year my ass)

• Emily Blunt, Edge of Tomorrow
• Marion Cotillard, Two Days One Night
• Essie Davis, The Babadook
• Anne Dorval, Mommy
• Luminita Gheorghiu, Child's Pose
• Scarlett Johansson, Under the Skin
• Keira Knightley, Begin Again
• Agata Kulesza, Ida
• Gugu Mbatha-Raw, Beyond the Lights
• Julianne Moore, Still Alice / Maps to the Stars **
• Elisabeth Moss, Listen Up Phillip
• Rosamund Pike, Gone Girl
• Reese Witherspoon, Wild

See the Film Bitch Awards Best Actress nominees here!

* Julianne Moore is God.

** I could never understand what the f*** was happening with Maps to the Stars (Globe eligible but not Oscar eligible - what the hell?) so it is not included in my 2014 awards though I would surely have nominated Juli for it. I haven't yet decided if I will consider it for 2015 -- it supposedly opens February 27th -- but it seems to have been lost in the gap between film years. I will never understand this predilection of distributors to confuse potential audiences and critics in year end prizes. Never ever. It fills me with such bile every annum.

National Society of Film Critics Swings French for 2014

The NSFC has announced its "Best" and we have another treat for glum Marion Cotillard. She may have been fired from her job in Two Days One Night but the world's critics would love her to be gainfully employed for years to come.

The NSFC is composed of "many of the country’s most distinguished movie critics" and were once the third holy in the critical trinity (with NYFCC and LAFCA) before the days when every single city in the nation was naming their best a development which has significantly dulled the power of critics awards altogether... or  at least confused what it is about critics awards that anyone pays attention to anymore.

The most interesting thing is that though this critics society has "National" in its name, the members were just not that into American films this year. They've crossed the Atlantic for their major prizes handing Jean-Luc Godard's 3D experiment Goodbye to Language the year's best film (in a narrow one point victory over Boyhood), Marion Cotillard wins Best Actress (by a huge margin for her Belgian feature with the Dardenne brothers as well as The Immigrant). The other mild statement this weekend is two prizes for the British Mike Leigh film Mr Turner with wins in Best Actor and Cinematography.

This last burst of recognition for Timothy Spall (interviewed right here) in a very tight Best Actor race and for Marion Cotillard who remains a longshot for Best Actress since the precursors roundly favored the exact same five women (Julianne, Reese, Felicity, Jennifer, Rosamund) keeps things exciting. At least a little bit. If AMPAS is still asking for recommendations at all, mind you. Still, we know of at least one über famous Academy member who is rooting for Marion. 

Nobody's saying it--yet-- but Marion Cotillard deserves Oscar nod for TWO DAYS, ONE NITE https://t.co/S3Bo2OpBAB

— Jane Seymour Fonda (@Janefonda) December 31, 2014

Thanks, Jane! 

Otherwise the NSFC prizes were the standard winners you've seen everywhere else: Linklater, Simmons, Arquette, Citizenfour, and Budapest for Screenplay. All this agreement has been bizarre for such a rich film year but what can you do? (If you're interest in voting data, I've included it after the jump... and you can also visit their official site here.)

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