11 Questions For You: This Week's DVD/BluRay Releases

Eleven questions about this week's newly released titles.
Q1: Which of these titles are you planning to catch up with or revisit at home?

Aloha (Reviewed) Cameron Crowe directs Bradley Cooper & Emma Stone in Hawaii.
Q2: Are you the type who rubbernecks at car crashes?
Citizen Four (Oscar Discussion / Podcasted) 2014's Oscar winning Documentary on Edward Snowden
Q3: Do you try to see all nominees in the doc category each year and if so do you succeed?
Iris Albert Maysles is no longer with us but before he left us, he made one last documentary about an eccentric old lady (which you might say is a specialty)
Q4: Do you love Grey Gardens (rhetorical question) and if so did you watch "Sandy Passage" on Documentary Now this week?
Lila & Eve Viola Davis & JLo are out to avenge the murder of their sons
Q5: Has Viola moved into her trashy B-phase with this revenge thriller and How to Get Away With Murder and if so are you eager for something classy again?
October Gale Director Ruba Nadda and Goddess Patricia Clarkson reunite post Cairo Time for this drama about a doctor (Patricia Clarkson) and a man who washes up on her shore wounded (Scott Speedman). Is a killer coming to finish the job?
Q6: Do the words "Patricia Clarkson and Scott Speedman" in combination make you suddenly hungry because that sounds delicious to me?
The Runner Nicolas Cage is a politician with a sex scandal problem. With Sarah Paulson and Connie Nielsen and the BP Oil Spill in supporting.
Q7: What did Sarah Paulson ever do to deserve this?

Save him, Patricia!Action Flickers: Tony Jaa & Dolph Lundgren

Skin Trade Giant powerhouse Dolph Lundgren hunts his family's killer down in Southeast Asia with tiny powerhouse Tony Jaa by his side.
Q8: Dolph or Tony?
Two Days One Night Oscar nominated Marion Cotillard tries to save her job in this wrenching smart drama from Belgium's Dardennes brothers.
Q9: On a scale of 10-10, how utterly amazing do you think Cotillard is in this movie?
Where Hope Grows an athlete befriends a man with Down's Syndrome
Q10: Are you even reading this post?
TV Season Releases
Elementary (3rd), Revenge (4th), The Walking Dead (5th), Good Wife (6th), Criminal Minds (10th)
Q11: Do you still buy TV seasons on DVD or did you give that up with the rise of streaming options? 

Review: Aloha's Good Intentions Can't Rescue It

Michael C here to try to make sense of what I just watched. Cameron Crowe’s Aloha is one of the most bewildering cinematic experiences in recent memory.

Gone is the filmmaker behind Almost Famous and Jerry Maguire that could gracefully execute romantic gestures grand enough to capsize lesser movies. Gone even is the maker of follies like Elizabethtown who missed the mark by a mile but at least left a coherent mess in his wake. In his place is a guy that can barely scrape together a moment of believable human interaction in Aloha’s 105 minute running time. Crowe is so besotted with his notions of spiritual uplift against a mystical Hawaiian backdrop, so dizzy with big statements about life and love and redemption, that he appears to have lost his bearings completely. Aloha’s outpouring of emotion is fed into the malfunctioning machinery of the screenplay and spat out the other end as gobbledygook.

Bradley Cooper plays Brian Gilcrest, a cynic with a heart of gold in the Jerry Maguire mold. Gilcrest is a soldier coming off a series of vague professional disasters given the cushy task of obtaining a blessing from some native Hawaiians so the army can relocate an ancient burial ground (I think). Returning to Hawaii means seeing the girlfriend he ran out on eighteen years ago (Rachel McAdams) and her new family. Gilcrest is escorted on this mission by spunky young fighter pilot played by Emma Stone. The pairing generates all the romantic sparks of a guy babysitting his rambunctious younger cousin on a weekend road trip.

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Box Office Fault Lines

I didn't see the latest disaster epic this weekend - but maybe you did? How many people did The Rock save with his giant arms and helicopters and diving (the three techniques he used from the trailer - I'm just guessing). San Andreas the movie may have killed off Californians but it was spectacle enough to attract the nation at large with a $50+ million opening weekend which makes this his biggest opening weekend outside of the Mummy and Fast & Furious franchises.

WIDE RELEASE
May 29-31 Weekend
01 San Andreas NEW $53.2
02 Pitch Perfect 2 $14.8 (cum. $147.5) Review
03 Tomorrowland $13.8 (cum. $63.1) Review
04 Mad Max Fury Road $13.6 (cum. $115.9) Review & Podcast
05 Age of Ultron  $10.9 (cum. $427) Review & Marathon & Podcast
06 Aloha NEW $10 Review
07 Poltergeist $7.8 (cum. $38.2)
08 Far From The Madding Crowd $1.4 (cum. $8.3) Review 
09 Hot Pursuit $1.3 (cum. $32.3) Review
10 Home $1.1 (cum. $170.4) 

Meanwhile Aloha, Cameron Crowe's latest had a dismal $10 million opening (That's a dismal opening when you've got three mostly bankable A list stars) and terrible reviews - many critics calling it his worst yet. I was curious to see it despite the reviews until I heard that Emma Stone was playing a character that was meant to be half Asian American and then I was like...'you know what Hollywood? Just not doing this anymore. ENOUGH.'

In better news Mad Max and Far From The Madding Crowd (the two we're rooting for at the moment from genre quality and "make more movies like this" concerns) held fairly well in their third and fifth weekends respectively. Fury Road's exorbitant price tag isn't going to make it one of the most profitable films of the year but at least it will eventually make its money back! I had the laziest weekend ever as you probably sensed from the unusually quiet blogging... but I'm hoping you found excitement. What did you see?

NYC Readers Take Note:
I will be appearing in a show at UCB in the East Village called "So Into It" on Tuesday night (June 2nd) this week. It's a comic variety show that changes themes each month and this month the topic is 'awards shows'. I'm not totally sure what to expect but I will be interviewed on stage at some point during the show. Please note: I am not the one bringing the comedy -- not a comedian. I'm just being interviewed but I'd appreciate support from anyone reading who is So Into The Film Experience (and also non-judgmental) as I'm terrified of being on stage.