Stage Door: Audra's Toes, "Sweeney Peron", Busch's Hepburn and "Big Fish"

Audra McDonald rehearsing for "Porgy & Bess"Theater geeks who read The Film Experience (there be crossover!) might have been wondering what happened to the stage door column. The truth is we just haven't been seeing much. This is never a question of "nothing to see" but always a matter of finances and for one quarter of each year the the not-so-small matter of Oscar Mania keeping us busy with pre-recorded actors instead of live ones. But when I'm not seeing it I enjoy it vicariously through avid theatergoing friends and through blogs. My favorite is The Broadway Blog so if you're into theater, check it out. Here's four quick film / theater crossover tidbits I wanted to share. 

AUDRA in Rampart
I practically shrieked with surprised delight when Broadway baby Audra McDonald showed up in Oren Moverman's Rampart. She just kills her one scene role as Woody Harrelson's latest conquest. Woody's bad cop gets good love from multiple ladies and as Woody was sucking on her toes (no, really) I kept thinking, 'Audra is a star on any platform: small screen, big screen, stage, boudoir... (ahem. in this movie).' I'd love to see her in the current revival of Porgy & Bess and am hoping the opportunity presents itself.

CHARLES BUSCH does Katharine Hepburn. 
Late this month, legendary drag artist Charles Busch is doing a one night only reading of Matthew Lombardo'snplay about Katharine Hepburn, Tea at Five. The tickets are too steep for me but Busch is always wonderful when he's channelling the classic divas... and Lombardo has an actressexual's taste for them too having written the Kathleen Turner vehicle "High" and the Tallulah Bankhead play Looped. I'm curious how Charles Busch will be as Kate the Great (pictured left) given that my favorite Busch channeling is Greer Garson -- that voice! Old Hollywood and Theater History aficionados might also enjoy Mr. Busch's name droppings in this New York Times article about his apartment renovation.

BIG FISH
Were you aware that Tim Burton's 2003 movie is becoming a stage musical? The story, or to put it more accurately stories, does seem like a natural fit for musicalization. It's already heightened and fantastical which musical theater can really feed on. The score will be by Andrew Lippa but the best part of the news is that Michael C. Hall, though not officially announced, is intended for the lead role in 2013. He's got a wonderful singing voice and he's needed to do something other than Dexter for a few years now. Not that he hasn't found a surprising amount of ways to keep that particular performance lively despite the death-dealing but enough's enough -- love the show but I really think they'd be wise to wrap up; time for a little song and dance break!

EVITA Again
One more thing... Papermag amusingly wonders what Ricky Martin is thinking in this promotional still for the upcoming spring revival of Andrew Lloyd Webber's Evita. 

I don't know what he's thinking but what I'm thinking every time I see Michael Cerveris (the bald one, playing Juan Peron) is that time in early 2008 when I listened to my Broadway revival cast recording of Sweeney Todd  (in which he starred) after having recently seen Tim Burton's Sweeney Todd and just tearing up. The amount of nuance and drama and acting notes and beauty a singer/actor can put in to a musical performance as opposed to an actor who learns to sing a few bars.... I tell you the difference is astronomical. Hollywood is tone deaf.

Oh, and uh, Elena Rogers plays Eva Peron... will Madonna send her hydranges?

EXIT MUSIC

Audra McDonald singing Jason Robert Brown's "Stars and The Moon"... love this song. 

I met a man without a dollar to his name 

Who had no traits of any value but his smile 

I met a man who had no yearn or claim to fame 

Who was content to let life pass him for a while 

And I was sure that all I ever wanted 

Was a life like the movie stars led 

And he kissed me right here, and he said,

`I`ll give you stars and the moon and a soul to guide you 

And a promise I`ll never go 

I`ll give you hope to bring out all the life inside you 

And the strength that will help you grow.

I`ll give you truth and a future that`s twenty times better 

Than any Hollywood plot.`

And I thought, `You know, I`d rather have a yacht.`

BAFTA Penguins (and Grammy Diversion)

A few of the BAFTA tuxes for you. Tuxes are so amusing. Everyone looks good in them but everyone looks related.

Nicholas Hoult Did you know he is 6'2"? He is now 3 inches taller than Hugh Grant, his About a Boy co-star! How weird is that? All growed up. In other news, all of these men ('cept the Ruff) are over 6' feet tall.
Mark Ruffalo and his wife Sunshine Coigney. She's looking fab / diva-esque so I had to include her. Did you know that she was in In The Cut? The one where the Ruff got naked with Meg Ryan. Well, now you do. #freeinformation
Colin Firth. WINNER. [This Just In: Did y'all see that Andy Rooney on 60 Minutes (what a bizarre Grammys lead-in) loved The King's Speech? This is why it will win Best Picture. He told a story about meeting King George VI with a friend of his who was also a stutterer.]
Gerard Butler Do you think he's embarrassed going to these awards shows considering the kind of movies he makes? If not... he should be.
Ricky Martin was... oh, whoops. I've moved over to the Grammys. I'm very distracted tonight. I'm watching The Grammys. How stereotyped is it that Ricky Martin was chosen to introduce Lady Gaga's "Born This Way".? Get it? Because he is gay. G-A-Y.

Every once in awhile I try to watch the Grammys (which I'm sorta tweeting) and then I remember why I don't watch. The problem illustrated: Nicole Kidman just joined a standing ovation... for Justin Beiber.