Venice Diary #9 - "Blonde"

by Elisa Giudici

Today was Blonde day, at least until one of the most iconic royal figure from the last century died, stealing attention and coverage away from Venice movies and all other events. Considering the reviews for the biopic (and the spike in views The Crown will get), Netflix should probably be relieved. So for today's diary, a controversial take on the life and death of Marilyn Monroe and two movies that reiterate how healthy French cinema is.

BLONDE by Andrew Dominik
Overlong, indulgent and hyper-focused on the most tragic aspects of the life of Marilyn Monroe, Blonde as a biopic is a thanks but no thanks...

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Venice at Home – Day 3: From Galleries to Gangsters

by Cláudio Alves

Day 3 at the Venice Film festival finds a nonfiction master dipping his foot into the murky waters of fictionalized narrative. Frederick Wiseman's A Couple purports to dramatize the correspondence between Leo Tolstoy and his wife, starring Nathalie Boutefeu, working from a script made from documented letters. Elsewhere in the official competition, Luca Guadagnino helms Bones & All, a cannibal romance starring Timothée Chalamet and Taylor Russell. Finally, Romain Gavras brings Athena to the festivities, working alongside Ladj Ly, who co-wrote the film.

As we wait for these movies to become more readily available, let's consider their directors' previous works, including an ode to museums, a fashionable short, and a Scarface revision…

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