Cannes at Home: Day 5 – A Tale of Two Victors

by Cláudio Alves

The fourth day of Main Competition screenings saw the premiere of two films by former Palme d'Or winners. First up, Swedish auteur Ruben Östlund returned to the Croisette after taking the festival's top honor with The Square. Triangle of Sadness is the director's first film since then, perchance indicating a newfound obsession with geometrical titling. Reactions have skewed positive, though there are dissenting voices. Then, it was time for Cristian Mungiu to present R.M.N, this year's first major Palme contender as far as critical reception is concerned (Elisa's review). It should be noted that this is the fourth time Mungiu has presented a film in the Main Competition – all three previous projects won prizes, setting a good precedent for the Romanian master. 

Logically, when discussing these laurelled artists, the mind drifts to their victorious flicks. Today's Cannes at Home selections are The Square and 4 Months, 3 Weeks and 2 Days…

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Top Ten: The Countries Oscar Forgot To Honor

by Nathaniel R

Any discussion of Oscar's Best International Feature Film competition throughout history begins with Italy and France. They dominated the early years and though they rarely win now they can still generate buzz with comparative ease (including this year with Hand of God and Titane). Oscar voters have (virtually) travelled to every continent and every major film market at least once or twice since the birth of the category in the 1950s. Their choices don't always reflect where the hot spots in world cinema are, though -- They notoriously missed the entirety of the Romanian New Wave in the Aughts, the provocative if brief Dogme 95 period in Denmark, apart from Japan they're super stingy with Asian cinema in general to the point where it took an international blockbuster ($259 million globably for Parasite) for them to finally notice what was happening in South Korea. Still, it's a fascinating category both for its triumphs and its failures.

All that said it's also worth repeating that no one is ever truly fair to Oscar in their critiques. It's an impossible sisphyean task to sum up the best of what's happening in non English language cinema throughout history via only five titles each season, especially since you can't control which titles will be in the mix and you cant have more than one per country. 

Here are the 10 admirably persistent countries that keep trying despite Oscar's refusal to acknowledge them. They've submitted the most often without receiving a single nomination. Will their fates change this year?

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International Oscar Contenders: "A Hero" and "Bad Luck Banging on Loony Porn" join the fray

by Nathaniel R

A HERO (2021) comes from Iran's Oscar-winning champ Asghar Farhadi

Next week we have scheduled Oscar submission announcements from Denmark (we suspect Flee), Italy (we suspect Hand of God), Norway (we suspect Worst Person in the World) and Portugal (we suspect... no, we have no idea!) and on the latter we'll be hearing from Cláudio, your favourite Portuguese critic. But  let's not get ahead of ourselves. There is a lot to discuss RIGHT NOW in the International Feature Film Oscar Race as we now have seven more titles announced plus another finalist list. Which brings us to 51 movies so we're aware of over 50% of the competitive set now. News from Algeria, Belgium, India, Iran, Latvia, Palestine, Romania, and Sweden is after the jump...

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HollyShorts Pt. 2: Amanda Seyfried, Sofas, and Cigarettes

By Ben Miller

The virtual HollyShorts Film Festival is in full swing and begins to focus on specific genre categories as the days roll on.  It's an Oscar Qualifying Festival so nominees or even a future Oscar winner could well emerge. In part one we looked at nine shorts with a couple of familiar actors appearing. While there is just too much to cover, here are nine more highlights and a few more celebrity actors, too...

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NYFF: "Bad Luck Banging or Loony Porn"

by Jason Adams

Emi (Katia Pascariu) is having what you might call a terrible, horrible, no good, very bad day. A respected and talented history teacher at an elite Romanian private school, she's just been notified that an amateur porn video she made with her husband has been seen by her entire classroom of students, their parents, her co-workers and principal -- basically everybody, sitting as it does spread-eagled there on the world wide web for all to take a good long look at. After making some phone calls and visits to involved parties she's forced to sit down in front of an angry mob of parents and teachers and defend herself in order to keep her job. And this is what you would call the "plot" of Bad Luck Banging or Loony Porn, Romanian provocateur Radu Jude's latest film which won the Golden Bear in Berlin earlier this year and is screening at NYFF this week...

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