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Entries in Ryan Coogler (17)

Wednesday
Jul012015

YNMS: "Steve Jobs" & "Creed"

Films celebrating their over achieving male protagonist are par for the course come fall movie season each year as Oscar competition heats up. But Steve Jobs and Adonis Creed both got trailers in the same 24 hours or so and I couldn't resist conjoining them since they both also star actors named "Michael". They make both an odd couple and perfect pair: Mind and Body. Michael Fassbender plays real life computer genius Steve Jobs for Oscar winner Danny Boyle; And Michael B Jordan, reuniting with his Fruitvale director Ryan Coogler, plays fictional Adonis Creed, the son of dead boxer Adonis, in an attempt to reboot the stalled Rocky series.

Yes No Maybe So on both trailers after the jump...

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Saturday
Jul202013

Review: Fruitvale Station

This review was originally posted in my column at Towleroad

Fruitvale Station, the first legit* Oscar Best Picture contender of 2013, hit a few theaters last Friday after months of pre-release buzz.

The buzz was fueled by a double triumph at Sundance this past January where it took home both the Audience Award and the Grand Jury Prize. The feature debut of 27 year-old writer/director Ryan Coogler tells the true story of the death of a 22 year-old African American man named Oscar Grant, who was shot by police on New Year's Day in 2009 at the Fruitvale BART Station in San Francisco. Watching it last Friday it felt like a modest success, a solid specific slice-of-life drama if not a great or ambitious one. But context is a funny thing. The very next day it was feeling much bigger.
 

Nothing exists in a vacuum and that includes the movies. On Saturday George Zimmerman was found "Not Guilty" in the death of Trayvon Martin, another unarmed black man (this time he was only a teenager), whose life was snuffed out nonsensically. The Weinstein Company who distributed the movie couldn't possibly have had better (or sadder) timing. If Fruitvale Station were a fictional drama, it might have felt unnervingly prescient opening when it did but since it is also based in fact it arrives like a stinging reminder of a shameful national pattern.[more...]

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