Post-ApocaLinktip

Time is a real bitch. Between interviews and standard blogging and technical difficulties and Globes and Film Bitch Awards and a cold, your host has had a difficult couple of weeks that he definitely didn't plan well enough for. But this rought start to 2016 shall not deter him. Please stick with us and cheerlead in the comments and we'll make 2016 the best year yet at The Film Experience even though these past 10 days or so have not gone half as planned. (Note to self for 2016: You can't cover everything... the link list is your friend. Also please win the lottery so you can hire a full time staff of 5? 10?) 

Here's some reading elsewhere while we continue to update Oscar charts, try to collect ourselves (still trying to decide how to approach the #OscarsSoWhite issue which is getting such shoddy or agenda-filled or misleading coverage elsewhere). And maybe eating lunch or sleeping would be nice at some point! 

Good LOL
The Toast "Signs You're About to be in a Sinister Homoerotic Subplot in a Midcentury Drama" 

Extra Extra Read All About It
Boy Culture 50 stars turning 50 this year. Which should we celebrate here at TFE?
Film School Rejects talks Ryan Coogler's strong beginnings and bright future and the matter of his Black Panther gig
Gizmodo Inside Out might get a sequel? Blargh.
Variety Dan Hagerty (best known as "Grizzly Adams" from TV died this morning at 74
New Now Next Nico Tortorella gives you tips on how to maximize your Instagram account (of course if you look like Nico Tortorella you probably won't need any tips to get popular on Instagram
Playbill the David Bowie scored musical Lazarus set to close this next week off broadway might get a second life
The Guardian Mike Lee talks about what he's up to, his past film, his politics and his next project Peterloo (date TBA) about a Manchester massacre in 1819.
Vanity Fair Jacob Tremblay, Charlize Theron, Cate Blanchett, Bryan Cranston and more doing their best Scarlett & Rhett Gone With the Wind finale impressions
Just Jared The great Emma Thompson remembers her co-star the late Alan Rickman (RIP)
Slate looks at the treatment of the romantic rival in Crazy Ex-Girlfriend and wonders why it isn't as subversive/progressive as other parts of the show. Are any of you watching this? There are true fans among TFE's team (including me)
MNPP whenever you need a Michael Fassbender fix, Jason will provide. 
The Guardian wonders if the Star Wars universe will replace the Marvelverse with the public within the next few years 

Year in Review Stuff
Reverse Shot gets grumpy with "offenses" to take down awards biggies like Son of Saul and Sicario. Though I'll admit reading the take on The Overnight makes me glad I skipped it.
Coco Hits New York who recently joined the team here at TFE has shared his list of the best of 2015. It's a good long read with interesting choices so enjoy. I love what he writes about Alicia Vikander's work in Ex Machina

For playing man as she plays machine, and for not disappointing a movie that builds its mysteries around her.

Link Linker Linkiest Linking Links

New York Post has wise words for Netflix on their strange feet dragging for Season 2 of Jessica Jones
Slate Movie Club 2015 closes I'm assuming you read all 18 entries. They were A-MA-ZING. My favorite Movie Club by Slate ever I think. Mark Harris, Dana Stevens, Amy Nicholson, David Ehrlich, and Dan Kois outdid themselves. 
Decider great piece by Joe on the rise of the bad seen as villain in Star Wars: The Force Awakens and other blockbusters 
Decider Joe also counts down the 10 times Globes were more fun than Oscars (10? This list could go to 1000) but there's a massive typo in his post because it says "7." [sic] by the part about Elizabeth Taylor slurring "GLADIAAAAATOR"  

 

THR excerpt of a new interesting book  "Starflacker" from a longtime PR pro Dick Guttman
The Guardian Anthony Hopkins and Sir Ian McKellen remade the Oscar nominated film The Dresser (1983) for the BBC in 2015- how did I miss this news? 
The Wrap Annihilation, a female led sci-fi picture from Alex Garland (Ex Machina) may star Tessa Thompson and Gina Rodriguez
Variety 33 people will be honored at the Academy's annual Scientific and Technical Awards

Towleroad So John Boyega is just a wee bit shy of how fun he seems so far in public. He's already put the kabosh on the gay Star Wars rumor saying that it's all in Oscar Isaac's head  
The Envelope a video chat with Michael B Jordan about Creed. 
Vanity Fair Ryan Coogler would be just the guy to direct the Hamilton movie adaptation. Make it happen world.
Tracking Board looks at series orders from various TV distributors (we don't call them networks anymore, right, since they're are so many ways to get tv?). Netflix has a series called Gypsy. Unfortunately it's not a musical about the stripper. 
Pajiba pays tribute to Brie Larson's social media game  

#tbt to when all I listened to was the Cats the Musical soundtrack while writing my first feature screenplay. Yes, I am wearing this to the golden globes - thanks for asking!

A photo posted by Brie (@brielarson) on Jan 7, 2016 at 2:07pm PST

Top Tens & Best Of Lists
Yes, they're still going on. Check out: John Oursler's which has Phoenix and Tangerine and The Tribe; Kyle Turner takes a more holistic 'best of' approach of with all sorts of personal notes and thus personal obsessions like Noah Baumbach, Spectre, and such; David Poland published his but without commentary of any kind. I don't even know if they're in order

Oscar Confusions
Voting has closed. I love how utterly perplexed almost every professional and amateur pundit is this year. The guilds and precursors have been all over the place. Kris Tapley tracks the events that happened while balloting was going on. This is an absolute joy if you like the unpredictable AND you don't have a particular film you can't live wihtout. Unfortunately I have two masterpieces to worry (which is more than usual!) so I'm having trouble enjoying the will they or won't they nerves.  But I'll start doing final predictions this very weekend so bear with me! If you need to think about this RIGHT NOW though check out Fisti's thoughts (he predicts that both my masterpieces will be shut out. Thanks, man. Argh). Glenn Whipp still thinks that Mad Max Fury Road will lead nominations. I've never been that bullish on it but still crossing my fingers. There's also a Gurus of Gold update. Though honestly I think some of my numbers are from the previous week because I definitely haven't been confident in Redmayne or Mara lately.Hmmm

Video of the Week
It's beautiful that the week Anne Marie began her Judy Garland series another Judy Garland spectacle made the rounds. Obsessed with this Wizard of Oz video am I. It recuts the film to be in alphabetical order by word (post credits though the credits themselves per title card are also quite a trip). I've only watched through to the "home" which took 45 minutes lol... the time flew by. But only two moments I was expecting to be favorites were "because" and "Dorothy." The other best parts aren't at all the parts you'd be expecting. I'm especially fond of "arf" and "back" and "dead" and "doing" and "frightened" and "ha". It really is mesmerizing how the video just naturally gives you these weirdly gorgeous breathing moments between its hyper edited assaults as with "Boo!" and "bye" or even "hhh" -- Judy Garland is a heavy breather, don'cha know!  Or how words that are only used once feel weirdly crystalline in this new context like "billowing" and "delicately" or how some super fast strings of words appear to be in conversation with each other like "heroes" "heroine" "herself" 

Of Oz the Wizard from Matt Bucy on Vimeo.

I'll stop talking now and leave you with a song, in this format...

a a And are blue come do dream dreams heard high.
I in land lullaby of Once
Over over rainbow rainbow Really skies
Somewhere Somewhere that that the the the
there's true up way you 

News: BIFA, Carrie Fisher, Creed

Gothamist Good Morning America tries to interview Carrie Fisher. She is not as cooperative as they're used to. Hilarious. She mostly wants to talk about her dog Gary. Also...
Carrie Fisher's Dog is on twitter
/Film best and worst of Ryan Gosling on SNL
Variety Shailene Woodley, to whom I am mostly allergic, will unfortunately co-star with Nicole Kidman in Big Little Lies
Boy Culture Warhol superstar Holly Woodlawn has died at 69
i09 in case you can't wait until Christmas, they've released 8 clips from The Hateful Eight to tide you over
Pajiba 8 sets of celebrity dopplegangers

Today's Watch
Director Ryan Coogler talks about Creed's amazing continuous shot boxing match. So gutsy that this bravura bit comes so early in the movie and he still manages to top it later on.

List Mania
Vulture David Edelstein's top ten list is quite adventurous as it zigzags from Room to Chi-Raq but his top 10 and best performances list is.... Steve Carell The Big Short as #2 of the year (say whaaaa?)

Saoirse Ronan has arrived. Finally...
The Moet British Independent Film Awards ceremony happened yesterday during all the critics award madness stateside. The winner by a significant margin was Alex Garland's haunting sci-fi triangle Ex Machina. The prizes...

British Independent Film: Ex Machina
Director: Alex Garland, Ex Machina
Actress: Saiorse Ronan, Brooklyn
Actor: Tom Hardy, Legend
Supporting Actress: Olivia Colman, The Lobster
Supporting Actor: Brendan Gleeson, Suffragette
Screenplay: Alex Garland, Ex Machina
Documentary: Dark Horse: The Incredible True Story of Dream Alliance
International Independent Film: Room
Debut Director: Stephen Fingleton, The Survivalist
Producer of the Year: Paul Katis & Andrew De Lotbiniere, Kajaki: The True Story
Discovery Award: Orion: The Man Who Would Be King
Achievement in Craft: Andrew Whitehurst for VFX, Ex Machina
Short Film: Edmond
Promising Newcomer: Abigail Hardingham, Nina Forever

Kind of a surprise to see Ex Machina dominate so thoroughly though we do love it here at The Film Experience

Can "Creed" Go 12 Rounds With Oscar?

In the past 48 hours I've screened The Revenant, Joy, and Creed. Since the first two are still under embargo we're not allowed to speak of them yet. I will say these non spoilers that The Revenant continues the tradition of Inaritu's love of miserable arguably suicidal men, and Joy continues in the tradition of David O. Russell sandbox like playgrounds for actors eager to play with their new parts. But...embargo!

As movie buffs well know, the original Rocky was a smash hit when it premiered in December 1976, becoming the biggest box office hit of that year, making a star of Sly Stallone, charting a #1 single ("Gonna Fly Now"), and earning an incredible 10 Oscar nominations. It eventually won Picture, Director, and Editing on the big night. And against unreal competition too: Network, Taxi Driver, Bound for Glory, and All The President's Men. The Rocky series spawned a few popular sequels but eventually exhausted its welcome as film franchises do. Creed, smartly plays like both a straight sequel (VII) and a spinoff or rebirth with Rocky Balboa passing the franchise torch to Apollo Creed's son Adonis (Michael B Jordan).

So let's talk Creed and Oscar and the ways it could well factor into the Oscar race after the jump...

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Review: "Creed"

Our newest team member Chris Feil saw the latest in a long dormant franchise early. Here's his review - Editor

Making good on his mainstream sensibilities post-Fruitvale Station, Ryan Coogler returns with Rocky reboot/sequel/spin-off Creed. Born after his legendary father Apollo's death after an affair, Adonis (Michael B. Jordan) attempts to forge his own boxing path without the Creed namesake, recruiting his father's notorious opponent and comrade Rocky Balboa. Similarly, the film tries to have it both ways, attempting to be a sideways stand-alone film while borrowing heavily on the iconography of the original. It is a bit of a left turn for cinema's current trend of cut-and-paste nostalgia, giving Coogler's film a much needed edge for a tired genre, but cursing it with enormous shoes it falls short of filling.

If Fruitvale showed us anything about Ryan Coogler's potential, it was that he could both emotionally invest the audience with a charismatic subject and that he knew how to structure a film's most intense scenes for their maximum dramatic effect. These skills make him the perfect candidate for a mainstream actioner that pulls on the heartstrings, and Creed provides a solid larger platform for him to deliver those goods. Unfortunately still present is his diminished sense of confidence and clarity of vision in extended dialogue scenes, lending to an overall flabby structure. He knows what we want as audience and how to give it to us, but here he has a tricky time transitioning between story beats.

more...

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