Podcast: Is Ex-Machina Great or Slightly Flat?

Katey Rich rejoins Joe Reid and Nathaniel R to discuss Alex Garland's buzzy sci-fi artificial intelligence thriller Ex Machina, now A24's biggest box office hit. Amir Soltani, from Hello Cinema & TFE, guest stars. This podcast is filled with many spoilers about a surprising movie so please see the movie before listening, if you haven't made it to the theater yet.

Running Time - 43 Minutes
00:01 Intros, Randomness, Cannes project
06:00 Ex Machina - Misleading promos vs going in cold
11:22 [SPOILERS]  - Mood versus Substance, sexual issues and slavery metaphor, Princess and Mad Scientist and Frankenstein Tropes, seduction and porn profiles. And we're split on the ending. [/SPOILERS]
29:45 What else we're excited about this summer
36:20 Reader Questions: Bald women, Oscar Isaac
41:50 Goodbyes

Please to enjoy and continue the conversation in the comments. You can listen at the bottom of this post or download from iTunes.  

Further Reading (Related/Referenced): Nick's Cannes Jury / 1995 Retrospective; Michael's Ex Machina Review; Nathaniel's Oscar Isaac Tweet; Stephen Whitty's The Third Man Tweet; Ava's Drawings & Sessions; Ricki & The Flash trailer

Ex Machina

May the Fourth Be With You

Happy annual Star Wars day. Since Star Wars Episode VII: The Force Awakens (just 228 days away) will make this whole year a perpetual Star Wars Day elsewhere on the net, we'll keep this brief. Here are four unqualified positive feelings about the franchise.

1. Nathaniel hearts Leia, Luke and Han (in roughly that order) as much as anyone & forever.
2. Jabba the Hutt, Darth Vader, Emperor Palpatine, and even Darth Maul are superb villains. Deeply memorable villains are incredibly important to adventure genres such as space fantasy, action, sci-fi, superheroes, etcetera and it's one thing nearly every franchise could learn from this one.
3. The Empire Strikes Back is awesome.
4. Where would the world of sound design be without Ben Burtt? The world has never forgotten Darth Vader's breath, Chewie's throaty protestations, and R2-D2's beep bop boop beeping and never shall. What a great call Oscar made in 1977 to give him a special achievement Oscar. 

Classic Post Alert - Click for similar lovelies

Related:
Last Year's May the Fourth Be With You post 

Now you say four nice things about Star Wars in the comments.

A.I. "Her," or The Rise of the Empathetic Machines

Wrapping up the sci-fi week festivities (did you see the final top ten list?) we turn the time over to our fine new contributor Lynn Lee. You'll want to read this one! - Editor

Deep down, most people who think about artificial intelligence have the same fear: that it will not only surpass humanity but supplant us, ending our reign as the planet’s dominant species and extracting cosmic revenge for our own abuses.  Building on these anxieties, movies about A.I. have embraced a pretty consistently grim outlook for humanity in the face of this phenomenon (which even has a fancy, if oddly spiritual-sounding name: the singularity).  The slaves become the masters, seeking either to exterminate or enslave us. 

But if A.I. overtakes human intelligence, and the machines evolve into a superior being, wouldn’t that include superior emotional intelligence?  And wouldn’t a super (emotionally) intelligent being have developed extraordinary powers of empathy?  Rather than using those powers to manipulate us, couldn’t they serve as a bridge between us and them?  Or would they, in outstripping our own poor abilities, become a further source of divergence?

Films that pursue this line of inquiry typically balance the A.I.s’ desire to understand and learn human emotions against their basic survival programming.  Blade Runner’s most transcendent moment involves a replicant (“more human than human”) reaching out to save a man (who may actually be a replicant himself) he was ready to kill just a minute earlier.  A.I: Artificial Intelligence, brandishing the tag line “His love is real.  But he is not,” teases out the conceit of such artificial beings, initially programmed to be and feel just like humans, evolving into a super-species who must deconstruct the emotional memories of one of their earliest prototypes in order to understand their own connection to us.  

More recently, the quietly disquieting Ex Machina introduces an A.I. who turns the Turing test on its head and leaves unanswered whether a machine that can so expertly read and simulate our more vulnerable emotions will ever come to feel them for “real.”

I can’t think of another movie, however, that explores these questions quite like Spike Jonze’s Her...

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Team Top Ten: Best Sci-Fi Films (Post-1977)

Welcome back to April’s Team Top Ten. If you missed our show last week, we chose the best science fiction films made before 1977, the landmark year when both Close Encounters of the Third Kind and Star Wars were released. This week, the masterworks after that milestone.

Although you won’t be shocked to find that we managed yet again to have a tie at number 10 – a three-way tie, no less – our selection otherwise sprang a few surprises. There were omissions of high profile titles – David Cronenberg's The Fly *sniffle* – but we did otherwise cover all decades, multiple genres and even animated films. Long-time readers will not win bonus points for guessing what film came first. Still the margin by which it won was unexpected. It topped half of all ballots and won more points than the second and third films combined. Without further ado…

Team Experience Top Ten
Best Science Fictions Film Produced After 1977...

10. The Iron Giant (1999)
Even fifteen years after I have first seen it The Iron Giant is still one of those films that will light up my face with excitement when I read its name, or see an image from it somewhere. And it's no doubt the same excitement that so many people feel about Brad Bird's first film that has secured its lasting presence in popular culture, and now on this list. I have always been thrilled to introduce new audiences to The Iron Giant - watching it with friends who haven't seen it has become a bit of a tradition for me - so to think that its inclusion on this list might prompt a few of you to see it for the first time, or see it again with someone who doesn't know it yet, fills me with great joy.
–Sebastian Nebel

replicants, extra-terrestrials, and time travellers after the jump...

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A.I. "2046"

Who’s ever fallen in love with an android?”

So wonders the train captain, jovially dismissive of his staff of beautiful female robots aboard a train leaving the futuristic district of 2046. The answer, as we know from the annals of cinematic and literary history, is many a man, and Tak (Takuya Kimura) is merely the latest.

Dave continues our artificial intelligence celebration after the jump...

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