Almost There: Marlene Dietrich in "Shanghai Express"

by Cláudio Alves

A cabaret performer and silent film actress during the Weimar years, Marlene Dietrich left Berlin at the dawn of the 1930s. She abandoned Germany, traveling to Hollywood with director Josef von Sternberg who'd go on to make Dietrich into Tinseltown's most glamorous star. The pair of creative partners and off-screen lovers shot seven films together, all of them classics whose sensuous allure and grotesque opulence make for some of the weirdest pictures to come out of Hollywood at the time. Theirs was a cinema of provocation, hedonistic spectacles that overwhelmed the senses even as they moved at a lethargic pace as if the films themselves are bodies recuperating in the aftermath of an orgasm. As an avowed fan of Marlene Dietrich, this septet represents some of my favorite flicks, their dreams of celluloid working as siren songs that never fail to seduce and enchant.

The Criterion Channel is now streaming these seven glistening gems, so it's a good time to explore a Sternberg-directed Dietrich performance that came palpably close to an Oscar nomination. Let's talk Lily in Shanghai Express…

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8 random things that happened on this day, February 4th, in showbiz history

1932 Josef Von Sternberg's Shanghai Express starring Marlene Dietrich and Anna Mae Wong has its world premiere in Los Angeles. The Chinese media was already upset about it before the premiere. It will open in theaters a week later...

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The 1932 Oscars, the last November Ceremony

The 5th Academy Awards were held on this day (November 18th) in history, 86 long years ago. I bring this up because it's quite a year in Oscar history full of firsts (and lasts!) and cool trivia. Let's recap, shall we?

Wallace Beery (left) and Fredric March (right) tied for Best Actor

First & Last Times For...

A Best Picture winner with only one nomination!
The soapy and delicious all star ensemble pic Grand Hotel won despite no other nominations, a figure that's often been cited as a dubious achievement but isn't unthinkable with actual context; there were only 7 regular categories a film could be nominated in back then, unlike 17 today (the number of categories currently stands at 24 but the others are for foreign/animated/doc/shorts and, of course, a film cannot be nominated in both screenplay categories). And there were less nominees in the categories, too. This made nomination counts for Best Pictures much smaller (there weren't even supporting categories yet where Grand Hotel surely would have been nominated -- hellooooo one of Joan Crawford's best performances!). Here was how it shook out...

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