Capsule Review: Tech Triple Threat - "Super-Pumped," "The Dropout" and "WeCrashed"

by Christopher James

Which new show about the rise and fall of a major tech company prevails in the end?Do you ever get deja vu while watching a TV or movie? Trends always lag a year or two when it comes to pop culture. More so than ever, the minute a story or documentary takes off, production companies are working on the scripted version of the story. In the course of a month, there will be three separate miniseries dramatizing famous tech flameouts from the last decade. Showtime was the first out the gate with Super Pumped: The Battle for Uber, which has already been renewed for season two, centering around Facebook. Next up was Hulu with The Dropout, which cast Amanda Seyfriend as Theranos founder Elizabeth Holmes. By the end of the month, Apple TV+ will premiere WeCrashed, where Oscar winners Jared Leto and Anne Hathaway star as the charismatic couple behind WeWork, Adam and Rebekah Neumann.

It’s easy to make comparisons when so many similar series come out in quick succession. Between the three shows, there’s a clear winner and clear loser. Which is which? Read on to find out...

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"Where we are now on TV" - annual GLAAD report

by Nathaniel R

Yellowjackets helped Showtime stay on top in terms of LGBTQ representation

The Gay and Lesbian Alliance Against Defamation has released their annual WHERE WE ARE NOW ON TV report. The report looks at LGBTQ+ representation via series regulars or recurring characters on scripted television shows across the three platforms: broadcast, cable, and streaming. It covers shows airing between June 1st, 2021 and May 31st, 2022. The shows that haven't aired yet are stastically factored in only when casting has been confirmed by content providers (Notably Apple TV+ AND Disney+ declined to confirm when it came to unaired shows) so the report might have discrepancies.

Herewith are 10 notes on the report, in no particular order...

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Michelle Pfeiffer as Betty Ford? We're so ready!

by Nathaniel R

As all of you pfans now, Michelle Pfeiffer is not easy to pin down. She's been skittish about projects for her entire career, regularly turning down big deal stuff. That became especially true after the mid 90s when she turned her attention to raising her two children and only sporadically made movies, taking some very long breaks from cameras. With the kids left for college she finally started acting again. Her return has been pretty slow but it's now speeding up. Her renewed public profile began with the launch of her perfume line "Henry Rose" and a wonderful Instagram account (social media is not something we ever thought she'd embrace!). We're now in the middle of French Exit's awards run (we're crossing our pfingers hard for a Globe nomination as they've historically loved her more than Oscar voters have). There's so much Pfeiffer to enjoy lately including an amazing new interview with George Clooney in which she reveals she feels exactly the opposite as critics do when it comes to what she thinks are her best performances, and a long conversation with Scott Feinberg at the Hollywood Reporter.

Now comes news that she's signed on for the Showtime series The First Lady to be directed by Danish director and Oscar winner Susanne Bier. Emmy nomination #2 here she comes! The anthology series will reportedly focus on multiple first ladies per season...

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Kirsten Dunst Becomes a God in Central Florida

By Spencer Coile 

Back in 2017, I wrote about Kirsten Dunst’s “return to glory” with her performances in The Beguiled and Woodshock. What I foresaw as glory didn’t exactly materialize - The Beguiled had its ardent fans but no real awards traction, Woodshock was quickly forgotten. Two years later, and Kirsten Dunst receives a star on the Hollywood Walk of Fame and is center-stage in the Showtime original series, On Becoming a God in Central Florida, but for Dunst, something still feels missing. 

Her interview on SiriusXM’s “In Depth with Larry Flick” gave Dunst a chance to discuss how she feels slighted by the film industry - an industry that, she claims, pans her films and then celebrates them years later. Major awards? She’s nabbed two Golden Globe nominations and an Emmy nomination. She even won Best Actress at Cannes for Melancholia though that doesn’t necessarily translate to mainstream attention. It is our sincerest hope here at TFE that Kirsten Dunst’s performance on On Becoming a God in Central Florida starts getting her the credit she's deserved for decades...

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Benedict Cumberbatch is "Patrick Melrose"

By Spencer Coile 

Patrick Melrose is incredibly frustrating. This speaks to both the title character (Benedict Cumberbatch) and the mini-series itself, new on Showtime. The series, based on the semi-autobiographical books by Edward St Aubyn, follows the titular character working to overcome his drug addiction. This is no simple feat, considering the history of abuse that was inflicted upon him by his father, David (Hugo Weaving). 

The opening scene, of the first episode titled” Bad News,” is a single shot of Patrick answering the phone, being told that his father is dead. Patrick goes silent and doubles over onto the floor. What initially appears to be an expression of grief quickly changes, as it soon becomes clear that Patrick is merely reaching down to pick up a syringe he had recently injected into his arm...

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