Links: Wings, 50/50, Serkis, Streep, Top Tens

Drawn Need Christmas Gift ideas! Here's favorite art books of 2011. Love to see "Hark! a Vagrant" and "Amazing Everything" listed, both of which we've linked up before. Several movie books also make the list including The Art of Pixar and Saul Bass.
Movie|Line is still on Team Uggie (The Artist) even if the dog may soon retire. 
In Contention Andy Serkis on MoCap performances and Oscar.
toh! Zoinks. I want to go to this restored Wings (1927) screening so bad. Someone buy me a roundtrip to Los Angeles. The silent classic was the first to win Best Picture and let's just say that ol' Oscar started on a high note. Especially since he essentially gave two Best Pic prizes that year and they other one Sunrise: A Song of Two Humans is also wondrous.

Gold Derby on the opening weekend performance of a "need to see this" movie like Shame. 
Stale Popcorn the ladies who lunch with The Ides of March. Hear hear on the Giamatti/Hoffman business. 
Telegraph Daniel Radcliffe joins the bizarrely long list of actors to play Beat poet Allen Ginsberg .
The Guardin Pixar House inspired by Up goes for $400,000
Pajiba 'movies that should've made an assload more at the box office than they did in 2011'. Interesting list though I'd argue that the gross that 50/50 did receive was much higher than one could reasonably expect given that it was a) a tearjerker for guys and guys aren't supposed to like tearjerkers and b) a comedy ABOUT CANCER. The movie should be proud of its gross.

The Wrap super-duper insanely great news for Meryl Streep fans. The living legend will reprise her guffaw-worthy Camilla Bowner character on the second season of Web Therapy. If you never saw the original Web Therapy shorts that played on the internet (before it was a Showtime series) she played a reparative therapist who was attempting to 'cure' Lisa Kudrow's character's husband of his homosexuality. 

Top Ten o' the Day - David Edelstein
I lurve top ten lists. It matters not whether I find them (individually) nonsensical, just right or aggravating. There's something in me that adores the cataloguing of each year's work. So in each day's link-roundup, I'll be bringing you my favorite bit from whichever top ten list I've just been reading. Here's Edelstein on Beginners:

Melancholy and madcap, Mike Mills’s inventive weave of past and present ushers you into the mind of its hero (a superb Ewan ­McGregor) as he agonizes over his emotional inheritance. As the dad who comes out of the closet at 75, Christopher Plummer is light and lithe, buoyed by his new life among the boys.

I also really dig his question-mark description of Alexander Payne even though The Descendants isn't coming anywhere near my list. 

The Scarlet Linker

Hollywood Reporter on the highlights from the Gotham Awards. Patton Oswalt and Elizabeth Olsen were apparently big hits.
Tom Shone Best Performances of 2011. Love this fluid quick take annual feature.
I Need My Fix Is Christopher Meloni joining True Blood for Season Five? Could that show possibly contain yet more explosive sexiness?
GQ interviews director Guy Ritchie (Sherlock Holmes Game of Shadows) and yes he actually talks about Madonna and the divorce.... which...
Lainey Gossip has an interesting take on what he means when he says "I'm glad I made money" in the interview with which I would totally agree if that's what I was sure he meant. But it seems highly interpretable to me. Maybe that's not what he meant at all. 
Stale Popcorn Glenn speaks out on Meryl Streep's anti-auteur tendencies and what's going on with the quest for that third Oscar. Good piece.

Coming Soon Lizard concept art from The Amazing Spider-Man 
Alt Screen get yourself to Film Forum over the next two months and bone up on the silent film masterpieces they're showing.
Liz Smith shares a funny e-mail from showbiz widow Tita Cahn about J. Edgar.

Worst line ever spoken between two men in a movie -  'will you be my number two?' "

Hee. That's just one piece of it.

Telegraph TFE friend Tim Robey pays tribute to the one and only Ken Russell, remembering their last encounter at a screening of The Devils. 
Perez Hilton Wow. Apparently Meryl Streep donated her Iron Lady salary to the National Women's History Museum
Movielicious offers up this poster comparison, Zhang Yimou's The Flowers of War (which I'm not hearing good things about) and Angelina Jolie's In the Land of Blood and Honey (which I am).

Hmmmm... 

My New Plaid Pants Have you heard about this reboot of The Munsters. I'm trusting JA to keep me informed as he's knowledgable on all things Bryan Fuller (Pushing Daisies, Wonderfalls) one of the best and most idiosyncratic TV minds out there.
MTV Charlize Theron's 2011 Tour of Comedic Movie Star Amazement continues whilst discussing Snow White and the Hunstman.

I haven't really worked with [Kristen]. I've done some small things with her, but we're about to shoot our big showdown, and fingers crossed for me. It's the big battle. I'm just really, really, really hoping I get to kill her. That is how the story ends up, right?"

[For more on her awesome Tour of Tours check out the Actress Roundtable post and the DGA screening of Young Adult.]

Finally...

 Movie|Line has a great interactive Shame map. You can follow Brandon's ritual around the city. It beats an expensive trip to the Museum of Sex here in NYC. 

'It'

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Q&A: Blondes & Brunettes, Silents & Sequels

Each week in the Q & A column I choose a couple handfuls of reader questions to answer. I don't intentionally choose with themes in mind but this week's column, in the requested vacuum of Streep-less questions -- she'd been hogging the column -- tilted straight toward blonde icons and beloved brunettes.

Aaron: If "Girl with a Pearl Earring" and "Lost in Translation" had been released in different years, do you think Scarlett Johansson would be a two-time Academy Award nominee by now?

Fun question. I had to really ponder this. But my answer is no. Oscar fanatics love to debate "vote splitting" whenever someone has two meaty roles in the same category in a given year. The 2003 Oscar race was so weirdly splintered in Best Actress and the precursors just weren't showing herd mentality so right up until nomination morning it felt like virtually any combination of a shortlist that included frontrunners Theron and Keaton was possible. But Scarlett's Lost campaign had more problems than just The Girl With the Pearl Earring. Maybe Samantha Morton, in particular, would've been pushed aside for Scarlett had she only had one film. On the other hand, it was probably the combination of Scarlett's double-breakthrough that put her in the conversation to the degree that she was in it. But I don't believe that she'd have been a two time nominee regardless because the competition in 2004 felt so impenetrable; Moreno, Swank, Bening, Winslet and Staunton were always going to be the top five the following year. 

Scarlett on the Lost in Translation circuit: BAFTA, GLOBES, OSCAR

The most interesting thing about 2003 Best Actress, at least for Trivia Nerds, is how young it skewed historically. Even if you remove the novelty nomination for 13 year old Keisha Castle Hughes (Whale Rider) you might still have had a record breaking year since both Evan Rachel Wood (she was 16 during the Thirteen campaign) and Scarlett Johansson (who had just turned 20) could have also become Youngest Ever had they landed in the shortlist. Both were younger than Jennifer Lawrence from Winter's Bone even who is now the second youngest nominee ever in the category after Keisha. Don't you ♥ trivia!?

MrW: Do you intend to have seen one day all Oscar-winning performances (all four acting categories)? Are there any Oscar winning performances you're embarrassed to admit you haven't seen yet?

I would love to be able to someday claim this but I fear I'll die before that gargantuan task is completed. Naturally, I'm most worried about finishing the actress categories. The three movies I'm most embarrassed I haven't yet seen that sucked up plentiful acting attention / wins are My Left Foot, The Last Picture Show and, yes, The Godfather Part Two. I seriously have no idea why I keep putting the last one off. I even own it! 

Kent: Recently watched GENTLEMEN PREFER BLONDES for the first time. It was such a fun movie! Got me thinking about Marilyn Monroe and how the Academy shunned her so many times. She's so underrated as an actress. I loved her in BUS STOP and SOME LIKE IT HOT. Would you have rewarded her with nominations, even yet, a win?

True Story: I had this poster above of Marilyn Monroe from Bus Stop on my bedroom wall as a teenager -- yes the actressexuality started very early -- My mother saw it, shook her head  and sighed audibly. "Tell her to put some clothes on!" LOL. Different generations, you know.

Marilyn nominations, War of the Hepburns, and sequelitis after the jump.

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Links

I apologize straightaway for the slower-than-usual posting the past few days. it's just been one of those weeks. co-miserate with me in the comments.

Pajiba "Goodwin's Law: Celebrity Edition" starring Susan Sarandon, Lars von Trier and more celebrities whose exaggerating mouths get them into trouble.
Wallace and Gromit's Grand Appeal tons of W&G items up for auction starting on November 1st. I love Wallace and Gromit.
EW Joss Whedon plots his return to the web with the apocalyptic Wastelanders.
In Contention I know you've heard this but it's worth noting that the NYFCC, arguably the most important of the 17 million critics awards out there, have taken the crazy crazy "first!" position in awards season by jumping to (gasp) November.

Animation Magazine that animated marvel Persepolis is still shaking things up years later.
Self Styled Siren remembers Barbara Kent (1906-2011), another silent film star who has left this earth.
Awards Daily is excited for the new Diane Keaton memoir. So am I but I'm honestly surprised as she seemed so the don't-kiss-and-tell type.
Scanners good piece on cinephilia and our separate lines in the sand when it comes to horrific imagery, whether of the standard horror or pyschologically disturbing variety.

Keyframe Nick Davis on Derek Jarman's Blue.  

Indeed, it’s hard to escape an undertow of privation while watching Blue, not just because its premise is the imminent demise of a great filmmaker (still absurdly undervalued by all but the most self-selecting audiences,) but because its form is austere enough to come across as like a mid-level gallery gimmick."

just 4 fun
Skedrawdles "it's a cloud eat cloud world."
Towleroad "It Getteth Better"
Hark, a Vagrant! Spider-Man vs. Kraven.