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Entries in Slovakia (4)

Friday
Sep162022

7 new Oscar submissions for Best International Feature

We're now up to 40 submissions in the upcoming Oscar race for Best International Feature Film. You can see the full charts here but if that's too much all at once for you, here are the latest countries to announce from Armenia to Slovakia, some going with films that are currently playing at TIFF...

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Friday
Oct152021

International Feature: Indonesia, Malawi, Malta, and Slovakia submit

More entries announced!

INDONESIA
Indonesia will send Kamila Andini's Yuni a drama about a teenage girl who rejects a marriage proposal. But the proposals keep coming and culturally she's supposed to accept...

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Thursday
Dec312020

Showbiz History: Three celebrity weddings and a biopic suggestion

4 things that happened on this day, December 31st, in showbiz history

1992 Czechoslovakia is peacefully dissolved and the Czech Republic and Slovakia both emerge from the split. Which means, for our purposes here at TFE that they started all new Oscar submission histories ;) Czechoslovakia had had six Oscar nominations and two wins from 23 submissions the bulk of which were in Czech (though one of their winners, The Shop on Main Street was Slovakian). Interestingly enough just after the split in 1993 only Slovakia submitted to the Oscars while the Czech Republic took a year off. The Czech Repubic has since won one Oscar (Kolya) and had two additional nominations (Divided We Fall and Zelary) and a finalist (The Painted Bird last season). The Czech submission this year is Charlatan. Slovakia has yet to be nominated though they have a Holocaust drama this year, The Auschwitz Report... 

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Tuesday
Dec082015

Interview: Ivan Ostrochovsky on Directing the Slovak Oscar Submission 'Koza'

Jose here. As Creed gains popularity in the awards season, it would be fascinating to juxtapose it with Ivan Ostrochovsky's Koza, the Slovak Foreign Language submission which also happens to be about a boxer. The main difference with both films is that in the very American Creed, boxing is a noble enterprise used by the hero to reclaim his position among the "gods" (it's no accident that in such an Oedipal drama, the leading character's name is Adonis). In Ostrochovsky's film, boxing is the means by which the leading character (played by real life boxer, and former Olympian, Peter Balaz) who goes by the nickname Koza (which means "goat") is trying to raise money to prevent his wife from having an abortion. 

Formally exquisite, and with a running time of a little over an hour, showing how great editing proves that less is indeed more, Koza is an exemplary work of art that combines documentary filmmaking and drama. Its un-romantic look at sports might prove revelatory to some (it certainly did to me) and Ostrochovsky's deep humanism should place him as a director to keep an eye on. He was also kind enough to answer a few questions I had about the film, including how he directed Balaz, and what an Oscar nomination might mean for his career.

Read the interview after the jump...

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