Best of '15: Co-Star Chemistry, the Great Intangible

These are the 15 relationships that really crackled for us on screen this year with an electric snap... or familial/platonic warmth... or sexual combustibility... or tense reserve ... or  lived-in authenticity ...or any combo thereof depending on what the relationship called for. Kudos to the actors, directors, screenwriters, and casting directors who all obviously contributed to capture lightning in a bottle. The following examples of screen chemistry told us so much about the characters within the story and sometimes outside of it from long before the events of the movie or projecting out after the narrative. Do I find it troubling that the SAG and BFCA nominations for Best Ensemble avoided ALL of these films save Spotlight? Why, yes --- yes I do! Thanks for asking. 

Note: I opted not to include Carol in the list primarily because the obsession is too strong and every single relationship in the movie is fascinating (yes even Therese & Richard's! Even Harge & Abby who only get one scene together) and it wouldn't be fair to the other pictures with its web of relationships, new, old, soured, fresh, complicated and all superbly rendered. Joy, which is better than the initial response suggests, also has fine pockets of chemistry within a bustling cast (something David O. Russell excels at) but I couldn't settle on any one relationship.

The list is presented without commentary... but for what you have to say in the comments. 

15 Sylvester Stallone & Michael B Jordan in Creed (trainer/trainee and surrogate something)

14 more couplings after the jump...

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SAG Ensemble -- Everyone's Nominated... Except for You!

Happy SAG NOMINATION DAY! It's time for our glorious depressing tradition of trying to convince a UNION that they ought to look into slightly different rules that are less likely to devalue their dues paying members. Each year when the SAG ensemble nominees are announced the list of actual nominees from the films reveal that non-big name actors are routinely excluded. The problem is that the size of your fame doesn't always correlate with your role and the bulk of SAG's membership is non-famous actors.  If you're curious about why this happens it's due to the rules that you have to have your own title card to be considered part of the official ensemble. In other words you need to a) be famous or b) have a really good agent or c) have the leading role. The only exception to this rule is when the credits don't follow the normal rules. For example Woody Allen movies always list the cast alphabetically on a shared title card. In those cases, you have to be on the first title card to make it in which is why Corey Stoll, who gave the best performance in Midnight in Paris, was left out that year. He wasn't famous enough yet to be on the first page of credits. Now he tends to get his own title card. 

So let's look at who was honored and who was mistreated this morning by the group nominations.

BEASTS OF NO NATION
Nominated Cast: Abraham Attah, Idris Elba, Kurt Egyiawan (as "2nd I-C")

Who was left out: Just about everyone which makes it the strangest nomination of the group. Does three make an ensemble?  I have not yet seen the film -- child soldier dramas are a subgenre I avoid like the plague since they're mentally scarring -- but I hear that Emmanuel Nii Adom Quaye who plays "Strika" is quite good in the movie. 

more after the jump...

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SAG Award Nominations

Early this morning while waiting for the Screen Actors Guild Nominations to come i wondered out loud "what will be the insane 'Naomi Watts in St Vincent' nomination today?". No one could have expected that the answer would be "all of them".

Ladies and gentlemen the weirdest bunch of nominations ever for the SAG AWARDS which will be broadcast on Saturday January 30th on TBS/TNT. Many people will be rethinking their Oscar predictions this morning but it's important to remember that there is extremely little overlap between nominating committee members of SAG (chosen at random each year from their huge membership) and Oscar's acting branch (a few thousand elite people). 

In fact, Melodipopvision is correct when she suggests "Isn't SAG basically now an annual list of "prestige actors I've liked in some other stuff"?"

Normally we love surprises during awards season but when they're as unfortunate as so many of these surprises this morning, the terror begins to set in. What kind of Oscars are we going to get this year?

Nominations with commentary & statistics after the jump...

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SAG Ensemble. Which films get the honor of losing to Spotlight?

The Screen Actors Guild nominations are just one week away. Who do you think will be nominated for Best Ensemble? Spotlight is the only sure things since it screams "ENSEMBLE!" Or at least it whispers "Ensemble" with grave concern and sobriety standing with arms akimbo with rolled up sleeves and khakis. The Martian is probably in since it's well liked, hard to avoid, has a big cast, and it's long been speculated that actors sometimes vote for movies that they wish they could have been in (i.e. movies wherein a bunch of people look to be having fun making it)

But that's only two slots. So where do the other three go? More after the jump...

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Gotham Winners: Color us "Tangerine"

The most exciting wild card at both the East Coast Gotham Awards and the West Coast Spirit Awards is Sean Baker's raucous and hugely entertaining comedy Tangerine (my favorite film from Sundance this year) about two trans hookers sharing a wild 24 hours in Los Angeles at Christmas time. Though most of the big movie awards prefer studio filmmaking or "prestige" indies, we can all cross our fingers that Tangerine, which is truly independent in spirit and filmmaking, has one mainstream nomination in its future: Best Picture, Comedy or Musical at the Golden Globes. It would be richly deserved.

But if that doesn't come to pass at least it was well loved at the Gothams (two awards, bested only by Spotlight) and with Spirit Nominations. Though Carol was shut out, Gotham Awards don't have that many categories to begin with and Todd Haynes was honored so we'll forgive them.

Feature Spotlight
Audience Award Tangerine
Actress Bel Powley in Diary of a Teenage Girl
Actor Paul Dano in Love and Mercy
Documentary The Look of Silence
Screenplay Spotlight written by Tom McCarthy & Josh Singer

Breakthrough Awards
Breakthrough Actor Mya Taylor in Tangerine
Breakthrough Director Jonas Carpigano for Mediterranea
Breakthrough Series - Long Form Mr Robot
Breakthrough Series - Short Form Shugs & Fats

Special Prizes
The First Gotham Appreciation Award Ellen Cotter - Angelika Film Center Theaters
Special Jury Award – Ensemble Spotlight's Mark Ruffalo, Michael Keaton, Rachel McAdams, John Slattery, Stanley Tucci, Brian d’Arcy James, Liev Schreiber, and Billy Crudup
Tributes to: Helen Mirren, Todd Haynes, Robert Redford