Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team.

This site is not for profit but for an expression of love for cinema & adjacent artforms. 

Powered by Squarespace
DON'T MISS THIS

Follow TFE on Substackd 

Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in Futuro Beach (4)

Friday
Jul092021

Cannes at Home: Day 4

by Cláudio Alves

Benedetta has arrived! Going into Cannes, Paul Verhoeven's promised delirium of Baroque nunsploitation was one of the most anticipated titles in competition. As the mixed reactions pour out of the Croisette, international expectations have only increased; Unanimous praise would be disappointing for such a film. Beyond Verhoeven in the Competition lineup, Catherine Corsini also premiered her latest La Fracture. Other promising new titles outside the competition slate are Eva Husson's Mothering Sunday and Karim Aïnouz's Mariner of the Mountains. As we wait for those four gourmet prospects to be released or come to a future festival near us, we look back at these directors' past works, to find many visions of carnality, both sensual and disturbing...

Click to read more ...

Monday
Dec212015

Best of '15: Co-Star Chemistry, the Great Intangible 

These are the 15 relationships that really crackled for us on screen this year with an electric snap... or familial/platonic warmth... or sexual combustibility... or tense reserve ... or  lived-in authenticity ...or any combo thereof depending on what the relationship called for. Kudos to the actors, directors, screenwriters, and casting directors who all obviously contributed to capture lightning in a bottle. The following examples of screen chemistry told us so much about the characters within the story and sometimes outside of it from long before the events of the movie or projecting out after the narrative. Do I find it troubling that the SAG and BFCA nominations for Best Ensemble avoided ALL of these films save Spotlight? Why, yes --- yes I do! Thanks for asking. 

Note: I opted not to include Carol in the list primarily because the obsession is too strong and every single relationship in the movie is fascinating (yes even Therese & Richard's! Even Harge & Abby who only get one scene together) and it wouldn't be fair to the other pictures with its web of relationships, new, old, soured, fresh, complicated and all superbly rendered. Joy, which is better than the initial response suggests, also has fine pockets of chemistry within a bustling cast (something David O. Russell excels at) but I couldn't settle on any one relationship.

The list is presented without commentary... but for what you have to say in the comments. 

15 Sylvester Stallone & Michael B Jordan in Creed (trainer/trainee and surrogate something)

14 more couplings after the jump...

Click to read more ...

Wednesday
May132015

New To (Some of) You: Still Alice, Futuro Beach, Beloved Sisters

Thanks to everyone who answered last week's open question about DVD coverage. We won't fuss too much about switching things up but we will do a little more than we are doing for the second and third wave audiences.

NEW DVD / BLURAY
This is your weekly reminder that Julianne Moore is now an Oscar winner! The film that finally did the job (in conjunction, of course, with goodwill from a dozen undeniable acting triumphs in her past) was Still Alice, a minimalist drama about a linguistics professor suffering from early on set Alzheimers which is now out on DVD and BluRay for you stragglers. Who still hasn't seen it? You owe it to Julie so, rectify.  For those that did see it two questions:

  1. Which scene do you think cemented Julianne's Oscar traction or even her win?
  2. If it's different, what scene or moment do you still think about?

Also recommended: Germany's most recent Oscar submission Beloved Sisters didn't win much press or Oscar traction despite an actual theatrical release in the December glut but it will satisfy those of you that love a good costume drama and don't mind a long running time. It's about two sisters whose mother hopes for them to marry rich but they both fall in love with the same penniless poet. Perhaps they'll share him? Here's the complete review if you missed it.

Also new though good luck finding someone who recommends them: Mortdecai (Johnny Depp + Gwyneth Paltrow + moustaches?), Blackhat (Michael's review), The Cobbler (the scathing reviews were something of a surprise since writer/director Thomas McCarthy is usually beloved), and Taylor Lautner in Tracers (though I'm never going near one of those again post-Abduction

Two recommended Instant Watches after the jump...

Click to read more ...

Saturday
Jul262014

NewFest: "Futuro Beach" and "Gerontophilia"

This double feature review was originally printed in Nathaniel's column at Towleroad

Help, he’s drowning! In good movies so don’t rush to the rescue. Both the opening and closing night films of this week’s satisfying NewFest (July 24th-29th), NYC's annual LGBT film festival in partnership with OutFest, begin with a drowning. Both drownings become romantic catalysts for the lifeguard, but the films couldn’t be more different in tone or purpose so it’s surely a coincidence. NewFest got the order right, opening with the dramatic punch and ending with a sweet drive into the sunset.

In the Brazilian/German film FUTURO BEACH, which opened the annual LGBT film festival Thursday night, two tourists are hit by violent waves. Lifeguards rush in to save them but only one survives. Donato (Wagner Moura) shaken up by losing his first swimmer, seeks out the survivor's friend, a sporty motorbike enthusiast named Konrad (Clemens Schick) to explain the process for dealing with the body. Soon they're angrily rutting, caught up in the disorienting and wrenching drama. Their hookup appears destined to burn bright and die quick due to its emotionally disconnected start and its rapid and frank visual presentation -- English language cinema still lags far behind European cinema in its depictions of sex; the full frontal here is presented as if it’s no big deal.

[More...]

Click to read more ...