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Entries in Bruce LaBruce (2)

Saturday
Jul092022

Links: Sadie Sink, Kurt Russell, Jean Smart, and "Giant"

Advocate If you're in LA this weekend note that the Fine Arts Theatre in Beverly Hills is showing a restoration of Giant (1956) -- excellent epic with three ridiculously iconic stars (Rock Hudson, Liz Taylor, and James Dean) and meant to be seen on the big screen
Antidote Director Bruce LaBruce interviews Betty Blue herself Béatrice Dalle. Great photoshoot
PrimeTimer all of Jean Smart's Emmy nods, ranked: Hacks, Fargo, Frasier, Watchmen, etc

More after the jump including Kurt Russell's Elvis movie, Sadie Sink on Broadway, and, sadly, more actor deaths to report...

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Saturday
Jul262014

NewFest: "Futuro Beach" and "Gerontophilia"

This double feature review was originally printed in Nathaniel's column at Towleroad

Help, he’s drowning! In good movies so don’t rush to the rescue. Both the opening and closing night films of this week’s satisfying NewFest (July 24th-29th), NYC's annual LGBT film festival in partnership with OutFest, begin with a drowning. Both drownings become romantic catalysts for the lifeguard, but the films couldn’t be more different in tone or purpose so it’s surely a coincidence. NewFest got the order right, opening with the dramatic punch and ending with a sweet drive into the sunset.

In the Brazilian/German film FUTURO BEACH, which opened the annual LGBT film festival Thursday night, two tourists are hit by violent waves. Lifeguards rush in to save them but only one survives. Donato (Wagner Moura) shaken up by losing his first swimmer, seeks out the survivor's friend, a sporty motorbike enthusiast named Konrad (Clemens Schick) to explain the process for dealing with the body. Soon they're angrily rutting, caught up in the disorienting and wrenching drama. Their hookup appears destined to burn bright and die quick due to its emotionally disconnected start and its rapid and frank visual presentation -- English language cinema still lags far behind European cinema in its depictions of sex; the full frontal here is presented as if it’s no big deal.

[More...]

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