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Entries in Spring Breakers (14)

Monday
Apr012019

Beauty vs Beast: Nanny Dearest

Jason from MNPP here with this week's "Beauty vs Beast" -- today we're wishing a happy 32 to one of our absolute favorite working actresses, the great Mackenzie Davis. If you watched Halt and Catch Fire you got it the second her "Cameron" showed up and from that moment on it's just been a long slow waiting game for the rest of the world to catch up. But catch up they have, I think - I mean she is about to star in a Terminator movie so I think they have. Whether she'll have anything of actual substance to do in that we'll have to wait and see.

But we'll always have Tully! Jason Retiman's 2018 film was one of our faves (Nathaniel gave it several nominations and a win for its screenplay in his Film Bitch Awards), spinning an exquisite dissociative dramedy out of the newborn fugue state -- it reeks of new parent smell. The film's a showcase for Theron and Davis' easy charms -- one of the year's true pleasures was getting the chance to explore the constant moment of total anxiety in such capable hands. You feel a little bit saner on the far side of Tully.

 

PREVIOUSLY Last week's Spring Breakers poll turned out to be closer than I anticipated, given how well James Franco's "Alien" was receieved at the time, but he won it only at 54% -- indeed nobody had anything kind to say about him or his performance in the comments. So we'll share some love for the girls, via Tom G:

"I give credit to Hudgens for trying to take risks with her career post HSM. She did Broadway as well and is generally regarded as the saving grace of the live musicals she appears in on TV."

Monday
Mar252019

Beauty vs Beast: Girls Gone Wildin'

Happy Monday to one and all, Jason from MNPP here with this week's brand new edition of "Beauty vs Beast" -- enfant terrible provocateur Harmoney Korine is tossing another neon grenade our way this forthcoming Friday with his film The Beach Bum (reviewed at SXSW), twisting our sexual stoner preconceptions of Matthew McConaughey to suit his perverse needs. So for this week's contest, with Britney's voice still warbling in our heads, let's toss it back seven years to Korine's last much celebrated ode to the wacky Florida lifestyle, Spring Breakers.

In one corner we've got our four bikini kill co-eds (played by Vanessa Hudgens, Selena Gomez, Ashley Benson and Rachel Korine) and everywhere else we've got the drug-dealing pistol-fellating Alien (James Franco), owner of shit.

PREVIOUSLY I figured last week's Eternal Sunshine contest wouldn't be close but it really, really, wasn't close -- Kirsten Dunst walked away with 92% of the vote over Elijah Wood's mega-creep; said Fitz:

"Mary, Mary, Mary. No contest. I think Kirsten Dunst's performance, as a supporting actor, was perhaps more impressive than Kate Winslet's with the limited time she got. Mary's arc was devastating, and Dunst (no surprises) was heartbreaking in the role. Sadly—just another Oscar nod that was denied Dunst who should have at least 6 and 1 win by now (her turns in Melancholia, The Beguiled, Bachelorette, All Good Things, The Virgin Suicides, Marie Antoinette, The Cat's Meow, Eternal Sunshine, Interview with the Vampire were all Oscar-worthy performances)"

Wednesday
Mar202019

Soundtracking: Spring Breakers

by Chris Feil

Harmony Korine’s Spring Breakers is a masterstroke as definitive for its musical sensibility as any film in recent years. The film is a septic portrait of neon dreams gone sour, its partying coeds representing a state of mind numbed by a need to escape their bland existence. Where Korine finds more than beneath the drunken surface of their ultimately violent misbehavings, he also finds more pathos beneath the acid pop veneer that fuels their waywardness.

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Monday
May122014

Four Stories Lukewarm from the Presses That I Didn't Write About At First Because Reasons

Submit to our longwinded too descriptive blogpost titles. Submit.

Brangelina II: The Sequel
FINALLY. The world's most famous movie couple Angelina Jolie & Brad Pitt will reunite onscreen 10 long years after Mr & Mrs Smith (2005). Jolie wrote the script which is rumored to be about a troubled couple on vacation attempting to save their marriage. She's obviously been working hard at becoming a force behind the camera (I'm guessing she's announcing retirement from acting by 2018 or so... a hunch) so it's possible she'll direct it, too. It's a complete mystery as to why it's taken this mega-star couple this long to co-star again when a) they're still highly bankable and b) by all sane non-gossipy accounts they're still enormously fond of each other ten long years after their affair on Mr & Mrs Smith caused such a ruckus in Hollywood.

We so rarely get viable recurring screen couples anymore outside of franchises with infinite parts and iron clad contractual obligations. Occasionally accidents will happen and we'll get 3ish pairings of a couple that really works together onscreen (Turner & Douglas in the 80s, Ryan & Hanks in the 90s) but for the most part, Hollywood doesn't even attempt to capitalize on the proven success of onscreen chemistry. That's tremendously weird if you think about it for more than 2 seconds since Hollywood attempts to capitalize on EVERYTHING ELSE that's proven successful in the past. 

Speaking Of...

Spring Breakers 2. But Why?
You've undoubtedly heard by now that the divisive Spring Breakers (which was loathed and loathed in equal measure)  is getting a sequel. That sequel is apparently without the original cast and the original director so it begs the question of "why". It's not like Spring Break, that boozy young ritual, is not a marketable topic in and of itself. People have been making movies about that since at least the 1960s. So why connect it to a film that wasn't loved by  general audiences. Sure it opened well but it plummeted soon thereafter and at least in my screening there were many walkouts from the crowd that was not suspecting a subversive auteurist movie with a major male actor fellating firearms but just, you know, tits and ass. I heard a few "that's the worst movie I've ever seen" as I exited the theater.

Jonas Åkerlund (mostly known for smash music videos like "Ray of Light," "Smack My Bitch Up," "Telephone," "Paparazzi" and more)  is on board as the director. Maybe they want to sell it like a mainstream franchise that's also a rotating auteurist franchise -- like, I don't know "Aliens"? In which case awesome/ good luck! 

Baz ♥ Elvis
The news floating around that Baz Luhrmann is considering an Elvis Presley biopic came so quickly on the heels of the news that he was considering a bigscreen adaptation of TV's Kung Fu (which we did write about) that I didn't have it in me to go into speculation again about what he might do next. Largely because I don't trust him to make anything until at least 2017. He's notoriously non-prolific after all despite the web's interest in suggesting that he's about to do something every few months. Which is why I've illustrated this paragraph with a graphic I made in 2011 instead of with a photo of The King. Word and Film has casting suggestions and especially likes the idea of Zac Efron in the role. 

YNMS: Dawn of the Planet of the Apes
Sometimes the Yes No or Maybe So series is defeated/delayed by sheer Yesness. Such is the case with Dawn of the Planet of the Apes. I was a fan of Rise of the Planet of the Apes (2011). It's not that it gave reboots a good name (in the end nothing can do that since they're still, at their core, cash grabbing regurgitation) but it did show that if you're going to riff on franchises with plentiful cultural history that doesn't need to be replaced in the first place, you can do it with contemporary thought, artistic conviction and something like passion instead of doing it absent-mindedly or ineffectually while cashing your checks (*cough* The Amazing Hobbit-Man of Steel Pt. 2).

But the new trailer but for argument's sake...

 

Yes - Jason Clarke (so excellent in Zero Dark Thirty) replacing James Franco as the human lead? Upgrade! It still looks classy and artfully mounted despite the rich cheese potential and dated B-movie pull of the premise.
No - Some CGI fakery with those baby apes. That halting voice talking might get old when stretched to 120 minutes and beyond.
Maybe So - Environmental and sociopolitical themes can be tough to deliver with anythink like subtlety or grace so we'll see. Will it be too grim/heavy-handed? And might it fare better in the long run with a little humor or cheese?

If you have thoughts on these stories you've kept bottled up, now is the time to spew them!

Monday
Jan062014

The 50 Best Movie Posters of 2013

Glenn here with my yearly tradition of counting down 2013's best movie posters. I've done this for the last however many years at my own blog crowning such gorgeous designs as An Over-Simplification of Her Beauty, Here I AmThe Runaways, and Antichristbut this year we've shipped it on over to The Film Experience. I've gotten a bit of a reputation as "the poster guy" due to being one of the only people online who seemed to look at poster art in details and with any sort of critical eye. Thankfully that's not so much the case anymore with more and more websites starting features and writing lists dedicated to key art. For once I was ahead of the curve!

This year's list was remarkably easy to compile. Perhaps it goes hand in hand with being a good year for film in general, but 2013 was an excellent year for the art of movie posters. I didn't have to scrounge around for titles to finish the list. In fact, despite the list being a whopping 50 titles long, I still had to leave some out. It will become obvious that I have a thing for horror and indie titles because I feel they have to work harder at convincing audiences to give them the time of day. Still, the lack of Hollywood blockbusters isn't me being contrarian or anti-populist, but just reflecting the rather lacklustre year in that department. But, hey, if it means I get to share the likes of Zero Charisma, Simon Killer, Mystery Road and more with you then I'm okay with that.

 

 

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